Heisei-era masterpieces. Hit songs that represent the Heisei period.
The Heisei era, which lasted 31 years from 1989 to 2019.
From the 1990s—the golden age of J-POP that began at the end of the Showa era—through the 2010s, when listening habits changed and new artists emerged one after another, countless hit songs were born!
In this article, we’ll introduce the classics that have been loved for many years as well as memorable hits from the later Heisei years—songs that colored the Heisei era.
It’s a wonderful playlist full of nostalgic tracks that will bring back memories just by listening.
Be sure to check out these masterpieces that should be passed down in the Reiwa era and beyond!
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- [Heisei Love Songs] A carefully selected collection of gem-like love songs that continue to be cherished even in the Reiwa era!
- A Must-See for the Heisei Generation: Nostalgic Songs That Were Popular in the Heisei Era
- [Japanese Music] Masterpieces of 2000s Pop: A roundup of hit songs from 00s J-POP
- Old songs from the Showa to Heisei eras: a collection of timeless classics loved across generations
- [Heisei Songs] Classic hits from the Heisei era that are popular on Instagram Reels
- A revival hit driven by social media! Heisei-era masterpieces that are resonating with Gen Z today
- Heisei-era graduation songs roundup: iconic youth anthems from the ’90s to the 2010s
- Love songs that were hits in the 2000s. Classic and popular Japanese songs.
Heisei-era masterpieces. Hit songs that represent the Heisei period (51–60)
First LoveFukuyama Masaharu

Masaharu Fukuyama’s 25th single, released in December 2009.
Although it was not originally planned to be released as a single, the song drew such a strong response after being used in a commercial for Toshiba’s REGZA LCD TVs that it was hastily put out as a single.
The work’s theme is “beautiful memories,” singing of feelings that can never return but continue to live on in the heart.
The choice to write the title as “Hatsukoi” in hiragana rather than the usual kanji for “first love” suggests Fukuyama’s intent to idealize delicate memories of the past.
With a heartrending melody and arrangements that reflect the beauty of memory, this song resonates deeply—highly recommended for anyone who treasures precious memories.
If I sing to the sky175R

For 175R, the band that made its name known nationwide from Fukuoka, this second major single—selected as a J-PHONE commercial song—was a pivotal track that put them on the map.
Released in April 2003, it debuted at No.
1 on the Oricon Weekly Chart, following in the footsteps of its predecessor.
It ranked 18th on the year-end chart and became a major hit, selling around 350,000 copies.
The lyrics, written for friends back home, likely call to mind those universal moments of parting and setting off on a new journey.
From start to finish, the driving band sound and SHOGO’s raw, straightforward vocals embody the energy of youth, making it a quintessential example of early-2000s youth punk.
It’s a timeless anthem that cheers on everyone running toward their dreams.
HEROMr.Children

This song, released in December 2002 by Mr.Children—the indispensable four-piece rock band in Japanese music history—is a moving work created right after Kazutoshi Sakurai’s return from a cerebellar infarction.
The lyrics, infused with the desire to be someone’s hero, are full of gentle resolve: not to be a dazzling presence, but to stand by someone important in everyday life.
Chosen as the theme song for the NTT DoCoMo Group’s 10th-anniversary commercial, it became a long-running hit, ranking 9th on the 2003 annual singles chart.
It’s a number to play when you want to reaffirm your feelings for someone important or when you need a nudge forward.
MelissaPorunogurafiti

Released in September 2003 as their 12th single, this is one of the signature songs by Porno Graffitti, the rock duo from Hiroshima Prefecture.
It was used as the opening theme for the TV anime Fullmetal Alchemist and is also known for winning Song of the Year at the 18th Japan Gold Disc Awards.
The lyrics, imbued with the will to reclaim what’s been lost and the resolve to move forward while healing a wounded heart, resonate deeply with listeners.
Beginning with a striking bass riff, the song’s high-velocity sound and powerful vocals fuse into an arrangement that’s guaranteed to fire up any karaoke session—a rock number you’ll want to belt out with friends.
Masterpieces of the Heisei era. Hit songs that represent the Heisei period (61–70)
Precious thingsroodo obu mejyaa

Released in August 2002, Road of Major’s debut is a youth punk track that straightforwardly sings about the importance of bonds with friends and supporting one another.
It carries a warm message that even in moments when you feel like crying, there’s always someone irreplaceable by your side.
Created by members headhunted through a TV program and written after a 100-day nationwide tour, the song achieved an astonishing record for an indie release: 19 consecutive weeks in the Oricon Top 10, with total sales of about 910,000 copies.
Its fast beat and simple riffs generate a sense of speed, while the gentle, encouraging melody resonates deeply with listeners.
In 2003, it earned 10th place on Oricon’s year-end ranking—a true classic.
sympathetic tearsHitoto Yo

The debut single by singer-songwriter Yo Hitoto, who has a Taiwanese father and a Japanese mother and continued making music in an a cappella club while attending Keio University.
Released in October 2002, the song reached No.
4 on the Oricon charts without a major tie-in and became a long-running hit, staying on the chart for 70 weeks.
The lyrics, which depict how a friend’s tears set off a chain reaction of emotions, are said to have been inspired by a heartbreak she experienced during her university years.
The striking chorus was crafted so that it can be sung universally using only vowels, creating a unique world where an Oriental, R&B-tinged arrangement and her resilient, powerful vocals blend exquisitely.
In 2003, the song earned her the Japan Record Award for Best New Artist and her first appearance on the NHK Kohaku Uta Gassen, making it the track that defined her career as an artist.
Snow BlossomNakajima Mika

Mika Nakashima’s 10th single, released in October 2003.
It was featured in commercials for Meiji Seika’s Boda and Galbo, and won the Gold Award at the 45th Japan Record Awards.
The delicate melody woven by piano and strings overlays winter imagery like white breath and falling snow, and the lyrics—where the fragility of love and a sense of warmth intersect—really resonate.
It also became a major hit as the theme song of a Korean drama, and has continued to be covered by many artists in Japan and abroad, including Hideaki Tokunaga and Akina Nakamori, making it a winter standard.
In 2019, a film of the same name inspired by the song was released, and it remains beloved across generations.


