Showa-era masterpieces roundup: A must-listen collection of nostalgic oldies and hit songs
In the Showa era, countless masterpieces were created across genres, from pop kayokyoku to enka.
Many of them are still loved today, and we have plenty of chances to hear them.
In recent years, it’s not uncommon for Showa-era songs to experience a revival hit, and I think many younger listeners are also interested in these classics.
In this article, we’d like to reintroduce a generous selection of Showa masterpieces.
We’ve gathered many songs from various genres, so please take your time and give them a careful listen.
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Showa-Era Masterpieces: A Must-Listen Collection of Nostalgic Tunes & Hit Songs (21–30)
The Ten CommandmentsNakamori Akina
As if to rewrite the era of bright, cutesy idols, she put forward a cool, sharp style and, as though perfectly suited to a time when delinquents were popular, provoked with edgy words that felt like a kick to the backside of spineless men.
She was also well known for her diaphragm-driven, from-the-gut vocal delivery.
Love me to the bone.Jō Takuya
This song, his breakthrough work after changing his name from Masao Kikuchi to Takuya Jō, made a huge impact with the striking expression “Ai shite hone made” (Love Me to the Bone) and became a massive hit, selling 1.4 million copies.
The lyricist and his uncle, Yasunori Kawauchi, once again played a key role here.
The Drunkard Has ReturnedThe Folk Crusaders
This somewhat bizarre song is the debut single by The Folk Crusaders from 1967.
With its sped-up, peculiar vocals and unusual lyrics, it’s a track you won’t forget once you hear it.
However, there are parodies (homages) to foreign artists throughout, so it can’t be simply categorized as an odd folk song.
Broken-winged angelNakamura Ayumi
This song, one of Ayumi Nakamura’s breakout hits, captivated many with her husky voice that contrasts strikingly with her idol-level looks.
It portrays a half-life that begins with the reckless rampage of one’s teenage years, soothing wounded hearts and giving the strength to rise up once more.
clownNakajima Miyuki
This is a masterpiece by Miyuki Nakajima, whose melancholy waltz melody seeps deep into the heart.
Released in September 1979 as part of the single “Revival,” the song portrays a protagonist bound by unforgettable memories of love, trying to dull the pain with alcohol.
The way they hide their true sorrow and carry themselves with composure makes them seem like a lonely clown.
The piece is also known as a song provided to actor Jinhachi Nezu and has been covered by artists such as Naoko Ken.
It’s a track that quietly stays by the side of a solitary heart on nights when one cannot take a step forward from memories of the past.