A masterpiece with exhilarating high notes. An enchanting high-tone voice.
Even when we simply say “high-tone voice,” there are many ways to express it—from piercing high notes sung in chest voice, to a softer, more mature high tone that effectively uses mixed voice or falsetto.
In this topic, we’ve gathered a wide variety of songs that showcase the appeal of different high-tone voices, ranging from the latest trending tracks to timeless classics.
High-tone vocals are pleasant to listen to on their own, but once you can comfortably sing high notes yourself, you’ll discover even more ways to enjoy these songs.
We hope this can serve as practice material and a point of reference for those who want to learn how to sing in higher registers.
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A masterpiece with delightful high notes. Enchanting high-tone vocals (111–120)
Follow MeE-Girls

This is the third single by E-girls, a dance and vocal group known for their high level of skill.
It’s one of E-girls’ most well-known songs, having been featured in a Samantha Thavasa commercial and used as the theme for the variety show “Onegai! Ranking.” With its upbeat rhythm, it’s also a popular choice for karaoke.
NAKED LOVEHIROOMI TOSAKA

It’s a love song defined by a sweet-toned voice.
The high notes are strikingly cool and guaranteed to make you swoon.
The English pronunciation is smooth and pleasant, irresistible for fans of attractive voices.
The melody matches the sweet vocals, maximizing the singer’s appeal.
Both the melody and the voice are captivating, and of course, the looks are a perfect 10 as well.
Truly, a high-register singer I’d especially recommend to women.
Thunderous applauseLiSA

A track included on LiSA’s sixth studio album, LANDER, which was released in November 2022.
It was unveiled as an advance single ahead of the album’s release.
The song was also chosen as the official theme for the ABEMA/TV Asahi co-produced program FIFA World Cup Qatar 2022, so many of you may have heard it there.
Centered around the A-melody, the contrast between the relatively low-range sections and the use of high notes in the chorus is wonderfully crafted.
The use of falsetto in the high parts is excellent as well, making it a song where you can fully enjoy LiSA’s outstanding vocal ability.
When singing it at karaoke, be careful to maintain vocal power throughout!
come againm-flo

This is “Come Again,” a song by m-flo released in 2001.
It’s included on the album EXPO EXPO and is one of m-flo’s signature tracks.
Rather than drawing on Japanese kayōkyoku, it was reportedly crafted with an eye toward the club music that was popular in the UK at the time, and even Masataka Matsutoya was said to be struck by its freshness.
Its gentle falsetto gives it a chic, urban, and stylish vibe.
DynamiteSuperfly

This is the sixth digital-only single from Superfly, released on May 23, 2022.
Shiho Ochi, Superfly’s vocalist, is already renowned for her incredibly powerful and exhilarating high notes, and her voice shines just as brightly in this latest track! It’s crafted so you can fully enjoy her robust high tones that never thin out or weaken, even at the top of her range.
Many female readers may admire a voice like this.
But please be careful: forcing high notes with incorrect technique can damage your throat, so don’t push yourself when you sing! That aside, this song is a truly refreshing and powerful showcase of a female vocal—enjoy!
giftRADWIMPS

RADWIMPS’ new song “Tamamono.” This track quickly gained recognition after being chosen as the theme song for NHK’s morning drama series “Anpan.” It’s a piece that mixes rock and J-pop in classic RADWIMPS fashion, but the chorus is a bit unusual.
In the chorus, there’s a phrase that repeatedly alternates between falsetto and chest voice.
While it doesn’t reach extremely high notes, it’s a perfect song for enjoying the charm of high-register vocals.
Que sera, seraMrs. GREEN APPLE

A digital-only single released in April 2023 as Mrs.
GREEN APPLE’s seventh such release.
It was newly written as the theme song for the drama “Sunday Night Probably…” and was also used in a Spotify brand commercial.
Set to a brisk tempo, the track showcases vocalist Motoki Omori’s versatile high-range singing—from chest voice to mix voice to falsetto—making it a piece you can truly enjoy.
Omori’s smooth switching of vocal production across parts and phrases is nothing short of praiseworthy.
In particular, the high notes after the interlude when the key rises are absolutely overwhelming, making this a song I wholeheartedly recommend to anyone who loves powerful male high vocals!


