Difficult Piano Pieces: From Classical to Jazz Piano
For those with a deep appreciation for the piano, there often comes a time—once a certain level of knowledge and technique has been acquired—when they gravitate toward listening to more challenging pieces.
Among the many genres, classical and jazz piano in particular feature numerous highly demanding works that have long stood as formidable obstacles for many performers.
This time, we’ve picked out some especially difficult piano pieces.
From jazz piano that emphasizes rapid runs, to classical works with extreme leaps in the scale, and even contemporary classical pieces that combine both traits, we’ve selected from a wide range of styles—so be sure to check them out.
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Challenging Piano Pieces | From Classical to Jazz Piano (41–50)
12 Etudes, Op. 10 No. 2Frederic Chopin
Among Frédéric Chopin’s works, the masterpiece Twelve Études is said to boast one of the highest levels of difficulty.
This time, I would like to introduce Étude Op.
10 No.
2 from that set.
Although its performative impact is not especially large, it is known for being extremely difficult.
The key point of this piece is, above all, the opening section: because the 1st and 2nd fingers must hold chords, the remaining 3rd–5th fingers have to play the other parts.
For these reasons, it is known as a high-difficulty piece that demands innate hand size and supple fingers.
12 Etudes Op. 25-6Frederic Chopin
Frédéric Chopin, the great French composer who created many beautiful masterpieces.
He is also known for having produced numerous difficult works, and among them, the Étude Op.
25 No.
6 boasts one of the highest levels of difficulty.
The most challenging aspects of this piece are undoubtedly the right-hand trills in thirds and the chromatic scales in thirds.
Thirds are difficult enough as it is, but in this work you must also play a dramatic melody with the left hand in addition to the thirds.
The difficulty is considerable, but if you’re confident in your skills, by all means give it a try.
Etude Collection (Studies) No. 4, Op. 10-4 in C-sharp minorFrederic Chopin
A fiercely passionate piece that grips the listener’s heart and won’t let go.
Its rapid sixteenth-note passages and continuous intricate figures in both hands create an impact like a storm.
Composed in August 1832, this work is acclaimed as having artistic value that far surpasses a mere study.
It is recommended not only for those aiming to improve their piano technique, but also for anyone who loves passionate music.
While the performance demands advanced technique, the sense of accomplishment is all the greater.
If you want to experience the appeal of classical music, why not give it a try?
Ballade No. 1 in G minor, Op. 23Frederic Chopin
Among Chopin’s works, the Ballade No.
1 in G minor, Op.
23 is especially famous for its demanding right-hand part.
Except for the opening and the ending, it’s largely written in 6/4 time—in other words, the “Zun-ta-ta” rhythm.
On top of this rhythm, the right hand unfolds a melody with many off-beat accents.
In the first place, 6/4 is not a familiar meter for many Japanese listeners, and maintaining this pulse while playing a complex melody is challenging in itself.
As for the coda, it’s tremendously effective in performance, but correspondingly formidable in difficulty, so be sure to listen with the ending in mind.
The Rite of SpringIgor Stravinsky
This work, depicting a pagan ritual celebrating the arrival of spring, revolutionized 20th-century music.
Characterized by complex rhythms and bold use of dissonance, it unfolds with primal, powerful energy.
In the orchestra, the opening bassoon solo employs the instrument’s upper register, creating a distinctive sense of tension.
Although its premiere in May 1913 caused a major uproar among the audience, there also exists a two-piano version by the composer, Igor Stravinsky.
Because it is his own arrangement, the mechanisms of polytonality, harmonic structure, and other architectural elements of each movement become strikingly clear, and today it is widely performed as an important addition to the piano repertoire.
It is highly recommended for those interested in innovations that overturn the conventions of classical music.
Goldberg Variations (Aria and 30 Variations), G major, BWV 988J.S.Bach
The masterpiece “Goldberg Variations (Aria with 30 Variations) in G major, BWV 988” by Johann Sebastian Bach, the father of music.
Consisting of 32 pieces, it is known as one of the most challenging works among Bach’s compositions.
The particularly difficult aspect of this work is, above all, the octaves.
As the tempo becomes faster or more relaxed depending on the variation, the performer must handle wide octave spans amid complex tempo changes.
It’s a highly demanding piece that requires not only technical skill but also innate factors such as hand size.
Gaspard of the Night, No. 1: OndineMaurice Ravel
If you’re well-versed in French literature, the title Gaspard de la nuit may remind you of the poetry collection by Aloysius (Louis) Bertrand, born in 19th-century France.
The work discussed here, however, is Maurice Ravel’s suite for solo piano, a piece of the same name inspired by three poems included in Bertrand’s collection.
Of the three movements, given our theme of “music to hear in the hot summer,” let’s focus on the first, Ondine.
“Ondine” is the name of the water spirit among the four classical elements; in Japanese, the form “Undine” may be more familiar.
When it comes to Ravel’s water-themed piano works, Jeux d’eau often comes to mind, but Ondine is a piece you should certainly know as well.
It portrays the story of an ondine who falls in love with a human, expressing both the spirit’s heartbreak and the image of heavy rainfall through Ravel’s characteristically sophisticated technique—an exquisite, delicate, and dramatic masterpiece.
