Karaoke songs recommended for men with low voices or who are good at singing in a low register
In recent years, Japan’s music scene has seen an increase in songs with lots of high notes, influenced by K-pop.
As a result, it’s become harder for men with lower voices to find songs that suit them.
So! We’ve selected recommended tracks specifically for men with deep voices.
We also considered how well these songs go over at karaoke, so if you’re planning to go with a group soon, be sure to check them out.
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Karaoke Songs Recommended for Men with Deep Voices and Strong Low Range (71–80)
JingleYuuma
Yuma, who is active as the “good singer” of the YouTuber group Comdot, has a track called Jingle that my students often sang when their throats weren’t in great shape because it’s “easy to sing,” so I think it’s in a range that’s easy for others too.
Jingle’s vocal range is B2 to D#4, staying mostly in the low to mid range.
Of course, it builds from verse A to verse B to the chorus, but unlike other songs, the range doesn’t change much, so it might be easier to keep pitch.
It’s a perfect song for winter, so start practicing it now!
Tsubasaandāgurafu
It was released in 2004 as Under Graph’s major-label debut single.
The song gained attention and popularity among cable broadcast and radio listeners, and although it peaked at No.
6 on the Oricon Weekly Singles Chart, it became their best-selling release.
Masami Nagasawa appears in the music video.
Meltynanamori.
Mr.
Nanamori, known as the leader of the popular singer group Sutopuri, once took a break from activities but returned in 2022 and continues to enjoy strong popularity.
He, too, has a low voice.
It doesn’t get much attention, but his mid-to-low range is excellent, characterized by a breathy onset and a pitch that drops by a quarter to a semitone at the start of phrases.
It’s the same vocal type as Arashi Moritomo from T-BOLAN.
His song “Melty” is a work that encapsulates his appeal.
It also has elements reminiscent of Showa-era kayōkyoku, making it an easy song to sing purely as a piece of music.
FlowerORANGE RANGE
This is ORANGE RANGE’s eighth single, released on October 20, 2004.
It was the theme song for the film Be With You, starring Yuko Takeuchi and Shido Nakamura.
The track has a very warm, mid-tempo feel, and the vocals you hear here are comfortably relaxed rather than forceful.
RYO, who handles the low-register vocals in ORANGE RANGE, has parts that are perfect for showcasing the voices of low-range male singers.
Try performing it with someone who’s good at high notes and make a great duo.
That said, the main vocal line doesn’t use particularly high notes either, so definitely give that a try too!
bouquetback number
This is back number’s second single, released on June 22, 2011.
It was also used as the ending theme for TBS’s COUNT DOWN TV in May 2011.
Set over the simple arrangement of a three-piece band, vocalist Iyori Shimizu’s unadorned, slightly languid voice resonates in a very pleasing way, making for a beautifully crafted track.
The A-melody section, in particular, seems perfect for men who are strong in the lower range to really showcase their appeal.
There are parts like the chorus that require slightly higher notes, but rather than using falsetto, pushing your voice a bit and belting it out will make it a song that conveys more emotion.
ComedyHoshino Gen
A digital-only single by singer-songwriter Gen Hoshino, released on April 8, 2022.
It was reportedly written as the ending theme for the TV Tokyo anime SPY×FAMILY.
The song is notable for its slightly murmured vocal style right from the beginning.
That said, if you actually sing in a muttery way, your voice won’t carry to the listener, so make sure to resonate in your chest as you sing.
The trick is to sing as if you’re speaking to someone nearby.
In the chorus and other sections, mixed voice to falsetto is used effectively, so switch your vocal production skillfully to deliver the song well!
ACTORTomonari Sora
When singing low notes, if your singing style or the song itself feels too affected, it tends to turn women off.
If you’re performing for the opposite sex, songs that let you drop into low tones subtly are best, right? That’s why I recommend Sora Tomonari’s classic “ACTOR.” It’s a curious piece that blends Showa-era kayōkyoku with gothic pop, built mainly around the mid-to-low range.
The chorus uses double vocals, but if you stay on the low part the whole time, listeners may get bored—so for the final, climactic chorus, try switching to the higher part.