Karaoke songs recommended for men with low voices or who are good at singing in a low register
In recent years, Japan’s music scene has seen an increase in songs with lots of high notes, influenced by K-pop.
As a result, it’s become harder for men with lower voices to find songs that suit them.
So! We’ve selected recommended tracks specifically for men with deep voices.
We also considered how well these songs go over at karaoke, so if you’re planning to go with a group soon, be sure to check them out.
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Recommended karaoke songs for men with low voices and those good at singing in the lower register (21–30)
Everyday (feat. Satoshi Fujiwara)TAIKING
Musician TAIKING, who has collaborated with many artists and drawn attention for his exceptional songwriting sense.
One such collaboration is “Everyday (feat.
Satoshi Fujihara)” with Satoshi Fujihara of Official HIGE DANDism.
While the track has a slight R&B flavor, the vocal line doesn’t fluctuate much, and the range is relatively narrow considering it’s sung by Fujihara.
If you lock into the groove and sing the occasional low-mid phrases with rich overtones, it will instantly sound more professional—definitely worth keeping in mind.
specterFukuyama Masaharu
Masaharu Fukuyama’s song “Ayakashi.” For low-voiced male singers, isn’t his repertoire almost always a go-to? Among his works, this one in particular makes the low register sound especially appealing.
Because the A, B, and chorus sections are centered around the low-to-mid range, it’s easy to sing even for those with a limited vocal range.
Above all, the biggest highlight is the intro, isn’t it? It only appears once, but it’s a part that really brings out the strengths of a low male voice—be sure to check it out.
GOLDEN BUDDY feat. Kurumaraisan
When it comes to songs where the low end sounds appealing, we tend to default to choosing tracks with male vocals.
But what really matters isn’t who’s singing—it’s how the song is arranged and in what vocal range it’s performed.
That’s why I recommend “GOLDEN BUDDY feat.
Kuruma,” a track by Raisan, the band formed around Sayaka from Lalande.
This song carries elements of neo-soul and is arranged throughout in the mid-low to low frequency range.
There’s a falling section in the hook; it’s a good idea to set the key so that this part lands in your chest voice.
AzaleaYonezu Kenshi
Now a nationally beloved singer who has provided themes for morning dramas and hit films, Kenshi Yonezu’s 2024 track serves as the theme song for the Netflix-streaming drama “Sayonara no Tsuzuki.” It sits in a relatively low key, and in spots later on where the notes feel high, the melody is structured so that you can get through them cleanly if you can switch to falsetto.
Overall, it may sound like a high-key song, but when you actually sing it, it’s not as high as Yonezu’s “Lemon” or “Kanden.” With features like triplets in the second verse’s A section and rhyme-driven lines toward the end, it’s a piece that will test your expressive technique.
Give it a try.
Get Back feat. JUMADIBA & Watsonralph
Ralph is a rapper who represents Japanese drill music.
With an unparalleled deep voice and excellent flow, he has an overwhelming presence.
Speaking of Ralph’s signature tracks, there’s “Get Back feat.
JUMADIBA & Watson.” It’s a popular song on social media, so you’ve probably heard it.
Ralph’s low voice isn’t a shout; it has a slightly phlegmy noise to it.
If you find it hard to recreate that noise, try eating something greasy before you sing.
If you force a shout in that state, your voice will naturally roughen up like Ralph’s, so give it a try.
Like tonight’s moonElefanto Kashimashi
A classic song released by Elephant Kashimashi in 1997 as their 15th single.
The key is stable overall, making it easy to sing, and since Elephant Kashimashi’s songs are characterized by somewhat masculine lyrics and vocal delivery, they can be especially appealing when sung by men with lower voices.
BEATWurtS
The artist WurtS has released many classic tracks with a style that incorporates a wide range of musical influences.
Lately, he’s gained popularity through collaborations with other artists, but now he’s dropped a solo hit: “BEAT.” It’s a highly alternative piece, built predominantly around the midrange throughout.
There’s a fair amount of low-mid content as well, making it an ideal song to showcase the rich midrange that only singers with lower vocal registers can achieve.