RAG MusicClassic
Lovely classics

J.S. Bach | Introducing Famous and Representative Works

The songs that are popular today—across not only classical music but also pop and jazz—are deeply influenced by past composers.

Among them, classical music is often called the foundation of music, and it’s no exaggeration to say that Johann Sebastian Bach, known as the “Father of Music,” was one of the figures who laid that very groundwork.

Bach’s music, while carrying a religious hue, is characterized by philosophical depth and intricately refined structure down to the finest details, with melodies of exceptional beauty.

Please take a look into the world of Johann Sebastian Bach, one of the greatest composers in history.

J.S. Bach | Introducing Famous and Representative Works (131–140)

PartitaJ.S.Bach

Bach: Partita No. 1, Gould (1959) Bach Partita No. 1 Gould
PartitaJ.S.Bach

Bach’s masterwork, the Partita.

Because Bach’s music stands out for its strong musicality, you might not associate it with being difficult, but in fact this Partita is known as a highly challenging piece.

What particularly raises the difficulty are the second movement, the Allemande, and the fourth, the Sarabande! While it doesn’t demand advanced technique per se, in terms of atmosphere and expression it’s definitely suited for advanced players.

Give it a try.

French Suite No. 5 in G major, BWV 816: AllemandeJ.S.Bach

Bach: French Suite No. 5 in G major, BWV 816 – 1. Allemande; Pf. Kyoko Nakagawa
French Suite No. 5 in G major, BWV 816: AllemandeJ.S.Bach

The French Suites are pieces that many beginner pianists tackle before they start practicing the Inventions.

The Allemande from No.

5 in G major is a charming and gentle piece with an inviting character.

It’s also recommended as an entry point to Baroque repertoire that requires distinguishing between voices.

In addition to practicing each hand separately, try further separating the voices within each hand; this will help you more clearly understand how Bach’s works are built from overlapping multiple voices.

French Suite No. 5 in G major, BWV 816: GavotteJ.S.Bach

Bach: Gavotte (from French Suite No. 5) Pianist Yuki Kondo / J. S. Bach: Gavotte from French Suite No. 5, Yuki Kondo
French Suite No. 5 in G major, BWV 816: GavotteJ.S.Bach

In studying polyphonic music, many piano learners tackle a classic piece: Johann Sebastian Bach’s French Suite No.

5 in G major, BWV 816, “Gavotte.” Although it was composed with performance on instruments like the harpsichord in mind, before the piano existed, it is now cherished as a piano work.

Combining courtly elegance with a charming quality that evokes an innocent child, this piece is recommended for a wide range of players, from adults to children.

While maintaining precise rhythm, perform it so as not to lose its lightness and sense of optimism.

Flute Sonata No. 2 in E-flat major, BWV 1031, II. “Siciliano”J.S.Bach

The second movement, “Siciliano,” from Johann Sebastian Bach’s Flute Sonata No.

2 in E-flat major, BWV 1031, is a highly popular piece for solo piano, with numerous recordings by renowned pianists.

Its serene melody gains even greater emotional depth when performed on the piano, an instrument that combines delicacy with richness.

Although this piece has traditionally been attributed to Bach, the prevailing view today suggests it may not actually be his work.

That air of mystery—with its many unanswered questions—only adds to its allure, doesn’t it?

The Art of Fugue in D minor, BWV 1080: Contrapunctus 14J.S.Bach

J.S. Bach: Die Kunst der Fuge, BWV 1080: Fuga a 3 Soggetti “Contrapunctus XIV” (Incomplete)…
The Art of Fugue in D minor, BWV 1080: Contrapunctus 14J.S.Bach

The Art of Fugue, composed by Bach—known as the “Father of Music.” In the late 1740s, during the final years of his life, publication was being prepared alongside the composition, but the composer’s eyesight deteriorated rapidly, and work on Contrapunctus 14 was halted while still unfinished.

In addition, although it is performed today by various ensembles such as piano, string quartet, and orchestra, the piece leaves many mysteries since no instruments are specified.

It is a work whose appeal lies in Bach’s characteristically rigorous form and its solemn yet pleasing harmonic sonorities.

Brandenburg Concerto No. 6J.S.Bach

Bach: Brandenburg Concerto No. 6 in B flat major, BWV 1051 (Orchestra Mozart, Claudio Abbado)
Brandenburg Concerto No. 6J.S.Bach

The Brandenburg Concertos are a collection of six concertos featuring various instrumentations and styles.

They are thought to have been composed by Bach during his tenure as Kapellmeister at the court of Prince Leopold of Köthen, for the court orchestra there.

Later, they were compiled and dedicated to the Margrave of Brandenburg, which is why they are called the Brandenburg Concertos.

Prince Leopold was very fond of music and maintained, for the time, a relatively large and highly skilled orchestra.

Because Bach wrote these works for performance by that ensemble, they are pieces of high density both technically and musically, putting the soloists’ abilities to the test.

Polonaise in G minorJ.S.Bach

Grade B J.S. Bach: Polonaise in G minor, BWV Anh. 119 (2022 PTNA Competition Required Piece) pf. Mako Hamada
Polonaise in G minorJ.S.Bach

Many pieces that beginners can play are arranged at a relaxed tempo that doesn’t demand fast finger work.

As a result, pieces in major keys tend to end up sounding drawn-out.

Perhaps many beginners feel the same way.

For those people, I recommend this piece: Polonaise in G minor.

It’s a famous work by Johann Sebastian Bach, and although short, its memorable G minor structure is very appealing.

Try playing it while savoring the noble atmosphere of Baroque music.