Robert Schumann | Introduction to his famous and representative works
Composer Robert Schumann, regarded as a romantic successor to Beethoven and Schubert, left works across a wide range of genres, from symphonies to choral music.
His output has so far been particularly noted for piano pieces and lieder.
Skillfully blending both Classical and Romantic styles, he produced many lyrical, romantic works unlike those of any other composer.
Here, we’ve picked out some of Schumann’s masterpieces and signature pieces.
Be sure to listen to Schumann’s works, which left a profound influence on later composers.
- Robert Schumann | Introduction to his famous and representative works
- [Masterpiece Classics] A special showcase of gem-like masterpieces so beautiful they’ll move you to tears
- Robert Schumann Popular Song Ranking [2026]
- Brahms's masterpieces. Popular classical music.
- Gabriel Fauré | Introduction to His Famous and Representative Works
- J.S. Bach | Introducing Famous and Representative Works
- Bedřich Smetana Popular Songs Ranking [2026]
- Masterpieces by Gustav Mahler. Popular classical music.
- Mendelssohn’s Masterpieces | Popular Classical Music
- Masterpieces by Franz Schubert: Sparkling classical works left by the King of Song. Recommended classical music.
- Rachmaninoff’s masterpieces. Recommended pieces by Rachmaninoff.
- Debussy’s masterpiece. Popular classical music.
- Cool classical masterpieces. Recommended classical music.
Robert Schumann | Introducing Famous and Representative Works (31–40)
Symphony No. 2 in C majorRobert Schumann
Composed in 1845–1846, it was premiered by the same conductor and orchestra as the First Symphony.
It is dedicated to King Oscar I of Sweden.
In a letter to Mendelssohn dated September 1845, he wrote that “a trumpet in C major is resounding in my head,” indicating that the work was likely begun around that time.
Arabesque in C major, Op. 18Robert Schumann
Robert Schumann’s great masterpiece, Arabesque in C major, Op.
18.
The term “arabesque” means “in the Arabic style,” and, literally, Arabian-sounding melodies appear in the piece.
Although the difficulty varies depending on hand size, you can perform it without issue if you, for example, support the voices with both hands.
There is a section where “ritardando” appears twice, but since it can be hard to grasp the feel from the score alone, try referring to performances by professional musicians.
Scenes from Childhood No. 1: Of Foreign Lands and PeoplesRobert Schumann
Many people have probably heard it at least once.
This piece is a classical work composed by Schumann.
Its gentle, calm melody evokes childhood memories and soothes and relaxes the listener.
Piano Concerto, First MovementRobert Schumann
This is the only piano concerto that Schumann completed.
While he composed many piano pieces and songs, around this time he also began working on various orchestral works, including his four symphonies.
The first movement was finished first, and the second and third movements were completed four years later.
At times the piano takes on an accompanying role to the orchestra or trades melodies with it, reflecting Schumann’s approach of treating the piano as one of the orchestral instruments.
Symphony No. 1 “Spring”Robert Schumann
As the subtitle “Spring” suggests, this is Schumann’s first symphony, bright and radiant.
It consists of four movements; the first opens abruptly with a resplendent brass fanfare that can truly be called nature’s cry announcing the arrival of spring.
The premiere was well received, and Schumann…
Robert Schumann | Introducing Famous and Representative Works (41–50)
“Butterflies,” Op. 2: No. 10, “Unmasking the Mask”Robert Schumann
An early piano suite by Robert Schumann, captivating for its thrilling melodies and delicate expression.
Comprising just twelve short pieces, this work is a small collection of stories that musically depicts a masked ball.
Written in 1831, it reaches its dramatic climax in No.
10, vividly portraying the moment when masks are exchanged.
Inspired by literature, the music offers a world rich in Romantic lyricism while remaining accessible to beginners.
It’s perfect for those who have just started the piano or who want a sense of accomplishment with short pieces.
Since it isn’t technically demanding, it’s also ideal for honing expressive skills.
“Butterflies,” Op. 2, No. 12: “Final Scene and the Returning Brothers”Robert Schumann
The twelfth piece, the finale of Robert Schumann’s Op.
2 Papillons, is an elegant miniature depicting the end of a masquerade ball.
Published in 1831, it delicately portrays the ball’s conclusion and the participants’ journey home.
Light yet sentimental in atmosphere, it is notable for its quotation of the traditional “Grandfather’s Dance” melody.
In the closing measures, the sound gradually fades, evoking the image of the ballroom lights being extinguished one by one.
This piece is recommended for pianists who have mastered the basics and wish to explore the rich expressiveness of the Romantic era.
Savor Schumann’s poetic world while cherishing the music’s narrative quality.