Robert Schumann | Introduction to his famous and representative works
Composer Robert Schumann, regarded as a romantic successor to Beethoven and Schubert, left works across a wide range of genres, from symphonies to choral music.
His output has so far been particularly noted for piano pieces and lieder.
Skillfully blending both Classical and Romantic styles, he produced many lyrical, romantic works unlike those of any other composer.
Here, we’ve picked out some of Schumann’s masterpieces and signature pieces.
Be sure to listen to Schumann’s works, which left a profound influence on later composers.
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Robert Schumann | Introducing Famous and Representative Works (91–100)
Papillons No. 2, Op. 2 in E-flat majorRobert Schumann

Composer Robert Schumann, renowned for his gentle works, is also extremely popular in Japan.
Among Schumann’s pieces, one I especially recommend for spring is Papillons No.
2 in E-flat major, Op.
2.
This work was inspired by Jean Paul Richter’s novel Flegeljahre (The Awkward Age), by the German poet of fantasy.
If you’d like to delve deeper into the piece, why not check out that book as well?
Album for the Young, Op. 68 No. 38: In Winter Time IRobert Schumann

Album for the Young, written in 1848 by Robert Schumann—one of the leading composers of 19th-century Germany—includes a short piano piece themed around winter.
Although it spans only 16 measures, it carries Schumann’s distinctive Romantic atmosphere, portraying the quiet and chill of winter with a gentle yet introspective melody.
For piano learners, it’s an ideal piece to refine dynamic control and expressive nuance.
Why not play or listen to it at a relaxed pace during the winter season, and experience Schumann’s delicate sensibility?
Jugend-Album (Album for the Young), Op. 68 No. 39: Wintertime IIRobert Schumann

Robert Schumann’s Album for the Young, composed in 1848, is an educational collection of piano pieces written for children and young people, comprising 43 pieces in total.
This particular piece from the set evokes the stillness and chill of winter while showcasing Schumann’s distinctive Romantic sensibility throughout.
Its melancholic melody in C minor is striking, drawing out the performer’s inner emotions.
It’s recommended not only for piano learners but also for anyone who wants to enjoy music in the winter season.
This is a piece in which one can feel Schumann’s warm, homely atmosphere and romantic sentiment.
Symphony No. 3 in E-flat major, Op. 97 “Rhenish”Robert Schumann

Composed in 1850.
Although it is numbered No.
3, the “Rhenish” was the last of the four symphonies to be written.
Schumann was 40 years old and had moved to Düsseldorf.
It is said that the work was inspired by life along the Rhine River there.
The lively melody of the first movement lifts the listener’s spirits.
Symphony No. 3 “Rhenish”Robert Schumann

This is a well-known work by Schumann, famous for its piano pieces.
Although the title “Rhenish” was not given by the composer himself, it is clear that he was inspired by the Rhine River, and the piece beautifully evokes scenes of the river.
It is also said to have been influenced by Beethoven’s “Eroica” Symphony.
Symphony No. 4, Movement IRobert Schumann

Schumann completed his Symphony No.
1 between January and February 1841, and in March he composed works including an overture and the piece that would become the first movement of his Piano Concerto.
Furthermore, starting in June, he began composing the symphony later designated as No.
4, which he presented as a gift to his wife Clara on her birthday, September 13.
Symphonic Etudes, Op. 13Robert Schumann

This work can be regarded as the culmination of a series of études by Robert Schumann, a composer emblematic of the Romantic era.
It transcends mere technical study and was conceived to make the piano resonate like an orchestra.
While based on a theme-and-variations structure, each étude embodies distinct emotions and technical demands, showcasing an exploration of pianistic technique in Schumann’s time.
Because it aims to create orchestral sonorities with a single performer, it features many chords and counter-melodies; coupled with the variation form, this makes it challenging to maintain a clear sense of the overall architecture in performance.
Including the five pieces known as the “Posthumous” études, the performance length is about 40 minutes, requiring stamina as well.
Celebrated as a masterpiece of piano literature, the work demands both high technical prowess and rich musicality from the performer, while offering listeners a wealth of profound emotional expression.


