A masterpiece with exhilarating high notes. An enchanting high-tone voice.
Even when we simply say “high-tone voice,” there are many ways to express it—from piercing high notes sung in chest voice, to a softer, more mature high tone that effectively uses mixed voice or falsetto.
In this topic, we’ve gathered a wide variety of songs that showcase the appeal of different high-tone voices, ranging from the latest trending tracks to timeless classics.
High-tone vocals are pleasant to listen to on their own, but once you can comfortably sing high notes yourself, you’ll discover even more ways to enjoy these songs.
We hope this can serve as practice material and a point of reference for those who want to learn how to sing in higher registers.
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A classic with exhilarating high notes. Enchanting high-tone vocals (61–70)
StarmineDa-iCE
The two members of Da-iCE are famous for having a wide vocal range.
The range in “Starmine” is quite broad, from C#3 to D#5.
Points to watch out for are pitch shifts, switching between chest voice and falsetto, and the bouncy rhythm.
Right at the start, Hanamura comes in with a gritty belt, but if you brace yourself awkwardly, you’ll tense up and strain your throat, so try to relax.
Singing comfortably is the most important thing, so at first it’s totally fine to sing everything in falsetto! Once you get used to the song, try gradually strengthening that falsetto.
Use your body so you don’t tense up, and above all, enjoy singing!
I don’t care what happens anymore.Hoshimachi Suisei
One of my students once practiced “Stellar Stellar,” but this time, “Mou Dounatte mo Ii ya” has a completely different vibe—it’s a cool-style anime song.
Listening through the whole track, it has an overall sense of speed with lots of fast lyrics, so keeping the rhythm is very important.
Since it’s such a fast song and the pitch goes up to D5, the key is to avoid straining your voice.
It might help to sing with a relaxed approach, using a strong head voice.
New EraAdo
Ado’s digital-only single, released in June 2022.
It serves as the theme song for ONE PIECE FILM RED and was written specifically for the film by Yasutaka Nakata.
From the very beginning, the track lets you enjoy Ado’s high-tone vocals over acoustic piano and guitar.
As you’d expect from a Yasutaka Nakata production, the arrangement centers on technopop-style synth sounds, but Ado’s singing on top is highly organic, employing a wide range of vocal tones and expressive techniques—creating a wonderful contrast with the backing track.
It’s also an excellent piece for practicing falsetto (head voice) and smooth transitions between registers, so if you’re a female vocalist aiming for high notes, definitely consider practicing with this song.
Snow BlossomNakajima Mika
There are several signature songs that come to mind when you think of Mika Nakashima, and “Yuki no Hana” is surely one of them.
In February 2019, a film with the same title—a love story inspired by this song and starring Ayami Nakajo—was released.
From the subdued first half building steadily toward the chorus, not only do the high notes soar, but the sense of poignancy rises along with them.
It’s a track with beautiful high tones that can make you feel a refreshing chill even in summer—highly recommended.
Flash GirlToukyou Jihen
A song brimming with Tokyo Jihen’s distinctive melodies and atmosphere.
It’s a cheer anthem for girls in their prime, celebrating the radiance of a youth that exists only now.
Shiina Ringo’s captivating high-register vocals amplify the song’s world.
It conveys the preciousness and irreplaceable value of the “now” that will never come again.
Carried by cute yet powerful high notes, its straightforward lyrics encapsulate the essence of Tokyo Jihen in one track.
LuluAdo
Ado is one of Japan’s leading female singers.
She’s known for her incredibly intense vocals and a one-of-a-kind style that has won fans across generations.
Among her songs, the one I especially recommend is Ruru.
It’s a track that seems to express anger toward the injustice in the world, with an intensely powerful vocal line throughout.
In particular, the falsetto in the chorus is rough and impactful, making it exceptionally satisfying to listen to.
Be sure to check it out.
Don’t Stop Love ~ always lovin’ youNiizuma Seiko
Seiko Niizuma’s second single, released in July 2007.
Active primarily in the musical theater field, Niizuma showcases a richly dynamic vocal performance in this track—from resonant, stage musical–style high tones sung with power to whispery high notes that make effective use of falsetto (head voice).
I think it’s also an excellent piece for aspiring singers to study!