[Scarlatti] Introducing masterpieces and signature works from his many keyboard compositions!
Domenico Scarlatti, an Italian composer and organist who wrote as many as 555 sonatas for keyboard.
He was a major Baroque composer who revolutionized keyboard technique of his time.
If you study piano, you’ve likely encountered some of his works at least once.
In this article, we’ll introduce some of Scarlatti’s masterpieces and signature pieces.
In the videos, you’ll find not only performances on grand piano but also many on the harpsichord, the keyboard instrument of that era—be sure to enjoy the harpsichord’s distinctive timbre!
- [Masterpiece Classics] A special showcase of gem-like masterpieces so beautiful they’ll move you to tears
- Scarlatti’s Piano Pieces: Baroque Masterpieces Left by the Maestro of Keyboard Sonatas
- Cool classical masterpieces. Recommended classical music.
- Arcangelo Corelli’s Masterpieces and Popular Works: A Collection of Beautiful and Elegant Melodies
- Sibelius’s famous piece. Popular classical music.
- [Baroque Music] A Curated Selection of Timeless Masterpieces and Famous Works
- [François Couperin] Introducing famous and popular pieces by the composer who loved the harpsichord
- Classical piano masterpieces: legendary performances from around the world you should hear at least once
- Cello Masterpieces: A comprehensive introduction to exquisite classical works that let you savor its profound timbre
- J.S. Bach | Introducing Famous and Representative Works
- Introducing Maurice Ravel’s Famous and Representative Works
- A poignant classic masterpiece. Recommended classical music.
- Today's Classics: Recommended classical music and great performances to listen to today
[Scarlatti] Introducing Famous and Representative Pieces from His Many Keyboard Works (1–10)
Sonata in A minor, K. 109 (L. 138), Sonata in A major, K. 113 (L. 345)Domenico Scarlatti
Sonata in A minor, K.
109 (L.
138): Adagio; Sonata in A major, K.
113 (L.
345): Allegro.
Performed on two harpsichords by Enrico Baiano and Amaya Fernández Posuelo.
Recorded at San Marco Church.
Sonata in G major, K. 259 (L. 103)Domenico Scarlatti
A gem by Scarlatti.
Its lively, flowing melodies and the striking contrast with powerful chords are particularly memorable.
From the bright tone of the opening, the middle section suddenly shifts into a passionate, dance-like character.
The light, graceful melody then returns, and the piece concludes with a brilliant coda.
Composed around 1756, this work showcases Scarlatti’s innovative keyboard techniques to the fullest.
It offers an appealing sound whether performed on harpsichord or piano.
Highly recommended not only for Baroque music enthusiasts but also for those less familiar with classical music.
Sonata in D minor, K. 141 (L. 422)Domenico Scarlatti
This piece is written in 3/8 time with an allegro tempo, characterized by a rapidly repeated single-note melody.
This technique, reminiscent of guitar tremolo, reflects the influence of Spanish folk music.
Owing to its technical difficulty and expressive depth, it is among the most popular works of the Baroque repertoire.
It demands flexible left-hand leaps and the control of rapid passages, requiring advanced technique from the performer, yet its passionate, energetic character creates a compelling drama that captivates listeners.
Its distinctive structure and fervent expression continue to be cherished by many performers and audiences today.
[Scarlatti] Introducing Masterpieces and Signature Works from His Many Keyboard Pieces (11–20)
Sonata in F major, K.438 (L.381)Domenico Scarlatti
Scarlatti, who wrote as many as 555 keyboard sonatas during the Baroque era.
Among them, this work in F major is characterized by its bright, lively mood.
It exquisitely blends an angelic charm, as if angels were dancing, with technically demanding passages that could easily tangle the fingers.
Perhaps influenced by life at the Spanish court, its dance-like rhythms are also captivating.
Though the performance time is short—about four minutes—it is a compelling piece that demands a light touch and a clear sense of rhythm.
This work lets you fully savor Scarlatti’s unique sound world—be sure to give it a listen.
Sonata in E major, K. 380 (L. 23)Domenico Scarlatti
This work, known as a quintessential masterpiece of Baroque keyboard music, is striking for the contrast between the lively, flowing passages in the right hand and the simple yet beautiful chords in the left.
The middle section dramatically shifts in character to a powerful, dance-like style; after the return of the initial lighthearted melody, the coda brilliantly revisits the middle section’s dance and brings the piece to a spirited close.
Its dynamic contrasts keep both performer and listener fully engaged.
Reflecting Scarlatti’s deep insight into keyboard instruments, this piece is highly recommended for students of the harpsichord or piano.
Concerto Grosso No. 1 in F minorDomenico Scarlatti
A work for keyboard composed by Scarlatti.
Known as a virtuosic piece for the harpsichord, it captivates with its distinctive timbre and intricate structure.
The world woven by its melodies—both powerful and graceful—seems to express the beauty and strength of nature.
Pastoral, gentle lines are imbued with passionate expression.
The shifts in dynamism across the movements are also a highlight.
Premiered around 1740, it is a piece that, while grounded in the typical aesthetics of Baroque music, shines with Scarlatti’s unique individuality.
Sonata in G minor, K.30 (L.499) “Cat’s Fugue”Domenico Scarlatti
Sonata in G minor, K.30 (L.499): Moderato.
Commonly known as the “Cat’s Fugue.” According to legend, Scarlatti’s beloved cat had a habit of walking across the harpsichord keys, inspiring him to write one of the phrases.
Performed by Elaine Comparone.