Songs to Help Women Sing Better: Practice Tracks for Improving at Karaoke
Conditions for becoming a better singer.
Of course, acquiring correct and efficient vocal production is the most important point, but if you can’t apply the fundamentals you’ve learned to actual songs, it won’t amount to much.
To build that kind of “real-world ability,” it’s crucial to choose appropriate practice songs and, by singing them, develop the expressive skills needed to perform actual pieces.
In this article, I’ve selected songs that seem optimal for the goal of “getting better at singing.”
Even when someone says, “I want to become a better singer,” everyone’s current level varies, so I’ve chosen a wide range—from beginner-friendly songs to more difficult ones.
Some of the individual song introduction articles also include brief tips on how to sing them, so please use those as references and do your best to further improve your skills with the help of this article.
That said, the most important thing is to pick songs you love—the ones that make you think, “I want to sing this!” or “I want to be able to sing this!”—and enjoy singing them.
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- Karaoke songs that are easy to sing even with a low voice (for women in their 30s)
- [For women] Songs with a narrow vocal range that are easy to adjust the key for!
[For Women] Songs to Improve Your Singing: Practice Tracks for Getting Better at Karaoke (21–30)
I can’t say it.Furui Riho

One of the singers energizing the modern R&B scene is Furui Riho.
While rooted in R&B, her music never loses its catchy appeal, earning her a strong following.
Among her songs, the one I especially recommend is Ienai wa.
Although its foundation is R&B, it incorporates touches of Japanese kayōkyoku (traditional pop) here and there, making it a great pick for those who want to improve their vocal skills at a comfortable pace.
For women who are thinking about starting to sing Western music, this track is an excellent place to begin building a sense of groove.
LONELYKatō Miriya feat. LANA

The masterpiece “LONELY,” which drew attention for the collaboration between Heisei-era diva Miliyah Kato and Reiwa-era diva LANA, is based on the R&B that is their main field.
Throughout the track, you’ll hear vocal techniques rooted in Black music—starting with ad-libs (fakes).
That said, it’s far less difficult than LANA’s solo songs, so it’s not particularly hard.
If you’re looking to learn ad-libs, this is a great place to start.
Be sure to check it out.
GOOD DAYMrs. GREEN APPLE

Released in September 2025, this work is a celebrated song by Mrs.
GREEN APPLE woven with a lively melody around the theme of enjoying life.
Their songs often span a wide vocal range, and this one is no exception, covering a very broad range from mid1 B to hi D.
The standout feature is the final chorus, where hi B appears three times, all sung in mixed voice.
Although it’s quite high, if you have an above-average vocal range, it should be just barely singable.
Try focusing your practice on training to produce a light, small mixed voice at first, then gradually increase your volume.
heartbeatNakajima Miyuki

This is singer-songwriter Miyuki Nakajima’s 48th single, released in September 2023.
It was written as the theme song for the animated film “Alice to Therese no Maboroshi Kōjō” (Alice and Therese’s Illusory Factory).
Although Nakajima has had a long career as a singer, remarkably, this is her first-ever tie-in with an anime.
As of October 2023, she is 71 years old, and her undiminished vocal power is truly astonishing.
When performing this song, the most crucial point is how faithfully you can reproduce the song’s subtle vocal nuances—that’s what it ultimately comes down to.
The vocal melody doesn’t cover a particularly wide range, so in that sense the technical difficulty isn’t very high.
Precisely for that reason, though, it’s highly recommended as a practice piece for developing expressive singing technique.
Be sure to study the original track closely and give it a try.
Magical Syndromeyama

The special MV theme song for “Magical Chiikawa,” titled “Magical Syndrome,” was released as a digital-only single on October 22, 2025.
The music video is also available on YouTube, featuring elements related to Chiikawa and receiving high praise from viewers.
The vocal range of “Magical Syndrome” might be a bit high, but since it’s basically sung in falsetto, if you can produce a light tone, you should be able to get proper frontal resonance and find the pitch more easily! To activate that resonance between the eyebrows, use humming.
This humming is crucial—if you tense up and force your throat, you won’t be able to stay on pitch.
Start at a volume so soft it’s almost only audible to you.
Once you get used to humming, try alternating between humming and singing; if you can sing with the same consistent sensation, you’ve got it!
PlatformUru

Uru is known for her delicate, airy vocals.
“Platform” was released on October 15, 2025, and is used as the opening theme for the TV anime Eternal Twilight.
Uru’s songs are generally sung with lots of breath and a falsetto-based approach, making them perfect when you want to sing in falsetto! Because “Platform” has a brighter tone, the falsetto isn’t as obvious as in some of her other tracks, but it’s sung with a strengthened, falsetto-like voice.
Singing with a similar technique might be a bit advanced.
But don’t worry! If you keep practicing using plenty of breath when producing sound, you’ll gradually be able to sing with more strength.
Aim for that clear, transparent vocal quality!
On your marksaimyon

This is a song scheduled for digital release in July 2025, selected as the theme song for the TBS drama “The 19th Chart.” In an interview, Aimyon said, “It’s my first song at 30, and it also has the meaning of returning to my roots.” The tempo is very relaxed, with little pitch fluctuation, making it an easy key to sing.
If you want to return to your origins or make a fresh start, why not learn this song? Also, as the song progresses into the latter half, Aimyon’s singing shifts from falsetto to chest voice.
Even without consciously trying, I think you’ll naturally be drawn into the world of the song as you sing it.
In particular, the latter half of the final chorus is sung with great power.
As your emotions rise, it’s easy to tense up, so try singing while projecting your voice into the distance to avoid straining.



