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Tongue twisters are phrases that you repeat as fast as you can, even though they’re hard to say.
Many of you may have played with them when you were kids.
Tongue twisters aren’t just a fun pastime—they’re also effective for improving your articulation.
In this article, we’ll introduce tongue twisters that help you speak more clearly!
They’re great not only for articulation practice if you’re aiming to become an announcer or voice actor, but also useful when you’re asked to give a wedding speech or have to present in front of your class.
Practice hard and use them to achieve your dreams and goals!
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- “Chau chau, anta” — a Kansai-dialect tongue twister. A phrase only Kansai folks can say.
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- Challenge together! A roundup of word games for adults
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[Diction Training] A Collection of Tongue Twisters to Improve Articulation (1–10)
The mystery of the banana is still a mystery.
There’s a unique tongue twister that goes, “Banana no nazo wa mada nazo na no da zo.” Grammatically, it may feel a bit unnatural.
The hallmark of this tongue twister is how often the sound nazo appears—it shows up five times.
To make matters trickier, there are similar-sounding phrases like nazo and na no da zo.
Plus, na no da zo also closely resembles nazo nazo (riddle), which raises the difficulty.
To avoid getting confused, make sure you’ve got it firmly in your head before you give it a try.
Snowplow in operation
A tongue twister based on a scene often seen in snowy regions: “Snowplow snow removal in progress.” The tricky part of this tongue twister is that the word for “snow removal” appears twice, which makes it easy to lose track of where you are as you repeat it.
It also features several pronunciation challenges: the “jo” sound occurs twice, and the “sha” and “gyo” sounds each occur once.
Try practicing with those four points in mind.
If you master this tongue twister, you might just get better at pronouncing the small kana sounds (ゃ, ゅ, ょ).
Tokyo Patent Approval Bureau
One famous tongue twister is “Tokyo Patent Approval Bureau.” The tricky part is that similar-sounding words—tōkyō, tokkyo (patent), and kyoka kyoku (approval bureau)—come one after another.
People especially tend to get mixed up between “Tokyo” and “patent.” And even if you get through “Tokyo patent,” the “approval bureau” that follows is hard to say! By the way, the Tokyo Patent Approval Bureau is a fictional government agency; in reality, patents are filed with the Japan Patent Office.
Keep practicing, and try to master it!
When a pig hit a pig, the pig that got hit hit back the pig that hit it, so the pig that hit and the pig that got hit both collapsed.
It’s a comedic tongue twister that depicts a quarrel between pigs.
At first glance it’s hard to follow, so let’s split it into two parts.
In the first half, “When a pig hit another pig, the pig that got hit hit back the pig that hit it,” it shows a pig striking another and getting counterattacked.
The second half, “The pig that hit and the pig that was hit both toppled over,” depicts both of them falling down, ending in a draw.
If you clearly distinguish between “buta” (pig) and “butta” (hit), your success rate will improve.
100 passenger aircraft, 100 passengers each
A tongue twister that’s hard even when spoken slowly: “100 passenger planes, 100 passengers each.” Let’s first go over the reading step by step.
"旅客機" is read as "ryokakuki," and the part "客各100人" is read as "kaku-kyaku hyaku-nin." In other words, each of the 100 airplanes has 100 passengers on board.
If you insert a slight pause after “kaku,” you’ll be more likely to succeed.
Incidentally, there’s an even harder version: “In Massachusetts, 100 passenger planes, with 100 persimmon-eating passengers each, are riding a gas-spraying bus and the bus gas explodes.” If you want to raise the difficulty, give that one a try too.
If Lady Yodo is who she is, then Lady Nene is who she is too.
There’s a tongue twister related to Japanese history that goes, “If Lady Yodo is the way Lady Yodo is, then Lady Nene is the way Lady Nene is.” In fact, this tongue twister is a line delivered by Jiro Sato in the 2009 NHK Taiga drama Tenchijin.
In other words, “Lady Yodo” refers to Yodo-dono, a concubine of Toyotomi Hideyoshi, and “Lady Nene” refers to Kōdai-in, his principal wife.
The tricky part of this tongue twister is the repeated ‘do’ sound.
Since the same sound comes in quick succession, practice carefully so you don’t get mixed up!
bread wallNEW!
This is a tongue twister packed with the fun of rhythm and repetition.
If you try to say “pan-kabe, pan-kabe, pan-kabe…” ten times in a row, your mouth will get tangled, and you can’t help but laugh—that’s the charm.
For kids, it becomes a playful exercise for the tongue and mouth, and for adults, it’s enjoyable as a tongue workout and pronunciation practice.
The slightly quirky pairing of “bread” (pan) and “wall” (kabe) creates a sense of rhythm, and it’s interesting that your voice and timing shift a little each time you read it.
Even with short words, the repetition makes your brain and mouth work at full speed, bringing laughter and new discoveries with every try—a tongue twister full of playfulness.
I leaned bamboo against this bamboo fence because I wanted to lean bamboo against it.
Among the many types of tongue twisters, one that is known to be especially difficult is: “Kono takegaki ni take tatekaketa no wa, take tatekaketakatta kara take tatekaketa.” Put simply, it evokes the image of bamboo being propped against a bamboo fence.
Once you understand what kind of situation it’s describing, you’ll be less likely to get confused.
That said, it’s quite a long tongue twister, so memorizing it is no easy task.
Start by reading it repeatedly to commit it to memory.
Frogs hop-hoppity three hop-hoppities; together that’s hop-hoppity six hop-hoppities.
This classic tongue twister, which depicts frogs gathering, has a cute, playful feel to it.
The key points are the lip movement for “pyoko” and how you use your breath.
Be mindful of the combination: “pyo,” where you briefly close your lips to pronounce it, followed by “ko,” where you release the sound with your breath.
By focusing on your breath, you can imagine not only using your mouth but also engaging the muscles in your throat.
Also, because different mouth shapes come right before “pyo,” where lip movement is crucial, it becomes harder to say—so it helps you consciously focus on shaping your lips correctly.
Say: “Apologize to Aya and Aya, apologize to Aya and your parents.”
A tongue twister in dialogue style: “Apologize to Aya, and tell her to apologize to her parents.” There are several versions of this tongue twister, such as “Apologize to Aya, and tell her to apologize to the greengrocer,” or “Tell the greengrocer that Aya is going to the bathhouse with her parents.” All versions rhyme on ‘Aya’ (o-aya) and make the sentences complex in a similar way.
Even without small kana or voiced sounds, it’s still difficult—a rare type of tongue twister.
Give it a try!