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Music of a wonderful world

Masterpieces of contemporary (art) music. Recommended popular pieces.

When people hear the term “contemporary music,” I suspect the vast majority don’t even know such a genre exists.

Even if they know a little about it, many probably feel it has a high barrier to entry and seems difficult to grasp.

The influence of contemporary music is deeply rooted across many fields—not only in classical music, but also in minimal music, avant-pop, free jazz, and noise avant-garde.

With celebrated works of contemporary music as the axis, I’ve selected tracks spanning a wide range of genres.

Masterpieces of contemporary (art) music. Recommended popular pieces (61–70)

Bela Bartok Music for Strings, Percussion and CelestaLinus Lerner

A mid-period masterpiece by the composer.

While drawing on Hungarian musical melodies, it unfolds a uniquely atonal world characteristic of the composer.

The uncanny theme at the opening, in fact rooted in folk music, is eloquently revealed at the very end of the finale.

Incidentally, the premiere was given by the Berlin Philharmonic under Furtwängler.

Arthur Honegger – Oratorio «Jeanne d’Arc au bûcher»National Opera House, Kyiv

Arthur Honegger – Oratorio «Jeanne d’Arc au bûcher» – 14.03.2015, National Opera House, Kyiv
Arthur Honegger – Oratorio «Jeanne d'Arc au bûcher»National Opera House, Kyiv

A grand, ninety-minute work that portrays the life of France’s legendary patriot Joan of Arc, centered on dialogues at the stake, featuring a large orchestra augmented by the original electronic instrument, the ondes Martenot, as well as mixed chorus and children’s chorus.

Both the heroine, Joan, and her co-starring father are performed by actors speaking lines.

Arthur Honegger – Symphony No. 2 for strings and trumpetOndřej Vrabec

A work that reflects the somber mood of World War II.

It is scored for string orchestra with a trumpet entering in the third movement.

Honegger’s works are generally rational in character, and some find their matter-of-fact quality hard to embrace, but the Second Symphony features relatively accessible melodies, making it an ideal introduction.

Variations pour orchestre opus 31 d’Arnold SchoenbergPierre Boulez

Pierre Boulez : Variations pour orchestre opus 31 d’Arnold Schoenberg
Variations pour orchestre opus 31 d’Arnold SchoenbergPierre Boulez

A large-scale orchestral work that Schoenberg presented to the world as his ultimate confident statement after exploring various forms of twelve-tone composition.

The theme is said to be derived from J.S.

Bach, though it is difficult to discern by ear.

It demonstrates that, even under the constraint of incorporating all the notes within the octave into a single work, a composition can achieve such expressive richness.

Berg: Three Pieces for OrchestraRattle Berliner Philharmoniker

Berg: Three Pieces for Orchestra / Rattle · Berliner Philharmoniker
Berg: Three Pieces for OrchestraRattle Berliner Philharmoniker

Compared with his mentor Schoenberg and his friend Webern, Berg’s Romantic tendencies are markedly pronounced.

This Three Orchestral Pieces also startles with the roar of sounds typical of modern music, yet its viscous savor firmly traces the footsteps of late Romanticism that began with Tristan.

Kodály: Háry-János-SuiteSinfonieorchester ∙ Juraj Valčuha

Kodály: Háry-János-Suite ∙ hr-Sinfonieorchester ∙ Juraj Valčuha
Kodály: Háry-János-SuiteSinfonieorchester ∙ Juraj Valčuha

A representative work by Zoltán Kodály, who, alongside Bartók, epitomizes 20th-century Hungary.

Although originally an opéra comique, it is seldom performed due to the abundance of Hungarian dialogue.

The suite—six selections from the opera arranged for orchestra—is better known.

The cimbalom, a traditional folk instrument, is featured in the third and fifth movements.

Alban Berg: LuluStaatsoper Hamburg

It is an opera in which the composer attempted to use the twelve-tone technique.

Although it was originally conceived in three acts, the composer’s sudden death left only Acts 1–2 and part of Act 3 completed.

It is usually performed in two acts, but a three-act version completed from the composer’s drafts is also frequently staged.