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Showa-era masterpieces roundup: A must-listen collection of nostalgic oldies and hit songs

In the Showa era, countless masterpieces were created across genres, from pop kayokyoku to enka.

Many of them are still loved today, and we have plenty of chances to hear them.

In recent years, it’s not uncommon for Showa-era songs to experience a revival hit, and I think many younger listeners are also interested in these classics.

In this article, we’d like to reintroduce a generous selection of Showa masterpieces.

We’ve gathered many songs from various genres, so please take your time and give them a careful listen.

Showa Era Masterpieces: A Must-Listen Collection of Nostalgic Classics & Hit Songs (11–20)

Tsugaru Strait – Winter SceneIshikawa Sayuri

Tsugaru Strait Winter Scene / Sayuri Ishikawa (fingerstyle cover)
Tsugaru Strait – Winter SceneIshikawa Sayuri

This work is characterized by a soul-stirring vocal performance and a melody steeped in melancholy.

Through the figures of people traveling from Aomori to Hokkaido, it conveys feelings for one’s hometown and the loneliness of setting out on a journey.

Released in April 1977, it became the song that sparked Sayuri Ishikawa’s breakthrough.

Its evocative depictions of scenes unique to the era when the Seikan ferry was in service are striking, giving the piece a sense of historical value as well.

Listening to it as winter’s cold deepens is sure to resonate even more deeply.

It’s especially recommended for those who cherish nostalgic landscapes and memories.

Festival MamboMisora Hibari

Among the classic hits of the Showa era, this song stands out for its exceptional popularity.

Released when Hibari Misora was 15, it was an innovative piece that incorporated jazz and mambo rhythms.

Centered on the festival-loving spirit of Edo-born townsfolk, it skillfully portrays the lively scenes of a festival, the joy of the people, and even the loneliness that follows when the festivities end.

Released in August 1952, the track vividly reflects everyday life during Japan’s postwar reconstruction period, with Misora’s vocal prowess further enhancing its distinctive atmosphere.

It’s highly recommended for the summer festival season, yet it remains an irresistibly uplifting song no matter when you listen to it.

You Are the One Who Rings That BellWada Akiko

You Are the One Who Rings That Bell (Original)
You Are the One Who Rings That BellWada Akiko

When it comes to classic songs from the Showa era, you can’t leave this one out! Known as one of Akiko Wada’s signature numbers, this was her 11th single, released in March 1972.

With lyrics by Yu Aku and music by Koichi Morita, it’s a powerful kayōkyoku piece highlighted by Wada’s soulful vocals.

While it explores themes of personal inner turmoil and loneliness, it also conveys a strong sense of finding hope.

Over the years, this song has been a source of support for people living through difficult times.

Truly, it’s a masterpiece that has continued to be loved across eras—from Showa to Heisei and now Reiwa.

Sake, Tears, Men, and WomenKawashima Eigo

Eigo Kawashima – Sake, Tears, Men and Women
Sake, Tears, Men, and WomenKawashima Eigo

This is Eigo Kawashima’s signature song, released in 1976.

Even after his passing, it has been covered by many artists and remains a classic.

On the Red and White Song Battle, his close friend Takao Horiuchi delivered a passionate performance of the song, moving many viewers.

With its poignant, wistful vocal style, it continues to be sung to this day.

Red Sweet PeaMatsuda Seiko

Seiko Matsuda “Red Sweet Pea” (from Seikoland: Budokan Live ’83)
Red Sweet PeaMatsuda Seiko

A classic song depicting love in full spring bloom was released as a single by Seiko Matsuda in 1982.

Composed by Yumi Matsutoya with lyrics by Takashi Matsumoto, this track marked a turning point in Matsuda’s career.

To accommodate her strained voice from a grueling schedule, a slow ballad style was adopted.

The lyrics delicately portray springtime scenes and the bittersweetness of love, resonating with many listeners.

This work has long been cherished as one of Seiko Matsuda’s signature songs.

It’s especially recommended for listening during the season when you can feel spring’s arrival.