I want to sing songs that use a lot of falsetto—tracks that are also good for practicing falsetto at karaoke.
I want to be able to sing in falsetto at karaoke! But I don’t know how to choose practice songs… Many people probably share this concern.
In fact, when practicing falsetto, choosing songs with moderate melodic contours and a suitable range is the shortcut to improving.
In this article, we’ll introduce the characteristics of songs that are effective for practicing falsetto, as well as tracks that are easy to try at karaoke.
From songs you can tackle casually to ones that help you step up gradually, you’re sure to find options that let you practice enjoyably within your vocal range!
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I want to sing songs with a lot of falsetto. Karaoke-friendly tracks that are also good for practicing falsetto (11–20)
Heralding springyama
This song, Haru wo Tsugeru, is what suddenly brought yama into the spotlight.
Some of you might recognize the opening phrase.
That said, when you actually try singing it, it’s famous for being difficult because of the drastic ups and downs in pitch.
The rhythm is crucial and the tempo is on the faster side, so it’s best to learn it slowly, piece by piece, at first.
YouTube lets you change the playback speed, so I highly recommend using that! When you sing, try not to push on the high notes; if you stay relaxed, you’ll be able to make good use of your falsetto.
It might help to practice singing lightly, with a bouncy feel.
As you get a feel for the melody line, you’ll naturally figure out where to add accents and where to cut the sound.
Once you’re comfortable, try using a bit more breath; that should help you switch smoothly between chest voice and falsetto.
W/X/YTani Yuuki
W/X/Y, released in May 2021.
It’s a signature song by Tani Yuuki! It’s a recommended love song for those who want to practice falsetto naturally and without strain, and it makes it easy to move from chest voice → mixed voice → falsetto.
I’ve taught it a few times myself, but the melody line was more difficult than I expected… I recommend memorizing it well before singing.
In particular, the B-melody has a line that clearly sounds like falsetto even just by listening! In general, Tani Yuuki has a gentle vocal quality, so his singing has an airy, open feel.
To start, try imitating that: take a solid breath and sing with a gentle tone.
Since falsetto uses a lot of air, the key point is to “take in plenty of breath.”
Pale BlueYonezu Kenshi
This is Kenshi Yonezu’s 11th CD single, released on June 16, 2021.
It was selected as the theme song for the TBS Friday drama ‘Rikokatsu.’ From the very beginning, when he sings the title line, Yonezu delivers a stunning falsetto.
The way he employs clear nasal resonance in his vocal production is truly top-notch.
By contrasting that with the firm, powerful singing in chest voice—or mixed voice—during the chorus, he further expands the song’s world, which is wonderful.
While falsetto can sometimes be used as a kind of high-tone ‘escape,’ this track convinces you that his singing is anything but that.
Mine or YoursUtada Hikaru
Hikaru Utada is known for her captivating low notes, but the song I’m introducing today, “Mine or Yours,” features a lot of falsetto.
The overall range of the song is fairly wide, from G3 to E5, but the tempo is very relaxed, so you should be able to sing it without rushing.
The breathing points are clearly set at each phrase, and the melody climbs step by step, which also makes the song easy to memorize.
When singing, be careful not to let your pitch drop and focus on stabilizing your falsetto.
The A section starts on the lower side, so if you start with a throaty tone, you won’t be able to transition smoothly into falsetto.
Try lifting your facial muscles and eyebrows from the beginning, and aim your voice forward, as if placing it in front of your eyebrows.
Just by keeping this in mind, you can avoid pitch drops and move into falsetto smoothly.
Also, to keep from straining while singing, engage your lower abdomen firmly and project your voice with confidence.
Trace that dreamYOASOBI
Ano Yume wo Nazotte has a very wide vocal range.
It’s written in a range from D#3 to E5, with the low notes extending more than in other YOASOBI songs.
Speaking of YOASOBI, you probably think of especially high choruses! They’re a perfect fit for this theme.
The A melody stays in the low range, but even there, keep your throat open and let your breath flow.
Making a surprised face helps open the throat—try to maintain that state as you head into the chorus.
In the chorus, you’ll encounter long sustained notes, so engage your lower abdomen to keep your body steady and send your voice straight out with confidence.
That way, your breath will flow well and you can sing smoothly without your voice catching.
Give it lots of tries!
BONSAIimase
Singer-songwriter imase, who enjoys overwhelming popularity among young people, has been dropping numerous hit tunes, wielding the recent trend of R&B-infused pop as his weapon of choice.
Among his tracks, the one I especially recommend is BONSAI.
This piece stands out for its piercing falsetto, reminiscent of the kind often used in 1970s funk music.
It’s a type of falsetto that’s quite rare in J-pop, so if you’re looking to broaden your vocal range, be sure to check it out.
I want to sing songs with a lot of falsetto. Karaoke-friendly tracks that are also good for practicing falsetto (21–30)
DearMrs. GREEN APPLE
If you ask, “Who has a beautiful falsetto?”, many younger listeners will probably all picture Motoki Ohmori from Mrs.
GREEN APPLE.
Indeed, their songs frequently feature highly challenging falsetto lines.
Among their tracks, the one I especially recommend for its beautiful falsetto is Dear.
It repeatedly uses lower to moderately high falsetto, making it a great pick for anyone looking to train their falsetto control.