Songs by male artists known for their captivating deep voices. Classic Japanese hits and recommended popular tracks.
These days, male vocalists with high tones are especially popular, and it feels like we hear fewer songs sung with deep, rugged low voices.
Still, that resonant low register that echoes to the core is something many men aspire to, and I suspect plenty of women also find themselves saying, “I get chills from a smoky, masculine singing voice!”
When a male artist known for his striking low notes sings from a woman’s perspective, it can actually highlight feminine allure and sound even more captivating.
This time, we’ve gathered classic tracks by male artists whose irresistibly rich low vocals steal the show.
Go ahead and lose yourself in these stylish, moody low voices.
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Songs by male artists with captivating deep voices. Classic J-Pop masterpieces and recommended popular tracks (91–100)
DrunkPamiredo
If you want to make your low register sound alluring with a stylish, sexy track, I recommend “Drunk.” It’s a song by the enigmatic singer-songwriter Pamiredo, featuring an irresistibly sultry melody right from the intro.
The vocal line stays in the low to low-mid range throughout, and even the climactic sections remain quiet and low, which will bring out the best in a man with a deep voice.
Be sure to add it to your repertoire.
DRESSING ROOMnatori
Singer Natori has a distinctive, somewhat childlike tone despite his low voice.
Many low-voiced male singers probably include his signature song “overdose” in their repertoire.
Among Natori’s tracks, the one I especially recommend is “DRESSING ROOM.” Rather than being a low song, it’s better described as not high, making every section comfortably singable.
The vocal line moves gently up and down, so it’s perfect if you want to sing with a languid, ennui-filled vibe.
ACTORTomonari Sora
Sora Tomonari is a popular singer-songwriter who enjoys overwhelming support from teens and people in their twenties.
He has produced many hit songs to date, but among them, “ACTOR” became a particularly big hit.
This work highlights Tomonari’s specialty—his low register—and most of the vocals are sung in the low to low-mid range.
While the structure is somewhat unconventional, the vocal line itself is simple, so if you’re a man with a low voice, consider adding it to your repertoire.
BAD BOYJUMBO MAATCH
One of the leading figures in Japanese reggae, JUMBO MAATCH is a member of the legendary reggae group Mighty Jam Rock and is known as an undefeated legend in clashes alongside NG HEAD.
A track where you can fully experience JUMBO MAATCH’s powerful raspy voice is BAD BOY.
The vibes are simply overwhelming, and combined with his low, gravelly vocals, it delivers an incredible sense of intensity.
STAY -Remix- feat. VIGORMAN, CHEHON & NG HEADJUMBO MAATCH & ILL NINJA GANG
Reggae deejay JUMBO MAATCH, who also gained popularity on shows like Freestyle Dungeon, is known as a legend in the reggae scene and is characterized by his deep, powerful vocals.
A track where you can savor his low voice is “STAY -Remix- feat.
VIGORMAN, CHEHON & NG HEAD.” While many reggae deejays are featured on this track, aside from CHEHON’s part, it prominently showcases the thick, dancehall-style vocals.
That makes it an easy song to perform for men with lower voices and a great one to highlight their appeal.
FlowerZumi
Zumi is an artist whose compositions are rooted in Black music like soul and funk, earning popularity among hardcore music aficionados.
Although he’s still relatively under the radar, critics are paying close attention to him as a rising artist to watch.
His new song “Flower” is characterized by a structure that showcases his distinctive low-register voice throughout.
While you need to be mindful of the groove, the vocal range is narrow and largely sits in the low to low-mid register, making it an excellent piece for highlighting the appeal of men with deeper voices.
bergamotTomonari Sora
Sora Tomonari’s new song “Bergamot.” When it comes to Sora Tomonari, their vocals are known for focusing on the lower register, but this track is centered around the low-mid to mid range.
Falsetto appears in the chorus, but since it tends to use falsetto for notes that could be sung in chest voice, even men with lower voices can handle it without issue.
The occasional low-register parts are the biggest highlight, so aim for a rich, full vocal tone there.