Songs to Help Women Sing Better: Practice Tracks for Improving at Karaoke
Conditions for becoming a better singer.
Of course, acquiring correct and efficient vocal production is the most important point, but if you can’t apply the fundamentals you’ve learned to actual songs, it won’t amount to much.
To build that kind of “real-world ability,” it’s crucial to choose appropriate practice songs and, by singing them, develop the expressive skills needed to perform actual pieces.
In this article, I’ve selected songs that seem optimal for the goal of “getting better at singing.”
Even when someone says, “I want to become a better singer,” everyone’s current level varies, so I’ve chosen a wide range—from beginner-friendly songs to more difficult ones.
Some of the individual song introduction articles also include brief tips on how to sing them, so please use those as references and do your best to further improve your skills with the help of this article.
That said, the most important thing is to pick songs you love—the ones that make you think, “I want to sing this!” or “I want to be able to sing this!”—and enjoy singing them.
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[For Women] Songs That Make You a Better Singer: Practice Tracks for Improving at Karaoke (91–100)
Monster IslandSuiyōbi no Campanella
This song, released on July 2, 2025, is used as the opening theme for Season 3 of the TV anime “Chibi Godzilla no Gyakushū” (Chibi Godzilla’s Counterattack).
The track centers on the low to mid range, with a melody that leans heavily on rap and spoken delivery.
In the pre-chorus and chorus, it suddenly takes on a more sung, stylish feel, which makes it really cool! Going back to the first verse: after the chorus, Utaha-san sings in a cute, talk-like manner, so let’s relax and go all-in on cuteness here! The vibe shifts dramatically from the next pre-chorus, and that contrast really works! There are more words packed in, and fitting them into the rhythm might be tricky, but if you stay calm, you’ll be fine.
Singing the chorus with a smooth, gently swaying feel brings out the atmosphere nicely! Since it hardly goes into the high register, once you learn it, it’s an easy song to sing!
flameLiSA
This is LiSA’s 17th single, released on October 14, 2020.
By the way, the title is read as “Homura.” It was also chosen as the theme song for the film Demon Slayer: Kimetsu no Yaiba – The Movie: Mugen Train and became a huge hit along with the movie, so many of you have probably heard it.
Musically, at first listen it’s a quiet, female-vocal ballad, but within that calmness it carries a passionate feeling and expression, making it a song that truly embodies its title.
It may be a slightly advanced pick, but I think it’s an ideal piece to use as practice material for enhancing vocal expression.
SeventeenYOASOBI
This is the 18th digital-only single by the Japanese music duo YOASOBI, released in March 2023.
Ikura, the vocalist of YOASOBI, is widely recognized for her exceptional singing ability, and mastering this song could be expected to significantly improve your own skills as well.
In particular, the chorus showcases rapid shifts between chest voice and falsetto—and back again—within an up-tempo arrangement, making it an ideal piece for practicing voice transitions.
While it’s a bit challenging for the average singer, I encourage you to master it and aim for the next level.
boyfriendaiko
This is aiko’s sixth major-label single, released in September 2000.
It became her first song to reach No.
1 on the Oricon chart.
The vocal melody moves dramatically up and down, so while it may be a slightly advanced choice for karaoke practice, it’s ideal for training accurate pitch.
Moreover, if you can make a complete copy of this song, you’ll develop a smooth transition from chest voice to falsetto from the pre-chorus into the chorus, and the ability to control continuous pitch changes at the end of the chorus.
Be sure to practice so you can replicate every note without missing any!
Tears aren’t just for show.Nakamori Akina
Written and composed by Yosui Inoue, this was Akina Nakamori’s 10th single, released in November 1984.
While traces of Inoue’s signature quirks can be heard throughout the melody, it’s still very much a Showa-era kayokyoku at heart—fundamentally simple in its construction.
It’s one of the best choices both as a vocal practice piece and as a relatively approachable karaoke song.
In particular, it’s likely an ideal selection for women with lower voices.
To further enrich your expressiveness, it might be worth studying Inoue’s own self-cover version as reference material.
First LoveUtada Hikaru
Released in April 1999 as Hikaru Utada’s third single.
Perhaps due to her background, Utada’s songs—highly praised for a vocal ability uncommon in Japan—make this one an advanced selection for karaoke.
To sing it cleanly and dynamically like she does, precise control of both “voice” and “breath” is crucial.
While the powerful mix voice and beautiful falsetto are striking, what truly stands out here is the low register singing in the A section.
It might not be an exaggeration to call it astonishing for a young woman to produce such solid low notes.
This song is an ideal practice piece for mastering a wide range of vocal techniques.
EclipseAimer
Aimer’s “Eclipse” has lots of breathy elements and isn’t a song where you belt, so I think it’s relatively easy to sing! Like the other artists I’ve introduced so far, Aimer is also an artist whose low register is really captivating.
Compared to her signature song “Zankyosanka,” this one has fewer high notes, making the pitch easier to catch, and the song’s structure builds up gradually rather than suddenly jumping high.
The rhythm doesn’t have any particularly difficult parts either, so if you want to sing something gently and tenderly, how about “Eclipse”? Try singing softly without straining your throat!