[For Women] Sing challenging songs at karaoke and steal the spotlight!
If you’re blessed with a singing voice you’re proud of, you’ll want to make the most of it and show it off to friends and everyone around you, right? In this special feature, we’ve collected challenging songs recommended for women like you.
Even when we say “songs that are hard to sing,” the difficult points vary: some demand a very wide vocal range, while others require delicate expressiveness, and so on.
Each song’s article includes notes on what makes it challenging and tips on how to sing it well, so be sure to use this as a guide and show off your wonderful voice to the fullest!
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[For Women] Sing Difficult Songs at Karaoke and Grab the Spotlight! (91–100)
Can I come see you by cream?zutto mayonaka de ii no ni.
The artist known as the “night-loving” Zutto Mayonaka de Iinoni.
(Zutomayo) is a band characterized by vocalist ACA-ne’s soft, high tones.
Many of Zutomayo’s songs are stylish, so I imagine a lot of women feel like giving them a try.
If you sing them, aim to keep a relaxed feel overall without belting, and since the rhythms can be tricky, try singing with a lightly swung vibe.
In the chorus, there are parts with lots of words and some wide interval jumps, so don’t force it—keep it light in ACA-ne’s style.
Rising HopeLiSA
When you think of LiSA, you think of anime songs! And there’s that image of her songs being full of high notes, right? Among them, “Rising Hope” is one that many people say, “It’s so fast and so high… great to listen to, but tough to sing!” My students struggled with it too.
The high notes are challenging, of course, but the tempo is also really fast at around 190.
With rap sections and lots of intricate parts, you’ll want to make sure you don’t get left behind while singing.
Also, in the chorus, if you slightly extend the ends of the phrases and articulate the vowels clearly, it adds to the vibe and sounds cool! There are tons of high notes, but try to keep the resonance forward in your head so the pitch doesn’t drop.
Biting the second handzutto mayonaka de ii no ni.
I think this song is fun to listen to and fun to sing! ACAね from Zutomayo has a cute, easy-to-listen-to voice, but when you actually try singing it, the range is really high whether you use head voice or chest voice.
By the way, in this song the highest note is an E5 in the chorus, and it’s amazing that she hits it solidly in chest voice rather than falsetto! Keeping the pitch steady in the chorus is especially tough.
The rhythm is also unique—there are lots of spots where notes are subtly held or cut short, so when you actually sing it, you might find parts that don’t line up with the rhythm.
Instead of jumping straight into karaoke, try singing along while listening to the original track first!
This gameSuzuki Konomi
Do you know the anison singer Konomi Suzuki? She’s really cool, so if you like anime songs, you should definitely give her a listen! In “This game,” the notes are extremely high throughout, and it even modulates in the last chorus, making it go even higher.
The overall range of the song is B3 to F5, which is generally on the higher side, and if you try to belt it all in chest voice, your throat will get wrecked (lol).
Suzuki mixes in head voice skillfully.
When hitting notes as high as in “This game,” it’s easier if you focus on resonance rather than just pushing or belting.
That said, it’s not something anyone can do right away, so first try placing a hand on your chest and check that your chest is resonating.
Also, if you forget to breathe, you won’t be able to hit high notes, so take plenty of air through your mouth and line up your breathing with the song’s timing!
So AddictiveWashio Reina
A digital-only track by Reina Washio, former member of the Japanese female dance and vocal group E-girls, released in February 2023.
It was chosen as the theme song for the drama “Five Ways to Socially Destroy Your Husband.” While the song features a very striking jazzy arrangement and backing track, Washio’s wonderful vocals shine through and hold their own against the acoustic-only instrumentation.
With its complex melodic development, smooth shifts in vocal delivery to match, and the firm incorporation of a jazzy beat, it’s a very challenging song to sing.
Precisely because of that, if you can pull it off at karaoke, you’re sure to draw attention.
It’s a track I highly recommend to those confident in their singing.
Just be careful not to let your sense of the beat flatten out—doing so would ruin the effect—so pay close attention to that as you sing.
Watch me!YOASOBI
It’s such a cheerful, bright song and ikura’s voice is super cute! It’s fun to listen to, but since the range is G3–F5, it’s really tough to sing.
While some parts have very clear, easy-to-follow rhythm, there are also Vocaloid-like melodic lines that are very YOASOBI.
Especially in the A section and the chorus, which sit in a higher register, you’ll want to make the attack of the opening words crisp and clear.
Try singing with a little squeeze in your glutes so your voice doesn’t wobble.
The B section has fast melodies, so I recommend memorizing the lyrics before singing.
It’s a cute song, so it’s important not to go expressionless—keep your facial muscles lifted! Sing with a smile so your pitch doesn’t drop!
Answer keyŌmori Motoki
This is a solo song by Motoki Omori, the vocalist of Mrs.
GREEN APPLE, and as you might expect, it features a lot of high notes.
The range is G#3–B4, so it may be easier for women to sing.
One remarkable thing about Omori is that he switches between chest voice and falsetto far more frequently than other artists.
If you keep your eyebrows raised while singing, the transitions become smoother.
My students often say, “Omori’s eyebrows are always raised!” so please use that as a reference.
Also, since the phrases in this song are on the longer side, I recommend deciding your breath points before singing.
If you don’t have enough breath, your voice can drop out in the falsetto sections, so be sure to focus on proper diaphragmatic breathing.
It’s challenging, but it’s a cute song—once you get used to it, try singing it in a cheerful, bouncy mood!