Robert Schumann | Introduction to his famous and representative works

Piano Sonata No. 2 in G minorRobert Schumann

Martha Argerich plays Robert Schumann – Piano Sonata No. 2 in G Minor, Op. 22

A piano sonata in four movements.

Although it is titled No.

2, No.

3 was actually composed earlier, and this one received its name because it was the last to reach its final form; in fact, it is the piano sonata that was composed most recently.

Avec Variations, Op. 1Robert Schumann

[Ryoma Takagi] Schumann: Abegg Variations, Op. 1; Chopin: Polonaise No. 6 in A-flat major, Op. 53 “Heroic”

Variations on the Name “Abegg,” Op.

1 is an important early work composed by Robert Schumann between 1829 and 1830 and published as his Opus 1.

Named after Schumann’s imaginary friend Meta Abegg, the piece consists of a theme and five variations based on the musical letters A-B-E-G-G.

In the final movement, the work conveys Schumann’s distinctive storytelling, culminating in a fantastical finale in which the fictional figure seems to fade away musically.

Showcasing the creativity of a young and gifted Schumann, this is a compelling set of variations that pianists may be inspired to tackle in the course of their studies.

TraumereiRobert Schumann

Mischa Elman plays Traumerei by Schumann

Originally a piano piece, it’s also widely used in many places in versions performed on the violin.

It’s a beautifully melancholic piece that makes you want to listen to it in a quiet setting.

Schumann also wrote piano pieces for children’s study, such as the “for children” series, so be sure to check those out as well.

Album for ChildrenRobert Schumann

Schumann: Album für die Jugend Op.68 (21-26)

A collection of 43 short piano pieces.

Of these, Nos.

1–7, which constitute Part I, were composed as a birthday gift for Schumann’s eldest daughter Marie, who was seven years old at the time.

Unlike Scenes from Childhood, which was written for adults, this work was composed for children to play.

“Butterflies” Op. 2, IntroductionRobert Schumann

Introduction in D Major “Moderato” (Papillons, Op.2) – Robert Schumann

The introduction depicting a masked ball is a short piece characterized by gently undulating melodies and delicate harmonies.

Completed in 1831, it was inspired by Jean Paul’s novel “Flegeljahre,” and it exudes a quintessentially Romantic, fantastical atmosphere.

Though brief, the work is rich in narrative quality, making it approachable for intermediate pianists and ideal for cultivating a sensitive touch and expressive nuance.

With relatively few sharps, it’s also accessible for beginners to practice.

Classical music can seem daunting, but by gradually mastering this piece while exploring its background, you can savor the joy of expressing an elegant ambiance at the piano.

Album for the Young, Op. 68, No. 8 “The Brave Horseman”Robert Schumann

Natsuki Osaki (piano) Schumann / The Bold Rider (41st All Japan Junior Classical Music Competition National Finals)

A lively piece! This work is included in the piano collection Album for the Young, which the classical composer Robert Schumann created in 1848 for his beloved daughter.

The staccato-driven rhythm resembles the sprightly hoofbeats of a horse, giving it a very valiant feel.

While the minor-key melody shows a touch of poignancy, be careful not to let it become dark or heavy.

In the middle section, where it shifts to a bright F major, make the most of that beautiful contrast and try playing as if you were weaving a story.

Requiem in D-flat majorRobert Schumann

Robert Schumann (1810-1856): “Requiem”, Op.148 (1852).

This is Schumann’s Requiem.

It consists of nine movements and runs about 40 minutes in total.

From the very beginning it makes a powerful impact that keeps you drawn in for the entire 40 minutes.

Its expression of mourning for the dead is also superb, making it a truly moving work.