Songs to Help Women Sing Better: Practice Tracks for Improving at Karaoke
Conditions for becoming a better singer.
Of course, acquiring correct and efficient vocal production is the most important point, but if you can’t apply the fundamentals you’ve learned to actual songs, it won’t amount to much.
To build that kind of “real-world ability,” it’s crucial to choose appropriate practice songs and, by singing them, develop the expressive skills needed to perform actual pieces.
In this article, I’ve selected songs that seem optimal for the goal of “getting better at singing.”
Even when someone says, “I want to become a better singer,” everyone’s current level varies, so I’ve chosen a wide range—from beginner-friendly songs to more difficult ones.
Some of the individual song introduction articles also include brief tips on how to sing them, so please use those as references and do your best to further improve your skills with the help of this article.
That said, the most important thing is to pick songs you love—the ones that make you think, “I want to sing this!” or “I want to be able to sing this!”—and enjoy singing them.
- [Karaoke] A roundup of songs that are easy for women to sing!
- Practice Songs Helpful for Learning Mixed Voice (Middle Voice) [For Women]
- Cool If You Can Sing! Popular Karaoke Songs Recommended for Women
- Karaoke songs that are easy to sing even if you’re not confident in your pitch (for women in their 50s)
- A must-see for low-voiced women! Popular songs that are easy to sing at karaoke
- Easy-to-sing karaoke songs: Classic picks for women in their 40s
- Karaoke songs that make it easy for women to score high
- [Songs That Make You Popular] Sing these to be a hit! Women’s karaoke songs
- Even if you’re tone-deaf, it’s okay! Easy karaoke songs for women
- [For Women] Easy-to-Sing and Crowd-Pleasing Karaoke Songs
- Great for karaoke song selection! Recommended easy-to-sing songs for Gen Z women
- Karaoke songs that are easy to sing even with a low voice (for women in their 30s)
- [Calling all low-voiced women in their 40s!] Songs that are easy to sing at karaoke
[For Women] Songs That Make You a Better Singer: Practice Tracks for Improving at Karaoke (91–100)
A Little SongJUJU
JUJU is also an artist who brings out a gentle low register, and she has lots of easy-to-listen-to songs! The A and B sections have a calm feel based on the mid-to-low range, so sing carefully, one phrase at a time.
Also, the final chorus modulates and goes higher—the top note reaches D5—so it might be a bit tough for lower-voiced women, but be careful not to strain your throat or belt.
Sing with the sensation of a soft hum, imagining the sound resonating in your forehead and the top of your head.
Doing this may expand your vocal range and help you sing a wider variety of songs!
Never endsUru
“Never ends,” the theme song for the TBS Friday drama “DOPE: Narcotics Control Division Special Investigation Unit,” will be familiar to those watching the show.
The verse to pre-chorus range is set on the lower side, so try singing gently and carefully from the start without belting.
The high notes in the chorus go up to around D#5, but avoid forcing it—aim to deliver them cleanly in head voice like Uru.
There’s also a low note around C3 in the bridge, which may be low for many women, though lower-voiced female singers might find it manageable.
Sing gently without straining your throat.
[For Women] Songs That Make You Better at Singing: Practice Tracks for Improving at Karaoke (101–110)
usyama
Yama’s song “us” doesn’t have many high notes, so there aren’t any parts where you need to belt; overall it’s sung in a whispery style, making it very easy to sing throughout.
The general range is G#3–C#5, and the verses (A-melody to B-melody) are on the lower side, which suits lower voices well.
The chorus does include some higher notes around C5, but if you sing them lightly with a falsetto-like tone rather than belting, it’ll be easier to sing without strain and will fit the song’s atmosphere perfectly.
Try delivering it gently and smoothly!
Revolutionary Journey – On the WayAina ji Endo
Since Aina the End is famous for her husky voice, I imagine some low-voiced women have included her songs in their repertoire.
“Kakumei Dōchū – On The Way” has great tempo and is a really cool track! There’s a call-and-response section in the A-melody, and it seems like it would be a blast at karaoke—perfect for getting the crowd going—so I’d love for low-voiced women to try singing it! The chorus mainly sits on higher notes, reaching up to C5, but sing boldly without fear—project your voice as if you’re sending it far, and add some drive.
If you can get through this part, you’ll definitely level up!
frecklesJUDY AND MARY
It’s JUDY AND MARY’s 9th single, released in February 1996.
YUKI’s bright, straightforward high-toned voice feels very pleasant, and to sing this song, you’ll need a no-frills, straight-ahead vocal approach.
I think it’s best suited for those confident with relatively high ranges, but if you can learn to reproduce that clear, piercing high register, your vocal ability will surely improve dramatically.
Start from a comfortable key and gradually get used to it, practicing to produce a free, expansive high tone without constricting your throat.
To avoid injuring your voice, I recommend taking vocal training lessons.
A bouquet of flowers with loveSuperfly
Superfly’s fourth single, released in February 2008.
To sing this song, it’s essential to have firmly mastered proper vocal technique.
On top of that, it’s an ideal choice as a practice piece for producing straight high notes without resorting to falsetto.
At first, it’s fine to use head voice in the tougher parts, but I encourage you to try to make the performance as dynamic as possible.
It’ll be perfect once you free your throat and can use high head voice notes with ease.
Love SongUru
This is Uru’s 11th single, released on August 25, 2021.
It was also selected as the theme song for Fuji TV’s Thursday drama “Oshi no Ojisama.” It’s a beautifully crafted ballad with female vocals, produced in a way that fully conveys Uru’s exceptional vocal expressiveness to the listener.
What I personally want to highlight most in this performance is the soft vocal delivery in the A-melody, where she masterfully switches at a very high level between whisper voice and chest voice.
Even the pronunciations of the voiced consonants that appear in the lyrics are sung so they sound impressively soft and clean.
And of course, the powerful yet gentle high notes—so characteristic of Uru—heard in parts of the chorus are superb as well! When you practice this song, try to train yourself to replicate details like these.