Songs by male artists known for their captivating deep voices. Classic Japanese hits and recommended popular tracks.
These days, male vocalists with high tones are especially popular, and it feels like we hear fewer songs sung with deep, rugged low voices.
Still, that resonant low register that echoes to the core is something many men aspire to, and I suspect plenty of women also find themselves saying, “I get chills from a smoky, masculine singing voice!”
When a male artist known for his striking low notes sings from a woman’s perspective, it can actually highlight feminine allure and sound even more captivating.
This time, we’ve gathered classic tracks by male artists whose irresistibly rich low vocals steal the show.
Go ahead and lose yourself in these stylish, moody low voices.
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Songs by male artists with captivating deep voices. Classic J-pop masterpieces and recommended popular tracks (81–90)
saturationKobayashi Taro
This is a song by singer-songwriter Taro Kobayashi, released in 2012.
Kobayashi’s vocals aren’t the so-called sweet, low-toned voice; instead, they’re a bit distorted—gritty and weighty—with a very powerful low end.
You could say it’s the kind of voice often heard in singers from alternative bands, but rather than just belting with brute force, he really sings with control at key moments in the track, which shows the depth and versatility of his vocal style.
Endless JourneyMr.Children
This is Mr.Children’s 15th single, released in October 1998.
Mr.Children’s vocalist, Mr.
Sakurai, is a singer who showcases a very compelling low register.
While this likely owes a lot to his natural vocal timbre, his convincing low-range singing is truly excellent.
It’s a track where you can fully appreciate that appeal, especially in the A-melody sections centered on the lower range.
The contrast with the powerful, high-tone chorus further accentuates his charm.
to youFuranku Nagai
This song, released by Frank Nagai in 1972, was composed by Masaru Yoshida as an expression of gratitude to his wife, who quietly supported him throughout his life.
It is also said that Tokiko Iwatani, a close friend of the Yoshidas, wrote the lyrics while envisioning the couple’s affectionate bond as a ‘loving pair.’ It’s a classic renowned for its deeply rich, low vocals.
peanut butterAratani Shota
Shota Araya is a singer-songwriter whose originality-rich musical style—mixing Black music with contemporary J-POP—has earned him widespread popularity.
While he drew attention as the former vocalist of a popular band, his activities have prioritized music over popularity, and he has produced several notable songs.
Among his tracks, the one I especially recommend for men with lower voices is Peanut Butter.
Although it has an R&B vibe, the vocal line is fairly steady and understated, and the song is arranged throughout in the low to low-mid range.
Lost itemKitanitatsuya
Compared to his high notes, Tatsuya Kitani gives a stronger impression with his lower range, doesn’t he? He has a signature song called “Ao no Sumika,” but in fact, the new song “Nakushimono” has a narrower range and might be easier for low-voice male singers to sing in chest voice.
There are a few higher parts in the chorus, but falsetto works just fine there.
Just note that the last chorus modulates and goes up by a whole step.
If you can get through that section when you sing, you’ll be golden—so add some momentum and let your voice out!
If I can see you in my dreamsSuzuki Masayuki
A track included on Masayuki Suzuki’s album “CARNIVAL,” which was released on November 21, 1997.
It was also released as the final single by Rats & Star, the group Suzuki belonged to, and it has been covered by numerous artists—a true classic.
In this version we’re featuring, Masayuki Suzuki—renowned for his husky, low voice—once again showcases that signature appeal.
It’s a performance where you can fully enjoy his wonderfully captivating lower register.
Songs by male artists with captivating deep voices. Classic J-Pop masterpieces and recommended popular tracks (91–100)
Nocturne Under the MoonMALICE MIZER
This is MALICE MIZER’s third major-label single, released on February 11, 1998.
It was used as the ending theme for the TBS TV show “Egawa no Shokutaku.” Gackt’s vocals on this track set it clearly apart from typical visual kei bands, thanks to his rich, low register filled with overtones.
The contrast with the slightly delicate falsetto high notes creates a superb match between the song’s worldview and the vocal performance, making it a standout piece.