I want to sing songs that use a lot of falsetto—tracks that are also good for practicing falsetto at karaoke.
I want to be able to sing in falsetto at karaoke! But I don’t know how to choose practice songs… Many people probably share this concern.
In fact, when practicing falsetto, choosing songs with moderate melodic contours and a suitable range is the shortcut to improving.
In this article, we’ll introduce the characteristics of songs that are effective for practicing falsetto, as well as tracks that are easy to try at karaoke.
From songs you can tackle casually to ones that help you step up gradually, you’re sure to find options that let you practice enjoyably within your vocal range!
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- Recommended for great singers! A collection of impressive songs if you can sing them
- Recommended karaoke songs for male vocalists with high voices
- Karaoke songs popular with women that they want men to sing
- Even karaoke beginners can relax! Easy-to-sing songs for men
- [Karaoke] Songs That Make It Easy to Score High | From Classics to the Newest Hits
- A must-see for low-voiced women! Popular songs that are easy to sing at karaoke
- [Karaoke] A Special Feature on Vocaloid Songs That Are Easy for Men to Sing [I Tried Singing]
I want to sing songs with a lot of falsetto. Songs that are good for practicing falsetto at karaoke (131–140)
To You at DawnTomei
Tomei, a female singer-songwriter who gained nationwide popularity for singing the theme song of the film “Suzume,” is known for her wide musical range—from soothing tunes to downbeat, Western-influenced tracks.
Among her works, I especially recommend “To You at Dawn” for its beautiful falsetto.
The song features falsetto skillfully blended with whisper vocals, creating a calm and ethereal atmosphere throughout.
It’s not a particularly difficult piece, so be sure to check it out!
sympathetic tearsHitoto Yo
It’s Hitoto Yo’s debut single, released in October 2002.
I’ve heard she was born and raised in Taiwan, and the song overflows with a distinctly oriental mood; combined with her beautiful, skillful use of falsetto, it further strengthens the song’s impression.
The biggest key point when singing this piece is whether you can switch registers smoothly in the opening phrase of the chorus.
Thanks to this vocal approach, together with the melody, the song feels oriental—almost reminiscent of Japanese folk music.
Such smooth register transitions can be quite difficult, but I hope you’ll master them and try singing it at karaoke.
Falling in Love -Fall in Love-Kobayashi Akiko
This is the debut single by Japanese singer Akiko Kobayashi, released in August 1985.
Chosen as the theme song for the TBS drama “Friday Wives III: Falling in Love,” it became a huge hit and went on to win the New Artist Award at that year’s Japan Record Awards.
In this song, the falsetto likely appears only at the end of the chorus, but that fleeting touch of falsetto beautifully highlights the closing melody of this gentle ballad.
When you sing it at karaoke, a key point for sounding good is to soften your vocal attack so the “t” consonant in the falsetto part doesn’t come across as harsh.
Try to place your voice gently, as if you’re letting it touch the upper palate slowly.
Leylinego!go!vanillas
In addition to alternative rock, go!go!vanillas is a band that has gained popularity for its complex musicality that incorporates a wide range of genres, such as ska and Irish influences.
They’ve been rapidly rising to prominence lately, so many of you may already know them.
Among their songs, the one I especially recommend is “Leyline.” It features a warm, slightly funky falsetto and carries a nostalgic atmosphere throughout.
Be sure to check it out.
TimeUtada Hikaru
This is Hikaru Utada’s 11th digital-only single, released in May 2020.
There’s no need for me to state the obvious about Utada’s exceptional vocal ability.
As always, she delivers a magnificent performance on this track.
That said, focusing on the theme of this piece—head voice/falsetto—I feel her use of it has evolved with each song and with age.
In particular, the way she uses her voice in the quiet section around 1:59 to 2:20 is remarkable.
The contrast with the lower register is outstanding as well!
SquallFukuyama Masaharu
Included on Masaharu Fukuyama’s 14th single “HEAVEN/Squall,” this song was released as a double A-side alongside the lead track “HEAVEN.” Although it was originally written for singer-songwriter Eiko Matsumoto, it is presented here as Fukuyama’s self-cover.
Incidentally, this was reportedly the first time Fukuyama provided a song to another artist.
It’s a very heartrending piece: a slow-tempo ballad with lyrics written from a woman’s perspective.
What heightens the song’s sense of poignancy even further, in my view, is Fukuyama’s use of falsetto in the final part of the chorus.
Precisely because his appeal lies in his distinctly “masculine” vocal tone, the contrast with a slightly delicate falsetto makes the expression all the more effective.
It stands as an excellent example of how a male vocalist can use falsetto to powerful effect.
Cabo da RocaDAZBEE
DAZBEE is a female singer who has gained popularity for her beautiful vocal tone.
With a truly unique voice, her soothing vocals rival those of the world-renowned Enya.
Among her songs, the one I especially recommend is Cabo da Roca.
It features a fantastical yet wistful melody and is sung primarily in the mid-high to high register throughout.
The falsetto near the end of the chorus is particularly captivating—despite its very high range, her stable pitch control makes it exceptionally pleasant to listen to.