Karaoke songs recommended for men with low voices or who are good at singing in a low register
In recent years, Japan’s music scene has seen an increase in songs with lots of high notes, influenced by K-pop.
As a result, it’s become harder for men with lower voices to find songs that suit them.
So! We’ve selected recommended tracks specifically for men with deep voices.
We also considered how well these songs go over at karaoke, so if you’re planning to go with a group soon, be sure to check them out.
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Karaoke Songs Recommended for Men with Deep Voices and Strong Low Range (71–80)
Loop & LoopASIAN KUNG-FU GENERATION
Not just this song, but their songs in general aren’t in very high keys, so they seem relatively easy to sing.
There’s also a song called “Rewrite,” but since the chorus goes relatively high, I chose this song instead.
It’s a cool, medium-tempo track, so it feels like it would be really satisfying to sing.
March 9Remioromen
Except for the chorus, the overall vocal range is low, and its simple progression is part of the appeal.
It’s a song that really suits a deep, low voice.
However, the chorus suddenly jumps to higher notes, so you’ll either need to make sure you can hit them—or just give up altogether (lol).
You might even want to pass the mic to the person you’re at karaoke with.
FlowerORANGE RANGE
This is ORANGE RANGE’s eighth single, released on October 20, 2004.
It was the theme song for the film Be With You, starring Yuko Takeuchi and Shido Nakamura.
The track has a very warm, mid-tempo feel, and the vocals you hear here are comfortably relaxed rather than forceful.
RYO, who handles the low-register vocals in ORANGE RANGE, has parts that are perfect for showcasing the voices of low-range male singers.
Try performing it with someone who’s good at high notes and make a great duo.
That said, the main vocal line doesn’t use particularly high notes either, so definitely give that a try too!
ComedyHoshino Gen
A digital-only single by singer-songwriter Gen Hoshino, released on April 8, 2022.
It was reportedly written as the ending theme for the TV Tokyo anime SPY×FAMILY.
The song is notable for its slightly murmured vocal style right from the beginning.
That said, if you actually sing in a muttery way, your voice won’t carry to the listener, so make sure to resonate in your chest as you sing.
The trick is to sing as if you’re speaking to someone nearby.
In the chorus and other sections, mixed voice to falsetto is used effectively, so switch your vocal production skillfully to deliver the song well!
HIRAKEGOMANumber_i
Number_i’s classic track “HIRAKEGOMA.” Number_i consistently releases unique hip-hop, and this song is no exception, featuring distinctive lyrics and a tricky flow.
Because of the unusual flow, it’s not exactly an easy song, but among their tracks, it’s still relatively singable.
Sho Hirano’s verse is a rap part that emphasizes low tones, so when you perform it, it’s good to highlight his section.
It also tends to be well-received by women, so consider adding it to your repertoire.
SakurazakaFukuyama Masaharu
Masaharu Fukuyama’s 15th single, released in April 2000.
It’s such a massive hit that it needs no introduction.
Since Fukuyama’s charm lies in his rich lower to mid vocal range, you don’t need a particularly high voice to sing this song.
The key point is how firmly and deeply you can deliver those mid-to-low tones.
The tempo is slow, so if you cherish each word of the lyrics and sing carefully and thoughtfully, I’m sure you can move your listeners.
Song of Greensoshina
In addition to his work as a comedian, Soshina is also active as a YouTuber and an artist.
He releases music consistently and has a few hits to his name.
Among his songs, the one I particularly recommend is Midori no Uta (The Green Song).
It’s a punk rock-based track sung entirely in a gravelly voice.
Despite its intensity, it actually has a fairly narrow vocal range, with most of the singing in the low to low-mid register.
It’s an ideal song for showcasing the richness of a man with a low voice.