RAG MusicPiano
A web magazine to help you enjoy the piano even more

[For Advanced Players] A Curated Selection of Classical Masterpieces to Tackle at Piano Recitals

As you become an advanced pianist, you’ll likely have more opportunities to tackle challenging pieces that feature rapid passages and intense position shifts.

Beyond technique, you may also encounter works with complex historical backgrounds or pieces that are difficult to grasp musically, which can cause you to stumble at times.

Playing pieces with these elements is a great chance for piano learners to take a major step forward!

This time, we’ve selected works that are known to be suited for advanced players from the perspectives of technique, expression, and interpretation alike.

If you’re looking to use a recital as a springboard to further expand your potential, please read on to the end.

[For Advanced Players] A Curated Selection of Classical Masterpieces to Challenge at Piano Recitals (31–40)

Le Tombeau de Couperin, No. 6: ToccataMaurice Ravel

[Ravel's Most Difficult Piece] Toccata / Ravel: Toccata
Le Tombeau de Couperin, No. 6: ToccataMaurice Ravel

Le Tombeau de Couperin, imbued with the misery of war and the preciousness of friendship, is a suite of six pieces composed by the French composer Maurice Ravel in memory of friends he lost in World War I.

The final piece, Toccata, combines the technical difficulty of repeated-note passages with emotional depth.

It begins in E minor in 2/4 time, modulates through different keys, and drives toward a grand climax.

It is a work that conveys the power and vigor of music.

Three Concert Études, S.144 No. 2 “Lightness”Franz Liszt

F. Liszt: “La leggerezza,” Trois études de concert No. 2, pf. Kotaro Fukuma
Three Concert Études, S.144 No. 2 “Lightness”Franz Liszt

Liszt, who composed numerous terrifyingly difficult études.

His Transcendental Études and Grandes Études de Paganini are famous, but this time I’d like to introduce an étude with elements of salon music: the Three Concert Études, S.144, No.

2, “La leggierezza.” Its striking structure shifts from triplets to septuplets, and the right hand packs in a variety of techniques.

It may be considered one of the lesser-known works in Liszt’s output, but it’s an exceptionally dramatic and beautiful piece—be sure to check it out.

Moments Musicaux No. 4 in E minor, “Presto”Sergei Rachmaninov

Rachmaninoff / Moments Musicaux No. 4 in E minor, Op. 16 / Performed by Erina Ishii
Moments Musicaux No. 4 in E minor, “Presto”Sergei Rachmaninov

Sergei Rachmaninoff’s masterpiece, Moments Musicaux No.

4 in E minor, “Presto,” is notable for its wistful, poignant melody.

Rachmaninoff was also highly regarded as a pianist and was known for his exceptionally large hands.

That trait is clearly reflected in this piece as well, with repeated right-hand octaves appearing throughout.

Despite the presence of delicate slurs, there are many passages that demand advanced technique—such as sections where staccato must be emphasized and stretches of continuous octaves.

If you’re an advanced player who hasn’t yet tackled this work, I encourage you to give it a try.

Wedding MarchRichard Wagner

Bridal Chorus / Wagner (Piano) from the opera Lohengrin
Wedding MarchRichard Wagner

There are many classical works themed around marriage.

Among them, the most famous are probably Mendelssohn’s and Wagner’s Wedding Marches.

Both pieces are often performed by pianists stepping up from intermediate to advanced level, but Wagner’s is more leisurely compared to Mendelssohn’s, which calls for greater expressive ability.

It’s difficult to bring out the brilliant melody effectively, and depending on the arrangement, some versions are challenging even for advanced players, so be sure to check them out.

PartitaJ.S.Bach

Bach: Partita No. 1, Gould (1959) Bach Partita No. 1 Gould
PartitaJ.S.Bach

Bach’s masterwork, the Partita.

Because Bach’s music stands out for its strong musicality, you might not associate it with being difficult, but in fact this Partita is known as a highly challenging piece.

What particularly raises the difficulty are the second movement, the Allemande, and the fourth, the Sarabande! While it doesn’t demand advanced technique per se, in terms of atmosphere and expression it’s definitely suited for advanced players.

Give it a try.

[For Advanced Players] A Curated Selection of Classic Masterpieces to Challenge at Your Piano Recital (41–50)

Farewell SongFrederic Chopin

Farewell Song Etude Op.10-3 / Chopin / Chopin Etude Op.10 No.3 / Piano / Classical / Piano / Classic / CANACANA
Farewell SongFrederic Chopin

Chopin’s masterpiece, “Farewell” (Etude Op.10 No.3).

Because it’s frequently heard in the media, I think almost everyone has recognized it at least once.

With its gentle, unhurried tempo, many people may not think of it as difficult.

It’s true that, technically, this piece isn’t of the highest difficulty.

However, in terms of expressiveness, it is extraordinarily demanding, and a pianist’s skill is revealed with striking clarity.

Since approaches to expression vary greatly from performer to performer, I encourage you to compare a variety of interpretations.

Six Preludes and Fugues, Op. 35: No. 1, PreludeFelix Mendelssohn

Mendelssohn / Six Preludes and Fugues, Op. 35 No. 1, Prelude; pf: Michiya Otake
Six Preludes and Fugues, Op. 35: No. 1, PreludeFelix Mendelssohn

Mendelssohn’s representative work, Prelude and Fugue in E minor, Op.

35 No.

1 – Prelude.

It’s a piece in which melodies strongly influenced by Bach gradually reveal a Romantic character, and its high level of difficulty means it is still performed by many pianists today.

The most challenging aspect is undoubtedly the section in the latter half where the tempo accelerates.

In addition to the difficulty of rapid passages, it also demands a high degree of expressiveness, making it truly a piano piece for advanced players.