Karaoke songs recommended for men with low voices or who are good at singing in a low register
In recent years, Japan’s music scene has seen an increase in songs with lots of high notes, influenced by K-pop.
As a result, it’s become harder for men with lower voices to find songs that suit them.
So! We’ve selected recommended tracks specifically for men with deep voices.
We also considered how well these songs go over at karaoke, so if you’re planning to go with a group soon, be sure to check them out.
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Karaoke songs recommended for men with deep voices or strong low ranges (41–50)
SUNHoshino Gen
A song by Gen Hoshino.
It’s a bright, poppy track and a great pick for group karaoke.
While the tune is cheerful, I like how some of the lyrics carry a heavier tone.
Besides this one, I think “Toki yo” and “Jigoku de Naze Warui” are also easy songs to sing.
Sleeping BeautySEKAI NO OWARI
Released in May 2012 as SEKAI NO OWARI’s third major single.
When it comes to Sekai no Owari’s vocals, the voice has a slightly cute quality, so I did hesitate a bit about recommending this as a song for low-voiced men.
However, the melody doesn’t require extremely high notes, so even guys whose strength is a deep, rich voice might occasionally pick a cute song like this.
With that in mind, I’d like to recommend it.
delinquent youth (Japanese subculture “yankii”); or “Yankee” (American) depending on contextshihanseikishōnen
The band Shihanseiki Shōnen has been gaining attention from hardcore Japanese rock fans for their kayōkyoku-tinged sound.
The nostalgic atmosphere that comes through amid their earthy grit is truly striking.
Among their songs, the one I especially recommend for men with lower voices is Yankee.
This track features a kayōkyoku-like style, and throughout it’s shaped by a masculine, down-to-earth vocal line.
It’s a must-listen for low-voiced singers who prefer singing rugged, masculine rock over delicate, fey rock.
Terminalnatori
Singer-songwriter Natori, known for his downer style, has gained popularity among younger listeners and has recently been active in providing songs for others as well.
Among his tracks, the one I particularly recommend for men with lower voices is Terminal.
In this piece, Natori’s signature downbeat vibe is in full force.
While it isn’t extremely low in pitch, it stays mostly in the low to low-mid range, so if you mix in breathiness and sing with rich overtones, it can really enhance the appeal of a low male voice.
horizonback number
This is back number’s fourth digital single, released in August 2021.
It’s a beautiful medium-to-slow tempo song with a gently heartwarming mood.
The subtle string arrangements used in the chorus and elsewhere are also really pleasant to listen to.
Although back number’s vocalist Iyori Shimizu isn’t particularly known for a deep, bass-heavy voice, the vocal range used in this melody should be easy for most men to sing.
There are sections where you switch into falsetto, so in that sense it’s a slightly more advanced pick, but I definitely encourage you to give it a try.
If you’re not confident with falsetto, tighten your abs around your navel and imagine lifting your solar plexus with those muscles, then try hooting like an owl—“hoo, hoo.” The trick to making the sound ring beautifully is to place the voice so it resonates from the mouth toward the nose.
Give it a try!
Feelin’ Go(o)dFuji Kaze
Fujii Kaze’s latest track “Feelin’ Go(o)d.” It’s a downtempo pop number that tastefully incorporates R&B, giving the whole song a stylish vibe.
This piece features a moderate presence of low frequencies.
While it doesn’t go into the ultra-low range like “Shinunoga E-Wa,” it includes several mid-to-low and low vocal parts enriched with overtones.
Rather than just singing low notes, if you pay close attention to the off-beats as you sing, it will sound more professional—so definitely give it a try.
universal gravitationFukuyama Masaharu
Masaharu Fukuyama’s song “Universal Gravitation,” released in September 2025, was written specifically as the theme song for Nippon TV’s information program DayDay.
On the recording, the guitar is played by the show’s announcer Shinichi Takeda, while the xylophone parts are handled by announcer Kuroda and Ryota Yamazato.
Since the song is performed by Masaharu Fukuyama, it’s arranged predominantly in the low-to-mid vocal range.
It shouldn’t be particularly difficult to sing, but there is a falsetto passage in the pre-chorus (B section), so take care there.
It’s best to set your key with the B section as the reference point.