Songs to Help Women Sing Better: Practice Tracks for Improving at Karaoke
Conditions for becoming a better singer.
Of course, acquiring correct and efficient vocal production is the most important point, but if you can’t apply the fundamentals you’ve learned to actual songs, it won’t amount to much.
To build that kind of “real-world ability,” it’s crucial to choose appropriate practice songs and, by singing them, develop the expressive skills needed to perform actual pieces.
In this article, I’ve selected songs that seem optimal for the goal of “getting better at singing.”
Even when someone says, “I want to become a better singer,” everyone’s current level varies, so I’ve chosen a wide range—from beginner-friendly songs to more difficult ones.
Some of the individual song introduction articles also include brief tips on how to sing them, so please use those as references and do your best to further improve your skills with the help of this article.
That said, the most important thing is to pick songs you love—the ones that make you think, “I want to sing this!” or “I want to be able to sing this!”—and enjoy singing them.
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- A must-see for low-voiced women! Popular songs that are easy to sing at karaoke
- Easy-to-sing karaoke songs: Classic picks for women in their 40s
- Karaoke songs that make it easy for women to score high
- [Songs That Make You Popular] Sing these to be a hit! Women’s karaoke songs
- Even if you’re tone-deaf, it’s okay! Easy karaoke songs for women
- [For Women] Easy-to-Sing and Crowd-Pleasing Karaoke Songs
- Great for karaoke song selection! Recommended easy-to-sing songs for Gen Z women
- Karaoke songs that are easy to sing even with a low voice (for women in their 30s)
- [For women] Songs with a narrow vocal range that are easy to adjust the key for!
[For Women] Songs That Help You Sing Better: Practice Tracks for Improving at Karaoke (71–80)
Monster IslandSuiyōbi no Campanella
This song, released on July 2, 2025, is used as the opening theme for Season 3 of the TV anime “Chibi Godzilla no Gyakushū” (Chibi Godzilla’s Counterattack).
The track centers on the low to mid range, with a melody that leans heavily on rap and spoken delivery.
In the pre-chorus and chorus, it suddenly takes on a more sung, stylish feel, which makes it really cool! Going back to the first verse: after the chorus, Utaha-san sings in a cute, talk-like manner, so let’s relax and go all-in on cuteness here! The vibe shifts dramatically from the next pre-chorus, and that contrast really works! There are more words packed in, and fitting them into the rhythm might be tricky, but if you stay calm, you’ll be fine.
Singing the chorus with a smooth, gently swaying feel brings out the atmosphere nicely! Since it hardly goes into the high register, once you learn it, it’s an easy song to sing!
ZiluAimer
Aimer’s song, released digitally in January 2021, was also chosen as the ending theme for the TV anime “Mo Dao Zu Shi: The Past.” Aimer has been highly regarded for her vocal ability since her debut, and that strength is fully showcased in this track, resulting in a ballad with richly expressive vocals.
Using this Aimer song—which blends both softness and power—as practice material would be highly beneficial for women looking to improve their singing.
I found her vocal production particularly outstanding.
When you sing it, especially the high notes in the chorus, be careful not to force the high tones.
EclipseAimer
Aimer’s “Eclipse” has lots of breathy elements and isn’t a song where you belt, so I think it’s relatively easy to sing! Like the other artists I’ve introduced so far, Aimer is also an artist whose low register is really captivating.
Compared to her signature song “Zankyosanka,” this one has fewer high notes, making the pitch easier to catch, and the song’s structure builds up gradually rather than suddenly jumping high.
The rhythm doesn’t have any particularly difficult parts either, so if you want to sing something gently and tenderly, how about “Eclipse”? Try singing softly without straining your throat!
Never endsUru
“Never ends,” the theme song for the TBS Friday drama “DOPE: Narcotics Control Division Special Investigation Unit,” will be familiar to those watching the show.
The verse to pre-chorus range is set on the lower side, so try singing gently and carefully from the start without belting.
The high notes in the chorus go up to around D#5, but avoid forcing it—aim to deliver them cleanly in head voice like Uru.
There’s also a low note around C3 in the bridge, which may be low for many women, though lower-voiced female singers might find it manageable.
Sing gently without straining your throat.
usyama
Yama’s song “us” doesn’t have many high notes, so there aren’t any parts where you need to belt; overall it’s sung in a whispery style, making it very easy to sing throughout.
The general range is G#3–C#5, and the verses (A-melody to B-melody) are on the lower side, which suits lower voices well.
The chorus does include some higher notes around C5, but if you sing them lightly with a falsetto-like tone rather than belting, it’ll be easier to sing without strain and will fit the song’s atmosphere perfectly.
Try delivering it gently and smoothly!
Revolutionary Journey – On the WayAina ji Endo
Since Aina the End is famous for her husky voice, I imagine some low-voiced women have included her songs in their repertoire.
“Kakumei Dōchū – On The Way” has great tempo and is a really cool track! There’s a call-and-response section in the A-melody, and it seems like it would be a blast at karaoke—perfect for getting the crowd going—so I’d love for low-voiced women to try singing it! The chorus mainly sits on higher notes, reaching up to C5, but sing boldly without fear—project your voice as if you’re sending it far, and add some drive.
If you can get through this part, you’ll definitely level up!
Spring Dayaimyon
In “Harunohi,” the A and B sections sit in a lower range, and the chorus jumps up into the higher register.
The highest note is C#5, but the melody is very clear, so it should be relatively easy to sing in tune.
Also, adding dynamics within the song will boost your score, so try to build excitement from A section → B section → chorus.
Stability is important for karaoke scoring, too, so focus on fundamentals: sustain your long tones to match the pitch bar, come in cleanly on the opening notes, and keep your intonation solid.
If you keep these basics in mind, you can aim for 100 points—give it a try!