Karaoke songs recommended for men with low voices or who are good at singing in a low register
In recent years, Japan’s music scene has seen an increase in songs with lots of high notes, influenced by K-pop.
As a result, it’s become harder for men with lower voices to find songs that suit them.
So! We’ve selected recommended tracks specifically for men with deep voices.
We also considered how well these songs go over at karaoke, so if you’re planning to go with a group soon, be sure to check them out.
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Karaoke songs recommended for men with low voices and those good at low tones (161–170)
Bewildered ThreadSuda Masaki
This is actor and singer Masaki Suda’s third digital single, released on June 7, 2022.
It was selected as the theme song for Nippon TV’s “news zero.” True to Suda’s music, which features an appealingly masculine voice with a hint of boyishness, this track should let low-voice male singers show off their wonderful vocals.
There’s a spot in the big final chorus that requires a slightly higher pitch, but rather than trying to sing it perfectly, belting it out and having fun will make it a song that truly connects.
Don’t be afraid of making mistakes—enjoy it!
excuseSha ran Q
This is Sharan Q’s 10th single, released on April 24, 1996.
It was used as the theme song for Fuji TV’s Thursday drama Age, 35: Koishikute, and the opening titles of the show even featured scenes of the Sharan Q members performing.
As for Tsunku, the band’s vocalist, he has— in a good way— a kind of “everyman” vocal skill, and the vocal melodies often sit in a relatively low range.
That’s why their songs often make great choices for karaoke singers who are strong in the lower register.
However, precisely because of that, if you sing with a weak, unsupported tone, there’s a high risk it’ll become what you might call an “unconvincing” performance.
So be sure to focus on singing with proper chest resonance—using a solid chest voice—to make the sound carry.
The One and Only Flower in the WorldSMAP
It’s no exaggeration to say this is an ultra-famous song that every Japanese person knows.
The key is on the lower side and the vocal range is quite narrow, so I think it’s easy for anyone to sing.
SMAP has many other easy-to-sing songs as well, so I can recommend them to karaoke beginners.
Happy Endingback number
This is back number’s 16th single, released on November 16, 2016.
It was also chosen as the theme song for the film “My Tomorrow, Your Yesterday.” Within this beautiful slow ballad, vocalist Iyori Shimizu’s masculine tone really shines.
To recreate the song’s atmosphere at karaoke, I think a resonant low-end in your voice is essential.
In the chorus where it climbs into higher notes, even his own singing has a slightly rough edge—and that’s part of the song’s charm.
Even if you feel self-conscious about singing high notes, don’t worry—just go for it and sing your heart out!
Blue Springback number
I often think of back number’s songs as very “This is youth!” and this one is literally titled “Aoi Haru” (Blue Spring).
While it does have parts that sit comfortably for low male voices, the overall range is quite wide, spanning D3 to C5.
What’s more, the pitch jumps up suddenly from the C melody, and the last chorus modulates, raising the range even further.
If you sing it in the original key, the second half may feel quite high, so if you’re not used to it, you might want to lower the key by two or three steps.
If you do sing in the original key, it’s fine not to belt the high notes—falsetto can capture the vibe nicely too.
Try singing it while reminiscing about your own youthful days!
To the most important personTonneruzu
It was released in 1992 as Tunnels’ 19th single.
The song was used as the ending theme for Fuji TV’s “Tunnels no Minasan no Okage desu,” and is a rare message song among Tunnels’ singles, addressing the prime minister—the country’s top leader—and exploring how Japan ought to be.
Let’s trade kisses instead of talking about love.WANDS
It was released in 1993 as WANDS’ fifth single.
The song was used in a commercial for Boutique JOY, with lyrics written by vocalist Sho Uesugi and music composed by Tetsuro Oda.
It became a major hit and is the only WANDS single to have topped the Oricon chart for four consecutive weeks.