Karaoke songs that are easy to sing even for tone-deaf beginners, recommended for women in their 60s
Even if you’re not confident at singing, there are times when you want to belt out a song at karaoke and feel great.
This time, we’ve put together a selection of songs for women in their 60s that are both nostalgic and easy to sing.
People often assume that enka or kayōkyoku suit those in their 60s, but we’ve also included many folk and pop songs from the 1970s—the era when today’s sixty-somethings likely spent their youth.
We’ve focused on songs with melodies that seem easy to sing, and some articles include tips on how to sing them well.
Find your favorite tune and enjoy singing!
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- Karaoke songs that are easy to sing even if you’re not confident in your pitch (for women in their 50s)
- [For women in their 70s] A collection of songs that are easy to sing even for people who are tone-deaf
- A must-see for low-voiced women! Popular songs that are easy to sing at karaoke
- Love songs that resonate with women in their 60s: gem-like romance tunes that revive memories of youth.
- Recommended for millennial women who aren't confident singers: easy-to-sing karaoke songs
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- [Calling all low-voiced women in their 40s!] Songs that are easy to sing at karaoke
- [Men in their 60s] Even if you're not good at singing, it's okay! Easy-to-sing songs for karaoke
- [Even If You're Tone-Deaf, It's Okay!] Easy-to-Sing Karaoke Songs and Practice Tracks
Karaoke songs recommended for women in their 60s that are easy to sing even for those who are tone-deaf (71–80)
Crimson Japanese lantern (plant)Oka Midori
It’s a hidden gem that, while reminiscing about the Hozuki Market held in Asakusa, highlights its intense passion even more by choosing a calm, beautiful delivery instead of putting overt resentment over betrayal front and center.
Although it’s positioned as the coupling track to the single “Namidauta,” released in February 2024, it’s sure to be irresistible for those who love Midori Oka’s mysterious side.
The melody doesn’t demand particularly difficult techniques and is relatively easy to sing, so I encourage you to give it a try at karaoke.
With songs like this, it’s harder to express the simmering, uncontrollable emotions in a restrained way than to showcase technique, so be sure to read the lyrics carefully before you sing!
Kiyamachi in the RainOka Midori
Composed by Tetsuya Gen, who is said to have helped establish Midori Oka’s signature style, Ameno Kiyamachi was released in 2017 as a double A-side single with Sado no Yuubue, one of the three works in the “Mysterious Enka Trilogy.” It’s a classic, heart-wrenching enka song where vivid scenes of falling rain are artfully interwoven with the psychology of a love that has ended.
Overall, the pitch sits on the higher side, so it may be challenging for those who struggle with high notes.
However, the melody is straightforward and easy to remember, and the intonation is easy to grasp, so lowering the key should make it quite singable.
evening drinkNakamura Mitsuko
Mitsuko Nakamura’s poignant classic “Banshaku” (Evening Drink).
While she is renowned for her “man’s songs,” this piece is especially known as one of her most popular in that style.
True to Nakamura’s roots in the Kawachi Ondo tradition, the song primarily employs the hiccup technique, which flips the voice.
The ornamentation (kobushi) that uses this hiccup is less difficult than that of typical enka, resulting in a vocal line that’s easier for beginners to sing.
In addition, the tempo is particularly slow even among her works, and there are well-placed rests before executing the kobushi, which also makes it easier to perform.
Lucky Man’s SongYashiro Aki
Aki Yashiro has left behind many classic songs, but among them, an unusually distinctive masterpiece that continues to be talked about is The Lucky Man Song.
This piece was released as the theme song for the popular anime Tottemo! Luckyman.
It’s fundamentally structured as a pop song, so it doesn’t have the difficulty of enka.
However, in the middle of the track there’s a section that pays homage to part of the famous song Funauta, which does require techniques like kobushi (ornamental vocal turns).
That said, the kobushi and vocal lines aren’t particularly difficult, so if you’re accustomed to singing enka or kayōkyoku, you should be able to handle it without any trouble.
Let me stay for the night.Kobayashi Sachiko
It’s a classic Showa-era kayokyoku that has an enka flavor, with striking rock-style guitar solos and riffs.
“Hitoban Tometene,” released by Sachiko Kobayashi in 1985, was composed by Katsuhiko Miki, who also worked on one of Kobayashi’s signature songs, “Moshikashite.” The overall key is on the lower side, and it’s the kind of song that expresses a sultry melody through the appeal of the low register, so it’s perfect for those who struggle with high notes.
The enka-style kobushi (ornamental turns) and vibrato are kept to a minimum, making it a great piece for beginners to enka to try!