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Nostalgic Japanese hit songs from the 1970s: the golden age of idols and kayōkyoku (Japanese pop songs)

What songs come to mind when you think of Japanese hit songs from the 1970s?

Those who lived through that era in real time probably recall a wide range of hits.

With the spread of color television, people began to enjoy music from a visual perspective as well.

The 1970s are often called the golden age of kayōkyoku and idols.

Even generations who weren’t yet born will find many familiar, approachable songs that make you think, “Hey, I’ve heard this before!”

Please enjoy these captivating hit songs from the 1970s!

Nostalgic Japanese hit songs of the 1970s: The golden age of idols and kayōkyoku (61–70)

Yoko of the Port, Yokohama, YokosukaDaun Taun Bugiugi Bando

A 1975 single that dominated the charts at the time.

Its spoken-style lyrics and groovy sound are striking, drawing listeners in.

It also marked Yoko Aki’s debut as a lyricist, and features a richly narrative story set in Yokohama and Yokosuka.

It spent five consecutive weeks at No.

1 on the Oricon chart and became a massive hit, ranking fifth on the year-end chart for 1975.

Ryudo Uzaki’s distinctive vocals and Wada’s guitar solo are memorable, making it a track brimming with rock ’n’ roll flair.

If you’re in the mood to savor the atmosphere of a port town, give it a listen.

Your eyes are 10,000 voltsHoriuchi Takao

Takao Horiuchi – Your Eyes Are 10,000 Volts – 1978 (45rpm)
Your eyes are 10,000 voltsHoriuchi Takao

It’s one of Takao Horiuchi’s signature songs that’s still sung today.

It describes the thrill and shock of their first meeting with the line, “Your eyes are 10,000 volts.” With phrases like “the last angel to descend to earth,” it’s a song that continuously praises her from start to finish—so much so it’s a bit embarrassing.

Message of RougeArai Yumi

Rouge's Message – Yumi Arai (Yumi Matsutoya) (Full)
Message of RougeArai Yumi

Before Yumi Matsutoya’s marriage, during her Yumi Arai era, this was her first smash hit, peaking at No.

45 on the Oricon charts.

The shift from the European-style sound of her debut album “Hikōkigumo” to a lively American pop style was extremely fresh and innovative.

It felt like the birth of a new pop star.

Lingering Snowiruka

Iruka’s biggest hit and practically her signature song—that’s “Nagori Yuki.” The song was written and composed by Shozo Ise and was originally included on the 1974 Kaguyahime album “Sankaidate no Uta.” Iruka covered it as a single in 1975, and it became a monster hit, selling a total of 800,000 copies.

The arrangement was handled by Masataka Matsutoya—husband of Yumi Matsutoya—who is also active as an arranger and producer.

In 2002, a film of the same name, inspired by the song, was released.

From its 1975 success to the present day, it remains a beloved classic of Japanese music.

Listening to OliviaAnri

Anri / Listening to Olivia [Official Video]
Listening to OliviaAnri

A melody that gently envelops the lingering ache of a bittersweet romance, paired with refined musicianship, resonates deeply in the heart.

The lyrics, which carefully depict a woman healing her delicate emotions after a breakup while listening to Olivia Newton-John’s songs, have struck a chord with many.

With Anri’s clear, translucent vocals giving the piece a sophisticated, urban feel, it was released in November 1978 and included on the album “Anri.” In 2008, it was also featured as an insert song in the Nippon TV drama “Saito-san,” cementing its status as a timeless classic loved across generations.

This warm ballad offers comfort to those trying to recover from the pain of heartbreak and to anyone who has experienced parting with someone dear.

Red Elegyagata morio

Red Elegy – Morio Agata (Live video recorded on November 22, 2009, with lyrics subtitles)
Red Elegyagata morio

A 1972 hit song.

It’s a lyrical piece, performed with backing by Hachimitsu Pie, inspired by Red Colored Elegy, which ran in the cult manga magazine Garo.

What left a strong impression on me was that, despite—or perhaps because of—the fact that both the manga and the song possessed a lyrical quality detached from their time, it became a massive hit.

Gather the Windhappiiendo

Happy End – Gather the Wind (“Kaze wo Atsumete”) (Live 1985) All Together Now
Gather the Windhappiiendo

An iconic masterpiece of the 1970s was born.

Known as one of Happy End’s signature songs, this track gently sings of a yearning for freedom, set against the backdrop of a seaside suburb.

The soft tones of the acoustic guitar calmly envelop the listener.

Included on the album Kazemachi Roman, released in November 1971, it has continued to be loved across generations, even being used later in the film Lost in Translation.

This piece is recommended when you want a little peace of mind or are ready to take a new step forward.

It will surely give you a gentle push from behind.

Let’s get married.yoshida takurou

This song, included on the 1972 album “Empty World,” is a classic folk tune featuring Takuro Yoshida’s warm vocals and soothing acoustic guitar.

Its lyrics, centered on marriage, have captured many hearts and made it a staple at live performances.

The fresh, light rhythm evokes the arrival of gentle days for two people.

Reflecting a spirit of freedom and individualism, the lyrics had a significant impact on the youth culture and views on love of the time.

Cherished as a wedding standard as well, this is a heartwarming love song you’ll want to listen to with someone special.

If I can see you in my dreamsShiria Pōru

Syrup Pole - If We Meet in a Dream - Eiichi Ohtaki
If I can see you in my dreamsShiria Pōru

This song, which Rats & Star turned into a major hit in 1996, was a 1960s-style American girl pop number written and composed by Eiichi Ohtaki.

It was first sung on Minako Yoshida’s album Flapper, and then released as a single in 1977 performed by Celia Paul, becoming a smash hit.

To say goodbyebiriibanban

To Say Goodbye - by Billy BanBan
To say goodbyebiriibanban

The number three spot on the 1972 singles chart was claimed by a folk duo called Billy BanBan.

The popularity of this kind of folk song comes around regularly in a cycle that doesn’t change no matter how the times do.

It has a freshness reminiscent of Yuzu in recent years.