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[For Beginners] Recommended Enka Classics for Karaoke — Women Singers Edition

In recent years, as Showa-era kayōkyoku has been attracting attention not only in Japan but also overseas, enka—often called the spiritual hometown of the Japanese—has also been drawing keen interest among younger generations.

Enka is a genre that has evolved in many forms, from classic, orthodox styles to songs with a strong kayōkyoku flavor and even pieces that fuse multiple genres, and it continues to enjoy enduring popularity in the Reiwa era.

For those new to enka, this article introduces classic enka masterpieces by female singers that are easy to try at karaoke.

We’ve compiled a lineup of timeless hits that even beginners are likely to know, so if you’re interested, be sure to check it out.

By the way, we also introduce a male-singer version in another article, so don’t miss that, either!

[For Beginners] Recommended Classic Enka Songs for Karaoke – Female Singers (1–10)

Dotonbori SentimentTendō Yoshimi

[MV] Yoshimi Tendo / Dotonbori (Tonbori) Ninjō (Full Ver.)
Dotonbori SentimentTendō Yoshimi

Set against the backdrop of Osaka’s Dotonbori, this song portrays the warmhearted spirit of Naniwa.

It begins with the emotions of easing heartbreak with alcohol and goes on to praise Osaka’s strength and kindness.

Released in December 1985, it was YOSHIMI TENDO’s first single after moving to Teichiku.

Thanks to steady promotional efforts, it became a major hit, selling 800,000 copies over two years.

It was performed three times on NHK’s Kōhaku Uta Gassen, and in 2000 she closed the show for the Red Team.

Even beginners to enka will find it easy to sing along to its lively Osaka-dialect rhythm—sure to be a karaoke crowd-pleaser.

Like the flow of a riverMisora Hibari

It was the last single released during Hibari Misora’s lifetime, and among her great discography of songs that have continued to sing to the hearts of the Japanese people, it is one of the most famous masterpieces.

With lyrics by Yasushi Akimoto that reflect a view of life, and a beautiful melody by Masaaki Hirao, Hibari’s flawless performance continues to move many people even in the Reiwa era.

Released in January 1989, it became a massive hit, selling over two million copies.

Naturally, it has also been extremely popular for karaoke since its release, and when you actually try singing it, you’ll find the vocal range isn’t all that demanding.

The calm tone of the first verse and the soaring melody of the chorus are easy to remember and should feel good to sing.

Vibrato is certainly a plus if you can do it, but don’t force it—let yourself flow with the melody and focus on clearly pronouncing each word of the lyrics as you sing.

Keiko’s Dream Opens at NightFuji Keiko

Keiko Fuji — Keiko’s Dream Opens at Night
Keiko's Dream Opens at NightFuji Keiko

It’s a classic that represents the Showa-era enka scene and is known as one of Keiko Fuji’s signature songs.

The lyrics, depicting the poignant feelings of a woman chasing her dreams in the nightlife district, are striking, and her distinctive husky voice beautifully captures the song’s world.

Released as a single in April 1970, it won the Japan Record Grand Prize and was also performed on that year’s Kohaku Uta Gassen.

When singing it at karaoke, it’s important to honor the song’s narrative world and sing with emotion.

It’s especially recommended for those who struggle with high notes but are confident in their lower range and want to try enka.

[For Beginners] Recommended Enka Classics for Karaoke – Women Singers (11–20)

As I am in love…Akimoto Junko

A classic song that pours deep affection and pure emotions into a distinctive husky voice was released in January 2008.

Created by a veteran singer active across diverse genres such as jazz and Latin, the track gradually gained popularity after its release and achieved an extraordinary feat by reaching No.

1 on the weekly charts a year later.

The artist also performed at the 2008 Kōhaku Uta Gassen, capturing the hearts of many.

Set to a wistful melody featuring a memorable accordion timbre, the lyrics convey sincere feelings for a beloved person and resonate with listeners of all generations.

When tackling it at karaoke, consider emphasizing rich expressiveness and singing along to the relaxed tempo.

atonementTeresa Ten

The Showa-era classic “Tsugunai” is a poignant enka masterpiece that sings of tragic love.

Teresa Teng’s clear, translucent voice gently conveys the end of a forbidden romance and her atonement to the one she loves.

The chorus phrase “ai wo tsugunau” (to atone for love) is especially memorable and leaves a deep impression on listeners.

Released in January 1984, the song was also used in a YKKap commercial and became a major hit.

It has a strong kayōkyoku flavor, making it easy to sing and recommended even for those who aren’t yet comfortable with full-on traditional enka.

Kawachi Otoko-bushiNakamura Mitsuko

It’s a song packed with the spirit of Kansai, with a drifter from Osaka proudly singing about life.

The powerful rhythm incorporates elements of the Kawachi Ondo, and the lyrics overflow with love for the hometown, leaving a strong impression.

It was released as a single in June 1989, and included on an album of the same name in November of the following year.

It gained nationwide popularity, being performed a total of eight times on NHK’s Kōhaku Uta Gassen.

In karaoke, getting used to the distinctive phrasing and intonation of the Kawachi dialect might be challenging, but if you enjoy the regionally flavored lyrics as you sing, it’s sure to be a crowd-pleaser.

freezing rainHino Mika

This song is a quintessential example of enka, where a catchy melody and emotionally rich lyrics blend beautifully.

Released in December 1982, it remains beloved by many as one of Mika Hino’s signature numbers.

The lyrics, which intertwine the chill of winter rain with the pain of heartbreak, portray a universal theme that anyone can relate to.

Hino, renowned for her vocal prowess, conveys the aching heart of a forlorn love with remarkable expressiveness.

With its relaxed tempo and relatively modest melodic shifts, it’s a song that even beginners to enka will find approachable.

Why not sing it slowly, savoring the lyrics that resonate so deeply?