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[For Beginners] Recommended Enka Classics for Karaoke — Women Singers Edition

In recent years, as Showa-era kayōkyoku has been attracting attention not only in Japan but also overseas, enka—often called the spiritual hometown of the Japanese—has also been drawing keen interest among younger generations.

Enka is a genre that has evolved in many forms, from classic, orthodox styles to songs with a strong kayōkyoku flavor and even pieces that fuse multiple genres, and it continues to enjoy enduring popularity in the Reiwa era.

For those new to enka, this article introduces classic enka masterpieces by female singers that are easy to try at karaoke.

We’ve compiled a lineup of timeless hits that even beginners are likely to know, so if you’re interested, be sure to check it out.

By the way, we also introduce a male-singer version in another article, so don’t miss that, either!

[For Beginners] Recommended Enka Classics for Karaoke – Female Singers (31–40)

Premonition of PartingTeresa Ten

She has produced numerous masterpieces, and among them, “A Premonition of Parting” is one of her most well-known works.

Although the chorus sits mostly in the mid-to-high range, the pitch movement is very gentle, so even if it feels high, you may find it surprisingly easy to sing.

If you still find the height challenging, don’t hesitate to lower the key.

This song has a narrow vocal range, so even if you lower the key, you won’t struggle with the low parts.

Be sure to add it to your repertoire.

snow-cappedTeresa Ten

Although Teresa Teng is often associated with moody numbers and pop songs adorned with catchy melodies, she also has some tracks that resemble enka.

Among them, the one I especially recommend is Yuki-Gesho (“Snow Makeup”).

Melodically, it is pure enka, but the kobushi—ornamental vocal turns characteristic of enka—appear only in the chorus, and even then they are relatively easy.

The vocal range is narrow and the tempo is relaxed, making it undeniably an easy song to sing.

Goto Koi TsubakiOka Midori

As the title suggests, Gotō Koi Tsubaki is a so-called “local song” set on the Gotō Islands in Nagasaki, released as a single by Midori Oka in January 2020.

Oka’s rendition, poignantly conveying the lyrics that portray a woman who keeps waiting for the man she loves, is nothing short of masterful.

If you plan to sing Gotō Koi Tsubaki at karaoke—an orthodox enka number steeped in melancholy—you’ll want to at least grasp essential enka techniques like kobushi (ornamental turns).

That said, the melody is relatively approachable even for enka beginners.

Just be careful not to let your voice crack on the brief highest note that appears in the chorus!

Forgetfulness SakeNakamura Mitsuko

Mitsuko Nakamura’s classic “Wasure-zake” is memorable for its orthodox phrasing.

Because it’s solidly enka, the number of kobushi (melismatic turns) is fairly high, but the overall difficulty is low since the song’s kobushi incorporate a hiccup-style flip into falsetto.

Among the various types of kobushi, the flipping kind is relatively easy to sing; however, if the key is too low, the voice may not flip, so it’s best to set the key slightly on the high side.

The vocal range itself is on the narrow side, so boldly raising the key is recommended.

evening drinkNakamura Mitsuko

Mitsuko Nakamura’s poignant classic “Banshaku” (Evening Drink).

While she is renowned for her “man’s songs,” this piece is especially known as one of her most popular in that style.

True to Nakamura’s roots in the Kawachi Ondo tradition, the song primarily employs the hiccup technique, which flips the voice.

The ornamentation (kobushi) that uses this hiccup is less difficult than that of typical enka, resulting in a vocal line that’s easier for beginners to sing.

In addition, the tempo is particularly slow even among her works, and there are well-placed rests before executing the kobushi, which also makes it easier to perform.

[For Beginners] Recommended Enka Masterpieces for Karaoke – Female Singers Edition (41–50)

Tearful LoveYashiro Aki

Aki Yashiro 'Namida Koi' (Tearful Love)
Tearful LoveYashiro Aki

Aki Yashiro possesses a very unusual vocal quality for a singer.

Typically, as singers age, their lower register gains more heft, but in her case it was the opposite—she had a richer, deeper low range when she was younger.

One of the works released early in her career is Namida Koi.

Its slightly muffled, husky voice timbre leaves a strong impression, doesn’t it? As enka, this piece features relatively few kobushi ornaments and incorporates plenty of kayōkyoku (Japanese pop) elements, making it easy to sing even for those who aren’t fond of enka.

Let me stay for the night.Kobayashi Sachiko

It’s a classic Showa-era kayokyoku that has an enka flavor, with striking rock-style guitar solos and riffs.

“Hitoban Tometene,” released by Sachiko Kobayashi in 1985, was composed by Katsuhiko Miki, who also worked on one of Kobayashi’s signature songs, “Moshikashite.” The overall key is on the lower side, and it’s the kind of song that expresses a sultry melody through the appeal of the low register, so it’s perfect for those who struggle with high notes.

The enka-style kobushi (ornamental turns) and vibrato are kept to a minimum, making it a great piece for beginners to enka to try!