Songs by male artists known for their captivating deep voices. Classic Japanese hits and recommended popular tracks.
These days, male vocalists with high tones are especially popular, and it feels like we hear fewer songs sung with deep, rugged low voices.
Still, that resonant low register that echoes to the core is something many men aspire to, and I suspect plenty of women also find themselves saying, “I get chills from a smoky, masculine singing voice!”
When a male artist known for his striking low notes sings from a woman’s perspective, it can actually highlight feminine allure and sound even more captivating.
This time, we’ve gathered classic tracks by male artists whose irresistibly rich low vocals steal the show.
Go ahead and lose yourself in these stylish, moody low voices.
- Karaoke songs recommended for men with low voices or who are good at singing in a low register
- Even karaoke beginners can relax! Easy-to-sing songs for men
- [2026] Recommended for those who find high notes difficult! Enka by male singers that you can sing in a low register
- Karaoke songs where even men with low voices can aim for high scores
- I want to sing at karaoke! Songs by male artists recommended for Gen Z
- Karaoke songs popular with women that they want men to sing
- [For Men] Cool, Popular Songs That Impress at Karaoke
- A must-see for Gen Z men! Easy-to-sing songs by male artists for karaoke
- [Karaoke] A compilation of Vocaloid songs that are easy to sing even for people with low voices
- Male singers with great voices: a collection of cool, seductive vocals
- Recommended ballads for men: classic songs about love, encouragement, and youth.
- Easy-to-sing songs recommended for teenage boys with low voices | Songs you can sing even during voice change!
- A collection of cool songs that sound great when sung by women, originally male songs
Songs by male artists known for their captivating low voices. Classic J-pop masterpieces and recommended popular tracks (21–30).
I’ll walk home.Saitō Kazuyoshi
This is Kazuyoshi Saito’s fourth single, released in June 1994.
Starting in April 1994, it was used as the opening theme for Fuji TV’s children’s program “Ponkickies,” and it became a hit.
Although Kazuyoshi Saito is not a singer known for highly technical vocal techniques, his simple, somewhat plain singing voice is incredibly captivating to listeners.
Please enjoy his vocals that make effective use of his masculine low register.
I also think the slightly strained-sounding high notes nicely enhance the sense of a song that truly conveys emotion!
Just by you being herekome kome CLUB
Kome Kome Club’s 13th single, released in May 1992.
Speaking of Tatsuya Ishii from Kome Kome Club, he’s widely recognized as a highly skilled singer who brings a deep, rich low register—somewhat reminiscent of a Showa-era kayōkyoku crooner—into a thoroughly modern J-pop context.
That appeal is on full display in this song as well, where he lets you savor his truly “enchanting low tones.” While high-tenor singers often get the spotlight, there are surely many who admire a low voice like his.
Island SongTHE BOOM
The Japanese rock band THE BOOM first released this hit song in January 1992.
Since then, numerous alternate versions have been produced.
The piece actively incorporates the traditional Okinawan scale (Ryukyuan scale) and the sanshin, a traditional instrument from Okinawa, the prefecture THE BOOM hails from, bathing the entire song in a “Ryukyuan mode.” At first listen, it may not seem like vocalist Miyazawa has formal experience singing folk music, but elements such as the slightly growling low register and the phrasing in the high notes clearly reflect strong influences from Okinawan folk (shima-uta).
It would be interesting to hear how practitioners of authentic folk music perceive it, but taken purely as a pop song, that “growling” low end packs quite a punch!
Goodbye to sorrowanzenchitai
A love ballad by Anzenchitai that captivates with its rich, deep bass tones and emotional vocals.
Centered on parting and renewal, it gently sings of the bittersweetness of love and the hope that follows.
Koji Tamaki’s profound voice resonates to the depths of the heart, conveying both compassion for the other person and the strength to stay by their side.
Released in June 1985, it topped the Oricon charts, marked the band’s first appearance at the 36th NHK Kōhaku Uta Gassen, and won the Gold Award at the 27th Japan Record Awards.
It’s a song that quietly gives you a push when you’ve gone through a farewell with someone important and are ready to take a new step forward.
Ooochie KoochieOoochie Koochie
Ooochie Koochie is a unit formed by Koji Kikkawa and Tamio Okuda.
Their teaming up—two rock musicians who defined an era—drew major attention when they first formed.
Among their songs, the one I especially recommend for men with low voices is GOLD.
It’s not that the song has a particularly narrow range, but because the low register vocals are mixed to be quite loud, it’s a perfect track for bringing out the appeal of a deep voice.
tide of bloodYoshii Kazuya
A song newly recorded for inclusion on Kazuya Yoshii’s first best-of album, “18.” The theme of this piece is “songs by male artists with captivating low registers—classic Japanese hits and recommended favorites,” but what will surprise you when you hear this track is Yoshii’s remarkable vocal range.
In the intro and the A section, you can fully savor his highly persuasive, deeply resonant low tones, yet the soaring high notes once the chorus hits are also worthy of special mention.
The way his vocals turn the song dramatically from the B section—where the low pitch continues—into the high-pitched chorus is nothing short of masterful.
milk teaFukuyama Masaharu
This is Masaharu Fukuyama’s 21st single, released in May 2006.
It was used as the theme song for the TBS variety show “Koisuru Hanikami!” Fukuyama is a singer known for his richly resonant low voice, and the appeal of his vocals can be fully appreciated in this gentle ballad as well.
The quiet melody and his voice, which seems to permeate to the core, are perfectly matched in this song.