Songs by male artists known for their captivating deep voices. Classic Japanese hits and recommended popular tracks.
These days, male vocalists with high tones are especially popular, and it feels like we hear fewer songs sung with deep, rugged low voices.
Still, that resonant low register that echoes to the core is something many men aspire to, and I suspect plenty of women also find themselves saying, “I get chills from a smoky, masculine singing voice!”
When a male artist known for his striking low notes sings from a woman’s perspective, it can actually highlight feminine allure and sound even more captivating.
This time, we’ve gathered classic tracks by male artists whose irresistibly rich low vocals steal the show.
Go ahead and lose yourself in these stylish, moody low voices.
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Songs by male artists with captivating deep voices. Classic J-Pop masterpieces and recommended popular tracks (91–100)
B1ID
ID is arguably the most musically gifted rapper in Japan.
Because he competes in battles, that might not be the image you have of him, but the quality of his tracks is high enough to hold its own not just in Japan, but on the world stage.
A beloved classic among hardcore heads—and often considered his masterpiece—is B1.
It’s a signature track from his self-titled debut album, delivering a genre-defying take on hip-hop.
The bass-driven rap flow is breathtaking, so be sure to check it out.
MoonlightKuwana Masahiro
Masahiro Kuwana has produced numerous classic songs.
In his younger days, his voice had a rock-tinged quality that exuded masculinity, and as his hair began to turn white, a richer, more mature timbre emerged.
Eventually, he captivated many fans as a quintessential low-voiced singer.
A track where you can fully savor that deep voice is Tsuki no Akari (Moonlight).
It’s a poignant song that portrays masculinity, and Kuwana’s low vocals match it exquisitely.
Be sure to check it out.
Songs by male artists with captivating low voices. Classic Japanese hits and recommended popular tracks (101–110)
From Yamato with lovesawada kenji
This was Kenji Sawada’s 24th single, released in August 1978.
It also served as the ending theme for Farewell to Space Battleship Yamato: Warriors of Love, which could be called a landmark in Japanese animated film released that same year.
Now, speaking of Kenji Sawada, wouldn’t you say he’s a singer with an irresistibly appealing voice, rich with distinctive higher overtones? Pay close attention to the low register in the A section of this track.
You’ll notice the pitch of the low notes is solid and resonant, yet the low voice doesn’t get buried in the backing track.
That’s proof he’s producing a proper chest voice.
If you’re interested, be sure to check out his other songs too!
dearestFukuyama Masaharu
This song is included on Masaharu Fukuyama’s 10th original album, “Zankyo,” which was released in June 2009.
It’s a self-cover of a track he originally provided to KOH+.
Now, Fukuyama—well known for his beautifully rich low register that fully utilizes the chest voice, the resonance of the chest cavity—seems to shine most in slow ballads like this one.
The gentle falsetto used in the high notes of the chorus contrasts nicely with his low tones, making the song even more dramatic.
It’s also an ideal reference track for anyone aiming to become a compelling low-voice singer.
Sweet Home TownŌki Tōru
Tohru Ohki is a Japanese blues singer who made his mark on the world stage.
While he isn’t very widely known in Japan, he’s a legend in the United States—so much so that he teamed up with Ben E.
King, the creator of the global classic “Stand by Me,” for musical projects.
Ohki is an artist with one of the finest vocal qualities in Japan’s history.
His commanding low range and husky voice are among the most captivating not only in Japan but worldwide.
Be sure to check him out.
BAD BOYJUMBO MAATCH
One of the leading figures in Japanese reggae, JUMBO MAATCH is a member of the legendary reggae group Mighty Jam Rock and is known as an undefeated legend in clashes alongside NG HEAD.
A track where you can fully experience JUMBO MAATCH’s powerful raspy voice is BAD BOY.
The vibes are simply overwhelming, and combined with his low, gravelly vocals, it delivers an incredible sense of intensity.
PumPum Shop （Prod by Gacha Medz）ZendaMan
Deejay ZendaMan from Iwate.
Under the guidance of his cheerful Jamaican mentor, Rockon, he experienced the real day-to-day life in Jamaica and finally returned to Japan this year.
Compared to before he moved there, his skills have skyrocketed, and he’s already attracting attention in the reggae scene.
Among his tracks, the one where you can especially savor his deep bass voice is PumPum Shop (Prod by Gacha Medz).
It’s authentic reggae with a sophisticated sound and flow that can stand up on the world stage.