Wolfgang Amadeus Mozart Popular Songs Ranking [2026] (21–30)
Piano Sonata No. 16 in C major, K. 545, No. 3Wolfgang Amadeus Mozart22rank/position
[Rondo-Form Commentary] Mozart Sonata in C major, K. 545, 3rd Movement
This piece, set in a three-beat rondo form with a bright and festive atmosphere, is distinguished by its graceful and approachable melody.
Written in June 1788, it features a clear structure and light rhythms that are pleasing to the ear, while the left hand’s Alberti bass—an arpeggiated accompaniment—provides stability.
Its transparent melodic line soothes listeners and lifts their spirits.
It has been featured in films such as Groundhog Day and The Butler, and is loved by many.
Though it calls for the elegant expression and delicate touch characteristic of Wolfgang Amadeus Mozart, with slow, steady practice it becomes increasingly playable.
It is a highly recommended piece for those just starting the piano or beginning to take an interest in classical music.
“Lacrimosa (Day of Tears)” from the RequiemWolfgang Amadeus Mozart23rank/position
Mozart – Lacrimosa
Mozart’s final work was this Requiem.
“Lacrimosa,” the eighth movement, was the last piece he completed—he finished it up to the eighth bar, and that marked the end of his life.
From the ninth bar onward, it was written by Mozart’s pupil.
The persistently heavy, heartrending melody almost sounds as if Mozart’s soul is reluctant to part from his body.
Meanwhile, the chorus prays as if for its own peace for the dead, who approach a painful judgment in tears, and at the end the piece concludes with the word “Amen.”
Variations on “Twinkle, Twinkle, Little Star”Wolfgang Amadeus Mozart24rank/position
Twinkle, Twinkle, Little Star Variations / Mozart Mai Morimoto
Speaking of Wolfgang Amadeus Mozart, he’s a quintessential composer of classical music.
Composed in 1778, this work is based on the popular love songs of the time.
It begins with a simple melody and gradually becomes more complex through twelve variations.
While it’s known as a staple piece for beginner pianists, it actually contains techniques that are quite challenging even for intermediate players.
Why not try it as an etude to enrich your fingerwork, enjoying how the familiar tune transforms into sophisticated arrangements? There are plenty of free scores available, so it’s easy to get started!
Piano Concerto No. 21Wolfgang Amadeus Mozart25rank/position
Seong-Jin Cho Mozart Piano Concerto No.21
In Japan, it was used in Kourakuen’s commercial “Yabai Chuka Soba Classic.” It’s perfect as background music for cooking.
Boiling the noodles, taking them out of the pot and rinsing them with water… then into the soup and plated in a bowl… It beautifully portrays the process of a dish coming together.
Even the act of picking up the noodles with chopsticks and slurping them looks artistic thanks to the power of this piece.
Overture from The Magic FluteWolfgang Amadeus Mozart27rank/position
W.A. Mozart: The Magic Flute – Overture [piano solo] / Mozart “The Magic Flute” Overture (piano solo)
Mozart’s famous opera The Magic Flute.
The opening Overture is commonly performed as a violin solo, but it can also be played as a piano piece.
Since the original score contains sections that are clearly unplayable as-is, it can be considered a challenging work in that sense; however, many editions simplify those parts.
In terms of difficulty, it’s around the intermediate level, and if your left-hand technique is agile, you should be able to play it smoothly.
With enough practice, you might be surprised to find that the duet sections are playable too! Be sure to check it out.
Minuet in C major, K. 1 (K⁶ 1f), from Nannerl’s Music BookWolfgang Amadeus Mozart28rank/position
Mozart, Minuet in C major, K 1f
Composed at the age of five, this miniature is a simple yet refined 3/4-time minuet.
With its friendly melody and concise design, it exudes an elegant atmosphere.
It opens with a descending perfect fifth, followed by four chords in a striking development.
Structured in binary form, the progression from the main theme to the trio and back to the reprise of the theme clearly reflects the characteristics of the minuet form of the time.
The repeated eight-bar phrases are pleasing to the ear.
Along with its simple harmonic progression, the bright sonority of C major envelops the entire piece.
It is a recommended choice for those who value traditional stylistic beauty while seeking to broaden their expressive range.
