A masterpiece with exhilarating high notes. An enchanting high-tone voice.
Even when we simply say “high-tone voice,” there are many ways to express it—from piercing high notes sung in chest voice, to a softer, more mature high tone that effectively uses mixed voice or falsetto.
In this topic, we’ve gathered a wide variety of songs that showcase the appeal of different high-tone voices, ranging from the latest trending tracks to timeless classics.
High-tone vocals are pleasant to listen to on their own, but once you can comfortably sing high notes yourself, you’ll discover even more ways to enjoy these songs.
We hope this can serve as practice material and a point of reference for those who want to learn how to sing in higher registers.
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A masterpiece with exhilarating high notes. Enchanting high-tone vocals (91–100)
hyururira-pappatuki.

The popular female singer-songwriter tuki.
Her popularity is tremendous, and it’s no exaggeration to call her the diva of the Reiwa era, second only to Ado.
Among her songs, the track “Hyururirapappa” stands out for its especially pleasing high notes.
It features a Japanese-style sound, and from the very beginning, her falsetto and chest voice switch rapidly back and forth multiple times.
Despite the high tempo, her falsetto is so stable that the listening experience is outstanding.
Somewhere in the summerWANIMA

Summer Somewhere is quintessential WANIMA that will make you want to clap in front of the screen from the very first moment.
Since it’s also featured in a commercial, many of you have probably heard it already.
It’s a song that’s packed with the feeling of summer, bursting with WANIMA’s signature upbeat vibe, breezy Japanese lyrics, and a spirit that makes you want to take on a new challenge.
DarlingMrs. GREEN APPLE

When asked about bands known for their high notes, many people probably think of Mrs.
GREEN APPLE first.
Their songs are often difficult, and their new track “Darling” also features some truly challenging phrases.
This piece has a lot of sustained long notes, and the long tone right before the final chorus is particularly formidable.
The scale that ascends like running up stairs practically requires a mixed voice, so unless you’re very skilled at high notes, it will be difficult to sing well.
morning starLiSA

This is LiSA’s 20th single, released on November 17, 2021.
It also serves as the opening theme for the TV anime Demon Slayer: Mugen Train Arc.
The song’s production places LiSA’s clear, high-tone voice—rich in upper overtones—over a very heavy backing track arrangement.
Surprisingly, high-pitched female vocals pair quite well with a heavy, slower-tempo sound like this.
I think it’s an excellent work that proves just that.
turquoiseSEKAI NO OWARI

This is SEKAI NO OWARI’s 17th major-label single, released in May 2023.
It’s tied in as the song for the Kirin Hyoketsu commercial.
Fukase, the band’s vocalist, is known for his clear, high-pitched voice with a hint of boyishness, and that charm really shines in this track.
The bass part is also intricately crafted and highly appealing.
If you listen with an ear for the contrast between the low bass lines and the high vocals, you’ll enjoy the song even more!
I like you.YOASOBI

This is the 15th digital-only single by the Japanese music duo YOASOBI, released on May 30, 2022.
Ikura, who serves as the vocalist for YOASOBI, has a brilliantly sparkling, cute high-tone voice, and the charm of her vocals is fully on display in this track as well.
Even when we simply say “high-tone voice,” the expression can vary greatly depending on vocal technique—chest voice, mixed voice, falsetto, and so on—but Ikura skillfully switches among these depending on the song’s sections and melodies, delivering a remarkably rich vocal performance.
Her voice also pairs beautifully with the band’s simple sound, which is another part of its appeal.
For women aspiring to be singers, this is a track worth listening to closely and studying.
umbrellaSEKAI NO OWARI

This is SEKAI NO OWARI’s 13th major single, released in June 2020.
It was also used as the theme song for the Fuji TV nationwide drama “The Road of the Dragon: The Avenger with Two Faces.” Fukase’s vocals from SekaOwa have an androgynous quality, rich in high-order overtones, which is incredibly captivating.
I think this androgynous voice further emphasizes the worldview of the lyrics—apparently written from a female perspective—and elevates the song’s overall completeness.
While the performance centers on gentle expression, there’s a keen sense of nuance in the subtle shift between the relatively calm delivery of the first verse and the slightly more powerful singing from the first chorus onward.
The transparent, crystal-clear production that maximizes this voice is also truly noteworthy!


