J.S. Bach | Introducing Famous and Representative Works
The songs that are popular today—across not only classical music but also pop and jazz—are deeply influenced by past composers.
Among them, classical music is often called the foundation of music, and it’s no exaggeration to say that Johann Sebastian Bach, known as the “Father of Music,” was one of the figures who laid that very groundwork.
Bach’s music, while carrying a religious hue, is characterized by philosophical depth and intricately refined structure down to the finest details, with melodies of exceptional beauty.
Please take a look into the world of Johann Sebastian Bach, one of the greatest composers in history.
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J.S. Bach | Introducing Masterpieces and Signature Works (141–150)
Unaccompanied Cello Suite No. 1 in G major, BWV 1007J.S.Bach
It is Johann Sebastian Bach’s Cello Suite No.
1 in G major, BWV 1007.
This suite consists of six movements: I.
Prelude, II.
Allemande, III.
Courante, IV.
Sarabande, V.
Minuet I/II, and VI.
Gigue.
In the TBS TV drama “Quartet,” the cellist Suzume-chan (played by Hikari Mitsushima) also performs this piece.
Chaconne from Violin Partita No. 2 for Solo ViolinJ.S.Bach
This is the Chaconne from the unaccompanied Violin Partita by the universally recognized “Father of Music,” J.
S.
Bach.
A “chaconne” is a type of variation piece in which an initial theme is repeated over and over in a variety of arrangements.
Bach’s Chaconne, admired for its beautiful melody and technical difficulty, remains a beloved masterpiece to this day.
Violin Partita No. 3 for Solo ViolinJ.S.Bach
Let me introduce one more piece by the same Bach as above.
Partita No.
3 is a path every violinist goes down at least once.
Compared to the Chaconne, its melodies are more approachable, yet it’s a piece packed with violinistic virtuosity.
J.S. Bach | Introducing Famous and Representative Works (151–160)
Chaconne from Partita No. 2 in D minor, BWV 1004, for solo violinJ.S.Bach
A masterpiece for unaccompanied violin by Johann Sebastian Bach, the German composer who epitomizes the Baroque era.
Spanning about 15 minutes, this large-scale set of variations demands the ability to convey rich harmony and counterpoint on a single violin.
Some interpret it as a memorial tribute mourning the death of Bach’s wife, Maria Barbara, imparting a solemn quality and emotional depth to the listener.
Characterized by structural complexity that makes full use of lush harmonic writing and counterpoint, it has long been esteemed as a landmark in the solo violin repertoire.
While quintessentially Baroque, the work also conveys powerful inner expression and energy, continuing to be cherished today as a piece that inspires profound empathy.
Piano solo arrangements by Brahms and Busoni are also well known—be sure to give them a listen.
I hear a voice calling me to awaken.J.S.Bach
Cantata No.
140 by Bach.
It consists of seven movements, and the first, “Chorale: Wachet auf, ruft uns die Stimme” (Wake, Awake, for Night Is Flying), features the warm timbre of oboes and strings that feels wonderfully comforting.
It’s perfect as background music for enjoying a Christmas lunch or afternoon tea rather than dinner! Listening to its refined-sounding melody makes me feel as though I, too, become a bit more elegant.
Orchestral Suite No. 3 in D major, BWV 1068: “Air on the G String”J.S.Bach
Among the orchestral suites composed by Johann Sebastian Bach, this work is especially popular.
Its graceful, flowing melody is striking and beloved by many.
Although it was originally written for orchestra, it became even more widely appreciated after being arranged to be played entirely on the G string of the violin.
It is thought to have been composed between 1717 and 1723, though the oldest surviving score dates from his Leipzig period.
Its calm and beautiful melody resonates deeply with listeners.
Even those unfamiliar with classical music will surely be drawn to its charm upon hearing it.
Goldberg Variations, BWV 988J.S.Bach
There are quite a few classical pieces that have become associated with fear simply because they were used as soundtracks in films.
One such piece is the set of harpsichord variations published by Bach—revered as the “Father of Music”—in 1741, commonly known as the Goldberg Variations.
As music, it demands a high level of performance technique, and it remains a masterpiece of classical music that performers around the world continue to take on, from the renowned interpretation by the shockingly brilliant pianist Glenn Gould onward.
At the same time, if you’ve seen a certain film, you might find this work overwhelmingly ominous.
In the 1990 masterpiece The Silence of the Lambs, the piece is used in a shocking scene to heighten the fear to the utmost.
The music’s very image may be altered for you, so those who haven’t seen the film yet should be forewarned.
