Songs to Help Women Sing Better: Practice Tracks for Improving at Karaoke
Conditions for becoming a better singer.
Of course, acquiring correct and efficient vocal production is the most important point, but if you can’t apply the fundamentals you’ve learned to actual songs, it won’t amount to much.
To build that kind of “real-world ability,” it’s crucial to choose appropriate practice songs and, by singing them, develop the expressive skills needed to perform actual pieces.
In this article, I’ve selected songs that seem optimal for the goal of “getting better at singing.”
Even when someone says, “I want to become a better singer,” everyone’s current level varies, so I’ve chosen a wide range—from beginner-friendly songs to more difficult ones.
Some of the individual song introduction articles also include brief tips on how to sing them, so please use those as references and do your best to further improve your skills with the help of this article.
That said, the most important thing is to pick songs you love—the ones that make you think, “I want to sing this!” or “I want to be able to sing this!”—and enjoy singing them.
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[For Women] Songs to Help You Sing Better: Practice Tracks for Improving at Karaoke (51–60)
Marigoldaimyon
It’s Aimyon’s fifth major-label single, released in August 2018.
The vocal melody is built mainly around the mid-range, so in that sense it should be relatively easy to sing even for those whose vocal range isn’t very wide.
However, if you listen closely, there are many spots where you need to change pitch continuously, making it an ideal song for mastering that kind of vocal expression.
Also, to deliver this mid-tempo track with a solid sense of rhythm, how you handle the rests within the vocal melody is important, so be sure to listen carefully to the original and study it.
My WishAI
This is a ballad themed around “wishes” and “prayers,” and it serves as the image song for the film Hanamanma, released during Golden Week in 2025.
The overall key isn’t high, so it’s easy for women to sing in the original key.
Around the final chorus, the singing style shifts with a melody-like arrangement, so please practice that part by listening to the song multiple times.
You’ll likely feel very refreshed when you can sing it well! Also, since the tempo is slow, the pauses are very important.
You can breathe sufficiently, so if you place each phrase carefully without rushing, the tempo won’t run.
It feels great to sing when you immerse yourself in the song’s world, so cherish the lyrics as you sing.
Unrequited loveAimer
Included on Aimer’s fourth album “daydream,” released on September 21, 2016.
Given that it’s a song performed by Aimer, whose vocal ability is widely acclaimed, I feel that singing this piece in a way that expresses it as she does is quite challenging.
Precisely for that reason, however, it may be one of the best practice pieces for enriching your vocal expression.
Together with the simple arrangement of the backing track, try practicing so that you can sing expressively while maintaining the unique, gently “soft image” that runs throughout the song.
Under the same skyayaka
This was Ayaka’s 10th single, released in July 2009.
Coming two and a half months after the previous release, it became her last single before taking a hiatus to undergo treatment for Graves’ disease.
From her debut in her teens, Ayaka has been highly praised for her vocal ability, and this song fully showcases her appeal—from tender, gentle delivery to powerful high tones, she delivers a remarkable performance.
It’s a track I highly recommend for anyone aiming to improve their singing in a soulful direction.
I believe it’s a great song for learning expressive singing through colorful shifts in vocal timbre.
[For Women] Songs That Make You a Better Singer: Practice Tracks for Improving at Karaoke (61–70)
As many times as you likeDREAMS COME TRUE
“Nando Demo” is popular across all generations.
I used to sing it a lot too, and it seems many people are familiar with the chorus, so it always got the crowd going.
It’s definitely a song worth knowing! The tricky part of this song is the breathing during the chorus.
Where the same phrase repeats, you can run out of breath and it gets tough.
Proper diaphragmatic breathing is important, but rather than belting each phrase with full power, try to focus on connecting the lines as you sing.
When you shift your mindset, your body will adjust so your breath lasts through the phrase.
Also, the last chorus is the most demanding; singing it with a powerful voice is more for advanced singers.
Don’t push yourself—start by singing it lightly, and you’ll get used to it little by little.
It’s also a great song for strengthening your chest voice, so give it a try in practice!
KILL LOVEano
At tempo 192, ano’s “KILL LOVE” is a very fast, band-driven track.
The structure builds to a big lift in the chorus, making it a super refreshing song to sing! The range isn’t that high, so you can comfortably sing it in chest voice.
In the A and B sections, sing with ano’s usual laid-back, conversational vibe, while the chorus turns full-on rock in both lyrics and feel—so it’ll sound coolest if you belt it out with an “unleash your feelings” kind of emotion.
Also, since the tempo is very fast, pay attention to your breath placement.
The chorus especially has continuous melodies, so take a deep breath right before it, and be careful not to blow out all your air at once—manage your airflow! If you tense your chest and shoulders when inhaling, you’ll slip into shallow chest breathing and won’t get enough air.
Keep your shoulders relaxed and focus on directing the breath into your abdomen.
companion on the road; fellow traveler; taking someone along (often unwillingly)Hoshimachi Suisei
This is a 2023 song by Suisei Hoshimachi, with lyrics, composition, and arrangement by Ayase from YOASOBI.
The song features many key changes throughout, resulting in a very dramatic piece.
While the overall vocal range is on the lower side, the range shifts between sections, making it enjoyable for those who find simpler songs unsatisfying.
For singers accustomed to high notes, it may feel low, so raising the key a bit could make it easier to sing.
From around the pre-chorus (B-melo), the pitch changes with almost every word, so it’s best to go through each note one by one, as if stepping up and down stairs.
Switching between head voice and chest voice is essential, so practice smooth transitions and aim to hit the pitch accurately—think of maintaining a slightly surprised expression to help with placement.
It seems to be a staple in Hoshimachi’s live performances, so learning this song will definitely be worthwhile!