I want to sing songs that use a lot of falsetto—tracks that are also good for practicing falsetto at karaoke.
I want to be able to sing in falsetto at karaoke! But I don’t know how to choose practice songs… Many people probably share this concern.
In fact, when practicing falsetto, choosing songs with moderate melodic contours and a suitable range is the shortcut to improving.
In this article, we’ll introduce the characteristics of songs that are effective for practicing falsetto, as well as tracks that are easy to try at karaoke.
From songs you can tackle casually to ones that help you step up gradually, you’re sure to find options that let you practice enjoyably within your vocal range!
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I want to sing songs that use a lot of falsetto. Songs that are good for practicing falsetto at karaoke (61–70)
What If StoryTani Yuuki
Tani Yuuki’s song “Moshimo Monogatari,” known as the ending theme for the long-beloved classic anime Doraemon, has the gentle warmth you’d expect from a Doraemon track.
Its range is mid1 F# to hi C#, which isn’t particularly wide, but the overall tessitura is high, so you’ll need mixed voice to sing it in the original key.
That said, it’s not an especially difficult song, making it highly recommended as practice material for developing your mixed voice.
graceFuji Kaze
This is Fujii Kaze’s 12th digital single, released in October 2022.
Fujii Kaze is known for his somewhat laid-back vocal style, and that charm is fully present in this track as well.
The falsetto used in the high notes of the chorus renders melodies that could easily become edgy in a very soft and gentle way.
There aren’t many sections sung in falsetto throughout the song, but it’s an excellent piece for learning and effectively using falsetto.
Be sure to study his vocal production closely and try singing it at karaoke.
Snow BlossomNakajima Mika
Her signature song “Yuki no Hana,” known for its beautiful falsetto, has been covered by many artists both in Japan and abroad.
Countless people sing this song in falsetto at karaoke, and it remains popular today.
As a winter ballad, it’s often sung during the wistful winter season, and her voice in the chorus is so beautiful that many admirers practiced it over and over (lol).
This is truly a classic falsetto song, without a doubt!
sparkleFuji Kaze
This is a song by Fujii Kaze, released exclusively via digital distribution on May 3, 2021.
It was written specifically for Honda’s VEZEL commercial, and it was reportedly the first time he had ever handled a commercial song.
While the track has a very fun, buoyant feel, Fujii’s airy falsetto—especially audible in the latter half of the chorus—really shines within the music and sound.
That sense of weightless floating is possible precisely because of his captivating falsetto!
If I Fall in LoveCrystal Kay
This is the 17th single by Crystal Kay, a female singer and actress, released in May 2005.
It was chosen as the theme song for the Fuji TV drama “Koi ni Ochitara: Boku no Seikou no Himitsu,” and as of March 2023, when this article was written, it remains her biggest hit single.
Crystal Kay’s use of head voice and falsetto—especially noticeable in the pre-chorus (B-melody) section—is truly outstanding.
By deftly switching between a gentle falsetto and a powerful falsetto, she showcases remarkably nuanced vocal expression.
It’s very difficult to replicate this in karaoke by relying solely on differences in volume.
Instead of controlling volume, try to sing by adjusting the speed of your breath when producing your falsetto.
Fu re te Fu re ruTK from RIN TO SHITE SIGURE
The B-side to “unravel,” which could be called TK’s signature song, is actually “Fu re te Fu re ru.” It explodes even more with high notes and falsetto than “unravel,” and it’s one of my absolute favorites to sing at karaoke.
Rather than a clean falsetto, TK’s falsetto pierces like a cry, so unless you can normally hit high notes, it’s a tough song to pull off… That said, it’s a super cool track, so if you think of it as a way to practice falsetto, I definitely recommend it for rock lovers! It’s fine to start with a weak falsetto.
Just keep practicing using a lot of breath over and over, and gradually build your explosiveness—that’s the idea!
Feverish Demonzutto mayonaka de ii no ni.
The vocal range is wide, from A#3 to E5, and the song sits generally on the higher side, but it’s easier to stay on pitch if you sing gently with a falsetto-like tone! However, relying only on falsetto can make you wobbly and tired, so be sure to focus on diaphragmatic breathing and core support to keep your voice steady.
The rap-like section before the chorus is a cool highlight, so have fun singing it while riding the rhythm! It’s a slightly fast song, so don’t forget to take breaths and give falsetto a try!