A masterpiece with exhilarating high notes. An enchanting high-tone voice.
Even when we simply say “high-tone voice,” there are many ways to express it—from piercing high notes sung in chest voice, to a softer, more mature high tone that effectively uses mixed voice or falsetto.
In this topic, we’ve gathered a wide variety of songs that showcase the appeal of different high-tone voices, ranging from the latest trending tracks to timeless classics.
High-tone vocals are pleasant to listen to on their own, but once you can comfortably sing high notes yourself, you’ll discover even more ways to enjoy these songs.
We hope this can serve as practice material and a point of reference for those who want to learn how to sing in higher registers.
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A masterpiece with delightful high notes. Enchanting high-tone vocals (121–130)
Headless Angeljoōbachi

Queen Bee’s masterpiece “Headless Angel.” When you think of Queen Bee, you probably picture those striking vocals that incorporate an unusually high falsetto, right? This song is exactly one of those, featuring many phrases where you need to beware of the soaring high notes.
Among them, the chorus stands out as overwhelmingly difficult.
After a B-melody grounded in the mid-to-low range, you have to shoot the pitch up suddenly and sing the chorus in a very high falsetto—and keeping the pitch under control here is incredibly tough! On top of that, the falsetto section is long, so strong endurance is also required.
My feelings fall in fluttering dropsMISIA

This is a digital-only single by MISIA, released for streaming on April 28, 2021.
It was chosen as the theme song for the Toho-distributed film “Hinokaru Soul: The Heroes Behind the Scenes.” MISIA is widely acclaimed for her vocal prowess, and that formidable ability is on full display in this track as well.
Even when focusing on the theme of this article—high notes (high-tone voice)—she delivers a masterful performance, skillfully switching between powerful highs using chest to mixed voice and gentle high tones using falsetto, expressing the song with remarkable finesse.
Lovers’ PavementTHE ALFEE

This is The Alfee’s 19th single, released on October 17, 1984.
The song features Takamizawa—renowned for his high-tone voice—as the lead vocalist, and it’s crafted as a love ballad that lets you fully savor his captivating, crystal-clear high register.
You can revel in the transparency that vividly brings the lyrics’ world to life like a visual scene.
In recent years his singing can sometimes feel a bit rough around the edges, but back then he delivered the song with remarkable care, which is another part of its charm.
Even for those who didn’t experience this track in real time, I believe it’s a must-hear—an outstanding rock ballad!
glass windowKing Gnu

A digital single by King Gnu, released in September 2023.
It was selected as the theme song for the film ‘Don’t Call It Mystery.’ King Gnu’s vocalist Daiki Tsuneta is a singer with remarkable vocal prowess, masterfully controlling a wide range of techniques and expressive nuances.
His vocal charm can be fully appreciated even in this melancholic, gently soothing track.
I can confidently recommend this song to anyone who loves high tenor male vocals.
A masterpiece with exhilarating high notes. Enchanting high-tone vocals (131–140)
Last SongOfisharu Higedan Dism

A piano pop band, Official HIGE DANDism’s second album Traveler includes this track, which was also featured as an insert song in the Fuji TV drama If Only I Could Meet You Three More Times.
It’s a song seemingly crafted to make the most of vocalist Satoshi Fujihara’s timbre, which contains a wealth of highly appealing higher overtones; the high notes in the chorus are especially exhilarating.
The soft high tones using falsetto (head voice) are also employed effectively, making this a track from which male singers who want to capitalize on their high range can learn a lot.
Be sure to study it!
If you want to make me your girlfriendKoresawa

This is the song “Atashi wo Kanojo ni Shitai nara” by Koresawa, a mysterious singer-songwriter who’s especially popular among younger generations.
Her sweet-and-sour, crystal-clear voice will make anyone’s heart skip a beat! The lyrics, which capture the real feelings of girls, have also become a hot topic for being so relatable.
We can’t take our eyes off Koresawa, who sings endearing love songs with her adorable voice!
A melody instead of a bouquetShimizu Shota

Shota Shimizu’s 20th single, released on October 28, 2015.
It’s crafted as a slow ballad with a very simple, piano-centered arrangement.
Over that simple, symphonic sound, Shimizu’s slightly boyish voice resonates attractively, making it a fine piece.
Male vocals with a boyish tone like Shimizu’s are incredibly appealing, aren’t they? The falsetto he delivers just before the instrumental break is also used very effectively, don’t you think?


