I want to sing songs that use a lot of falsetto—tracks that are also good for practicing falsetto at karaoke.
I want to be able to sing in falsetto at karaoke! But I don’t know how to choose practice songs… Many people probably share this concern.
In fact, when practicing falsetto, choosing songs with moderate melodic contours and a suitable range is the shortcut to improving.
In this article, we’ll introduce the characteristics of songs that are effective for practicing falsetto, as well as tracks that are easy to try at karaoke.
From songs you can tackle casually to ones that help you step up gradually, you’re sure to find options that let you practice enjoyably within your vocal range!
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I want to sing songs with a lot of falsetto. Please suggest karaoke songs that are good for practicing falsetto (1–10).
Wherever you areONE OK ROCK
ONE OK ROCK’s signature song “Wherever you are.” Since it’s sung as a love song that vows eternity, you’ll want to use falsetto to really bring out the song’s appeal.
That said, the falsetto in “Wherever you are” appears mainly at the beginning.
The song builds toward the latter half, so about two-thirds is sung in chest voice.
If you sing the initial guitar-backed section firmly in falsetto to create contrast, it lands stylishly.
Many people who like rock and band music seem to want to sing ONE OK ROCK.
The high range can be a hurdle, but ballads let you cover the high notes with falsetto, so they’re recommended.
Open your throat and keep the breath flowing steadily!
Lovers AgainEXILE
EXILE’s 22nd single, released in January 2007.
It was also used as a campaign song for the mobile carrier au.
In contemporary R&B-style songs like EXILE’s, vocals are often sung mainly in mixed voice, and deciding where to draw the line with falsetto can be quite tricky.
If you focus on the falsetto aspect, the highlight of this track is definitely the brief falsetto used on the high notes in the chorus.
You’ll see if you try it yourself—this expression requires considerable vocal technique.
If you’re confident in your high notes or head voice, give it a try!
A three-penny novelKing Gnu
This is a song that keeps showcasing Iguchi’s beautiful high tones.
It’s a 2020 track used as the theme song for the NTV drama “A 35-Year-Old Girl.” Speaking of King Gnu, it’s a band where Tsuneta’s unique world and Iguchi’s high tones beautifully match.
There may not be many people who can sing it in the original key, but since our theme this time is falsetto, it’s meaningful to sing it in the original key! When you sing, instead of pushing your voice, imagine letting the breath flow and resonating in your head.
The melody line has stair-like parts that might be difficult, but once you can produce a stable falsetto, it’s actually easier to keep pitch than singing in chest voice.
That said, core strength is important too, so keep your lower abdomen engaged to prevent your body from wobbling.
It helps to sing with a sense of quick, explosive support—like “huh, huh”—to build that snap.
I want to sing songs with a lot of falsetto. Karaoke-friendly tracks that are also good for practicing falsetto (11–20)
PlatformUru
Uru is known for her delicate, airy vocals.
“Platform” was released on October 15, 2025, and is used as the opening theme for the TV anime Eternal Twilight.
Uru’s songs are generally sung with lots of breath and a falsetto-based approach, making them perfect when you want to sing in falsetto! Because “Platform” has a brighter tone, the falsetto isn’t as obvious as in some of her other tracks, but it’s sung with a strengthened, falsetto-like voice.
Singing with a similar technique might be a bit advanced.
But don’t worry! If you keep practicing using plenty of breath when producing sound, you’ll gradually be able to sing with more strength.
Aim for that clear, transparent vocal quality!
Before our feelings overlap…Hirai Ken
From the very beginning, Ken Hirai’s beautiful singing voice resonates in this song.
It’s a 2004 track that was used in a TOYOTA Corolla Fielder commercial and also served as the theme song for the Fuji TV drama “The Truth of Tsugumi Kuzushi.” The lyrics make it a ballad that feels both like singing and like speaking to someone, so it’s a song you can really get into and sing calmly.
I often point out Ken Hirai’s singing characteristics to my students, so please use them as a reference! First, while it’s memorable that he sings with his eyes closed, in reality, closing your eyes can cause unnecessary tension and make it harder to stay on pitch.
However, Hirai raises his eyebrows and uses his hand to track the pitch while he sings.
He compensates in other ways so that singing becomes more natural and easier.
This gesture also makes it much easier to produce falsetto, so definitely give it a try!
Mirror feat. Kosuke Saitoieiri reo
It was released for streaming on October 8, 2025, and was written as the theme song for the NTV Wednesday drama “ESCAPE: It Was Supposed to Be a Kidnapping.” It’s a collaboration between Leo Ieiri and Kosuke Saito, the guitarist-vocalist of UNISON SQUARE GARDEN and TenTwenty.
Despite the very high vocal range, both of their voices soar in the same register, and the result is truly beautiful.
It’s wonderful as a solo, of course, but if possible you’ll want to sing it as a male-female duet! That said, finding a man who can sing this high is no easy task…
When you sing it, try to focus on using your breath and producing a strong tone.
If you aim to resonate in your head while you phonate, you’ll gradually get closer to the right sound.
Core strength matters, too!
Pale BlueYonezu Kenshi
This is Kenshi Yonezu’s 11th CD single, released on June 16, 2021.
It was selected as the theme song for the TBS Friday drama ‘Rikokatsu.’ From the very beginning, when he sings the title line, Yonezu delivers a stunning falsetto.
The way he employs clear nasal resonance in his vocal production is truly top-notch.
By contrasting that with the firm, powerful singing in chest voice—or mixed voice—during the chorus, he further expands the song’s world, which is wonderful.
While falsetto can sometimes be used as a kind of high-tone ‘escape,’ this track convinces you that his singing is anything but that.