Nostalgic yet fresh!? Classic masterpieces of Japanese rock from the 1970s and 1980s
I think it’s fair to say that up through the 1980s, Japan’s rock scene was, in a sense, the golden age of Japanese rock.
From the 1990s onward—after the Heisei-era “Ika-ten” band boom—rock became, for better or worse, a polished “product.” In contrast, up until the ’80s, it was truly an age of fierce rivalry, with uniquely individual rock bands and rock singers flourishing.
Here, I’ll introduce some “classic rock masterpieces” from the era before Japanese rock came to be labeled J-ROCK or J-POP.
For those who experienced that time in real time, I hope this brings back fond memories; for younger listeners who didn’t live through Showa in real time, I think you’ll find it fresh and exciting.
Please surrender yourself to the sounds of Japan’s good old rock and enjoy.
- A special feature on classic and hit songs by bands that were active in the 1980s
- [1970s] Classic and hit songs of Japanese rock that blazed through the dawn era
- Cool songs from the Showa era. Masterpieces from Showa that shine with sensuality, passion, and rugged charm.
- [1970s] Collection of Japanese hit songs. Nostalgic masterpieces of Japan
- Classic and hit Japanese pop songs from the nostalgic 80s
- [J-Rock] Timeless masterpieces that colored the 1990s. Nostalgic hit songs.
- Thrilling to Cool Showa-Era Tunes! Classic Songs from Female Singers and Artists of the Showa Period
- Legendary Japanese rock masterpieces and hit songs of the 1960s
- Popular Showa-era pop. Timeless hit songs.
- 1980s: Legendary Western Rock Bands’ Classic and Hit Songs
- [Revisited] A roundup of popular and classic Showa-era songs that are trending now [2026]
- Now’s the time to listen! Uplifting Showa-era songs that brightened Japan
- Revival hits driven by social media! Classic Showa-era songs popular with Gen Z
Nostalgic yet fresh!? Classic hits of Japanese rock from the 1970s and 80s (81–90)
Impossible!bakufū suranpu
Bakufu Slump was formed when two bands, Super Slump and Bakufu-gun, became one.
They have an image of being able to handle anything, from ballads like “Under the Big Onion” to rock songs like “I Want to Be the Talk of the Town.” The song “Tabibito yo ~The Longest Journey~,” which came from a TV show, is a classic you still hear often today.
“Muri da!”—which fully showcases Bakufu Slump’s playful side—is one of their early signature tracks! Its lyrics list one impossible demand after another, and every part is sure to make you crack a smile.
It’s a nostalgic tune that perfectly suits Sunplaza Nakano’s rugged, powerful voice.
EverydayJITTERIN’JINN
This is the group that shot to fame after appearing on the legendary late-night show that sparked a major band boom, TBS’s “Yūji Miyake’s Ikasu Band Tengoku.” They might be the best-selling band that never became the Grand Ika-Ten King.
For the record, BEGIN were the second Grand Ika-Ten Kings.
I always think JITTERIN’JINN’s sound comes from the overlap of talents: vocalist Reiko Harukawa’s cool, nonchalant delivery; guitarist Jinta Haya’s many iconic riffs; drummer Miyuki Irie’s sharp, piercing attack; and more.
“EVERYDAY” was their debut single.
It’s a pure-hearted breakup song that says, “We broke up, but I still love you,” and it’s still heartbreaking to hear today.
The understated, matter-of-fact way the song handles such a painful farewell also became a talking point.
I CAN BEkome kome CLUB
When they first debuted, I remember thinking what a groundbreaking band had arrived.
They were a powerful, large ensemble with a horn section and dancers in the back.
At the time, they had twin vocalists: Carl Smokey Ishii and James Onoda.
Galaxy Express 999Godaigo
It was Godiego’s 11th single, released in July 1979.
Chosen as the theme song for the first theatrical anime film of the same name, based on Leiji Matsumoto’s work, it became a huge hit.
More recently, EXILE has covered it, making it popular across a wide range of listeners, regardless of age or gender.
The slightly short, lively rock intro alone used to make hearts race with excitement.
Centered on the departure of the anime’s protagonist, Tetsuro Hoshino, the lyrics hint at adventures to come, which may be one reason for their broad appeal.
Hideyuki Takakuwa’s clear, translucent vocals were also unlike anything in Japan’s music scene up to that time.
I LOVE YOUOzaki Yutaka
Released in 1991 as Yutaka Ozaki’s 11th single, this classic has since been covered by numerous musicians, including Hikaru Utada and Kobukuro.
It’s a ballad with a piano-centered, acoustic sound that strikes a chord, weaving a poignant love story between a young man and woman.
As you listen, it may bring back fragile yet beautiful memories of an awkward youth.
It’s also recommended to immerse yourself in the version now carried on by his son, singer-songwriter Hiroya Ozaki, and experience its unique world.
