A masterpiece with exhilarating high notes. An enchanting high-tone voice.
Even when we simply say “high-tone voice,” there are many ways to express it—from piercing high notes sung in chest voice, to a softer, more mature high tone that effectively uses mixed voice or falsetto.
In this topic, we’ve gathered a wide variety of songs that showcase the appeal of different high-tone voices, ranging from the latest trending tracks to timeless classics.
High-tone vocals are pleasant to listen to on their own, but once you can comfortably sing high notes yourself, you’ll discover even more ways to enjoy these songs.
We hope this can serve as practice material and a point of reference for those who want to learn how to sing in higher registers.
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A masterpiece with exhilarating high notes. Enchanting high-tone vocals (91–100)
Stars on EarthDēmon Kakka

With his outlandish makeup and carefully crafted persona, Demon Kakka grips his core fans and never lets go.
Here, he covers Miyuki Nakajima’s iconic folk song “Chijō no Hoshi” (“Stars on the Ground”).
He sings it with a weighty voice and an air of ease, but the song is in a female key.
Because of the difference in vocal range, it’s generally considered difficult for men to sing songs in a female key.
All the more reason to savor Demon Kakka’s divine high tones as he effortlessly makes this song his own!
When the magic wears offSaucy Dog

A track from Saucy Dog’s fifth mini-album, “But Really,” which was released in July 2023.
The band’s vocalist, Shinya Ishihara, has a beautifully clear, high voice with a touch of boyishness.
Paired with the song’s relaxed, mid-tempo feel, it creates a piece that simply makes you feel very gentle just by listening.
He switches deftly between chest voice, mixed voice, and falsetto depending on the part and expression, making this an ideal reference and practice piece for anyone looking to master singing in the higher range.
A masterpiece with exhilarating high notes. Enchanting high-tone voices (101–110)
SOULSOUPOfisharu Higedan Dism

This is Official HIGE DANDism’s 13th digital-only single, released in December 2023.
It was reportedly produced as the theme song for the animated film SPY×FAMILY CODE: White, which premiered on December 22 of the same year.
Vocalist Satoshi Fujihara’s clear, resonant high tones are already well recognized, and the charm of his voice can be fully enjoyed in this track as well.
He skillfully shifts his vocal delivery and expression to match different sections, phrases, and words in the lyrics, resulting in a performance that never feels monotonous—truly wonderful.
Please enjoy it together with the thrilling tempo and arrangement of the backing track!
The Talent for LoveKawamoto Makoto

It was released in 1996 as Makoto Kawamoto’s debut single.
The song was produced and composed by Yasuyuki Okamura, and it was also included on an album he released in 2007.
It’s a track that makes full use of Kawamoto’s high vocal timbre.
Feel Like danceglobe

This is globe’s debut single featuring KEIKO on vocals, known for her captivating high notes.
As their debut track, it became a hit, selling 952,000 copies.
It was used as the theme song for Fuji TV’s Thursday Theater drama “Hitorini Shinaide,” and it remains a popular song today.
Rock Me NowBOWWOW

A song by VOW WOW, a Japanese HM/HR band that was also active in the UK.
The Japanese version was included on their first album, “Beat of Metal Motion,” but this is the English version that was remade after they entered the UK market.
Perhaps in line with the trends of the time, the arrangement was changed to be more straightforward and catchy than the Japanese version.
As for VOW WOW’s Genki Hitomi’s vocals, he boasts an exceptionally high level of singing ability that feels far beyond the typical Japanese vocalist, and in this track he delivers a remarkably powerful high tone—likely without using mixed voice or falsetto.
It seems he has completely left the music industry and is now a high school teacher, but he’s one of the singers I would love to see make a comeback.
If I had the chance, I’d love to join Hitomi’s recording session and handle direction and production.
Where Heaven IsMatenrou Opera

A track from the Japanese visual kei metal band Matenrou Opera’s third album, AVALON, released in 2014.
It’s a large-scale piece with dramatic developments reminiscent of a prog suite, and you can enjoy soaring, resonant high-tone vocals that match its glamorous sound production.
The singer, Sono, has a touch of the typical visual-kei affectation, but, as the band’s name suggests, there’s also something operatic about his delivery, which further accentuates the drama of the composition.


