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[Showa Era] A roundup of nostalgic folk song classics and popular tracks you’ll want to sing at karaoke

What kind of image do you have of the music genre known as “folk songs”? Perhaps many of you picture Showa-era singers with an acoustic guitar in hand, singing lyrics like private diaries of everyday life—and at times delivering political messages.

In Japan, folk songs became a booming trend from the 1960s to the 1970s, and countless classic tracks that made music history were born as the style evolved.

In this article, we’ve curated a wide selection of nostalgic Japanese folk song classics that you’ll definitely want to try singing at karaoke.

Whether you experienced them in real time or you’re a younger listener who loves Showa-era music, be sure to check them out!

[Showa] A roundup of nostalgic folk song classics and popular tracks you’ll want to sing at karaoke (21–30)

Outside, it’s a night of white snow.yoshida takurou

With lyrics by Takashi Matsumoto and music by Takuro Yoshida, it’s a story depicting a breakup between a man and a woman in a café.

The lyrics alternate between the perspectives of the man and the woman, using symbols like snow, cigarettes, and tears to delicately portray the complex emotions of a selfish man and a woman who accepts everything, as well as their world drifting apart.

It’s a song that continues to be performed live.

It feels far more natural to “narrate” than to “sing.” Because the tempo is a bit quick, I think it’s easier to ride the rhythm and sing if you shape each phrase in an arch right from the opening.

Don’t rush—sing as if you’re speaking the lyrics.

My good friendyoshida takurou

This is a song composed by Takuro Yoshida and made a big hit by Hiroshi Kamayatsu; even people who don’t know Takuro Yoshida likely know the song itself.

With a vibe of “old friends,” “times we laughed together,” and “each of our lives,” the lyrics resonate more deeply as you grow older.

Also, the key changes and rises in the latter half, which lifts your spirits and makes your chest swell the more you sing it.

When singing, focus on the drum sound, ride the rhythm, and hit the opening accents firmly.

Sing it at karaoke or in a snack bar and you’ll probably earn some respect.

Heart patternInoue Yosui

Yosui Inoue - Kokoro Moyou (Heart Patterns)
Heart patternInoue Yosui

It was released in September 1973.

The lyrics, which entrust the heart’s feelings to a letter, are deeply moving.

Partway through, it shifts to an up-tempo beat, and your emotions surge all at once.

To express the helpless feelings of lovers separated by distance, singing with full emotion makes it sound really cool.

Whenever I arrive, it’s always raining.yoshida takurou

With lyrics that convey a mature sense of melancholy and life experience, this song will likely resonate especially with older listeners and male vocalists.

The track itself is under three minutes and on the shorter side, but it gradually builds toward the latter half as the chorus comes in, lifting your spirits.

The overall tone is on the brighter side, so raising your facial muscles and eyebrows while singing makes it easier to hit the pitches and switch smoothly into falsetto.

Another key point is to respect the phrasing—sing each phrase carefully and keep the separations clear.

Don’t force it; relax your shoulders and sing as if you’re speaking.

Tell me an eternal lieyoshida takurou

This is a masterpiece that Miyuki Nakajima wrote for Takuro in 1995 as a message to a “middle-aged man without dreams,” into which she infused the sentiment, “Let me keep dreaming forever,” and “You must not lie about facts, but it’s okay to lie about the truth.” It has a refreshing feel, so from the start, lift your eyebrows and facial muscles and sing with a bright spirit! For the fast passages, the beginning is crucial.

If you pronounce the first sound clearly, the words should flow naturally.

Be mindful of expressiveness and sing with a smile, tinged with heartache!

Sake, Tears, Men, and WomenKawashima Eigo

Eigo Kawashima – Sake, Tears, Men and Women
Sake, Tears, Men, and WomenKawashima Eigo

It was released on June 25, 1976.

This is one of Eigo Kawashima’s signature songs.

Sung with poignant emotion by Kawashima, the lyrics portray the hardships men and women face in life and the differing attitudes they have toward crying, making it a simple yet profoundly deep piece.

It’s a recommended song for men to sing at karaoke.

Cotton HandkerchiefŌta Hiromi

Cotton Handkerchief (with lyrics) - Song by Hiromi Ohta
Cotton HandkerchiefŌta Hiromi

This song, created by the golden duo of lyrics by Takashi Matsumoto and music by Kyohei Tsutsumi, was a massive hit, ranking 4th for the year in 1976.

It’s basically sung with a cute, charming tone—if you sing it in that classic “burikko” cutesy style, it’ll really get the crowd going! The overall vocal range is G#3 to E5, which is on the higher side, but it’s easier to sing if you use a light, airy head voice.

Keeping an idol-like smile with a slightly bashful expression will help you use your breath more effectively and sing more comfortably.

Take a breath, and when you release your voice, try to imagine it coming out from just in front of your eyebrows.

That should help you capture that adorable vocal vibe!