[Hit Songs of 1996] Spotlight on the iconic tracks and popular tunes that colored the Heisei era!
In 1996, as Japan was slowly recovering from the bursting of the bubble economy, the music scene saw diverse expansion and a wealth of million-selling hits.
The songs that were popular that year still shine with unfading brilliance along with the atmosphere of the time, moving listeners today.
In this article, we’ll showcase a wide range of classic Japanese hits from 1996.
Take this opportunity to revisit and savor these tracks that bring back memories of those nostalgic days.
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Hit Songs of 1996: Spotlight on Iconic Tracks and Popular Tunes of the Heisei Era (31–40)
YELLOW YELLOW HAPPYPocket Biscuits
This is a signature song by Pocket Biscuits, a music unit born from a variety show.
It became a broad hit that went far beyond the bounds of the show’s original concept.
With powerful vocals and lyrics that candidly express individuality and a way of life, it’s a highly relatable track.
HEART OF SWORD ~Before Dawn~T.M.Revolution
This is a single included on T.M.
Revolution’s third single.
It was also used as the ending theme for the Fuji TV anime “Rurouni Kenshin: Meiji Swordsman Romantic Story,” and through that tie-in, it became the song that led to his debut as a voice actor.
LOVE NEVER DIESTHE ALFEE
This is THE ALFEE’s 43rd single, released in January 1996.
Also used as the theme song for the Nippon TV drama “Miracle Romance,” the track is distinguished by its passionate lyrics and dramatic composition, expressing the strength and eternity of true love.
Toshihiko Takamizawa’s powerful vocals and the grand arrangement resonate deeply with listeners.
Conveying the message that love never fades no matter the hardships, the lyrics are perfect for moments when you want to renew your feelings for a lover or someone dear.
Among THE ALFEE’s long career, this song stands out as a particularly moving piece that continues to be cherished by many fans.
My heart is pounding.↑THE HIGH-LOWS↓
This is the fourth single by The High-Lows, the second band of vocalist Hiroto Kōmoto and guitarist Masatoshi Mashima, who are also well-known for The Blue Hearts and The Cro-Magnons.
It also drew attention as the first opening theme song for the anime Detective Conan.
While The High-Lows are known for adding a bit of crafty flair to their music, this track is very simple and straightforward.
TAKE ME HIGHERV6
A song chosen as the opening theme for Ultraman Tiga, starring Hiroshi Nagano of V6, and also V6’s first drama tie-in track.
It’s truly a piece made for a tokusatsu drama, characterized by a breakneck sense of speed and lyrics brimming with heat that stir up courage.
[Hit Songs of 1996] Spotlight on Iconic Tracks and Popular Tunes that Colored the Heisei Era! (41–50)
DAHLIAX JAPAN
It’s X JAPAN’s 13th single, released in 1996.
It’s described as a fusion of thrash metal and punk, resulting in a high-speed, technically demanding track.
You can clearly hear each member’s performance, so I think it’s a song that effectively conveys X JAPAN’s appeal.
The title “DAHLIA” is not the name of a flower but is set as the name of an imaginary girl.
STEP BY STEPZIGGY
ZIGGY produced many hit songs mainly in the ’80s, but this 1996 track drew attention when it was chosen as the first ending theme for the anime Detective Conan.
With its title (meaning “step by step, steadily”) and lines like “There’s no need to rush,” it’s a song that conveys an encouraging message.