Karaoke songs recommended for men with low voices or who are good at singing in a low register
In recent years, Japan’s music scene has seen an increase in songs with lots of high notes, influenced by K-pop.
As a result, it’s become harder for men with lower voices to find songs that suit them.
So! We’ve selected recommended tracks specifically for men with deep voices.
We also considered how well these songs go over at karaoke, so if you’re planning to go with a group soon, be sure to check them out.
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Recommended karaoke songs for men with low voices and those good at singing in the lower register (181–190)
AM11:00HY
A track from HY’s April 2003 album “Street Story,” it’s a regular at the top of karaoke and ringtone charts.
HY often features a kind of male–female twin lead vocal setup, so many of their songs are written to be easy to sing in either a male or female key.
In “AM11:00,” the male part doesn’t demand ultra-high notes, making it approachable even for lower-voiced men.
That might be one of the secrets behind its consistent karaoke ranking.
The rap section in the middle can be a bit challenging, but try it with a good sense of rhythm and groove, and give it a shot.
Recommended karaoke songs (191–200) for men with low voices and those good at singing in lower ranges
Lights Out feat. Jeremy QuartusNulbarich
Nulbarich is a band that has gained popularity for its stylish musicality.
The band name is pronounced “Narubaricchi” (Nulbarich).
Their signature sound incorporates elements of Black music such as neo-soul and R&B, and they consistently release sophisticated, slightly ennui-tinged tracks.
Among Nulbarich’s songs, a particularly recommended one is “Lights Out feat.
Jeremy Quartus.” It’s a neo-soul number with strong jazz and hip-hop flavors, sung within a narrow vocal range throughout.
Because the vocal line’s dynamics are very gentle, even teenage boys whose voices tend to be unstable should be able to sing it without trouble.
Rose of PassionTHE BLUE HEARTS
This is the ninth single by the Japanese rock band THE BLUE HEARTS, released on July 25, 1990.
It became the band’s first and only single to reach No.
1 on the Oricon Singles Chart, and it was also used as the theme song for the drama “High School Graffiti 2.” You don’t need any fancy reasoning to sing this one.
Its charm lies in the good kind of rough, raw vocals—so just focus on the groove and have fun! It’s a song that really lets a lower, more masculine voice shine.
Galaxy Express 999sasaki isao
The opening theme of the TV anime Galaxy Express 999 is sung by Isao Sasaki, whose wonderful low voice stands out.
Since it’s performed by Mr.
Sasaki, known for the appeal of his lower register, we featured it in this theme, but the soaring high notes in the chorus might be a bit challenging for those who struggle with higher pitches.
It might be best to lower the key enough that your prized low notes don’t become unstable.
The trick to making it sound good is to sing it in a rich, resonant, declarative style.
Come Be My Bride 2015Kayama Yūzō feat. PUNPEE
This is a revival hit that boldly features Yuzo Kayama’s “Oyome ni Oide” and even ended up becoming a full-on collaboration.
Since the track is mainly rap, as long as you can keep the rhythm, it’s easy to sing even if you have a low natural voice.
You don’t often see people sing it at karaoke, but depending on the situation, it can really hit the spot.
How about it for karaoke at a wedding after-party or later gatherings?
Dawn BeatFujifaburikku
A track from Fujifabric’s fourth album, “MUSIC,” released in July 2010.
It’s a song left behind by the late Shimura, who passed away the previous year, and fans will no doubt find it poignant that the vocal track and the latter half’s guitar solo use his original demo as is.
The song is a quintessential Fujifabric dance/rock number, and you can fully enjoy Shimura’s slightly husky voice with its laid-back feel.
When singing it at karaoke, the key is how well you can recreate that distinctive sense of relaxed delivery.
Make sure to project properly, but be careful not to put more force into the singing than the song requires.
The Tale of Three CapitalsTanimura Shinji
This is Shinji Tanimura’s 28th single, released in June 1992.
It was created as the image song for JR West’s tourism promotion campaign “Santo Monogatari,” which encouraged travel to Kyoto, Osaka, and Kobe.
The song has a refined, mature mood throughout, resulting in a gently emotive piece.
The vocal melody doesn’t require a particularly wide range, and especially in the A–B sections, a resonant low voice is important.
I think this makes it a great opportunity for lower-voiced men to showcase the appeal of their tone.
Practice to create a clear contrast with the chorus, where the range rises slightly.
In the A–B sections, try to place the sound toward the lower jaw inside your mouth and resonate firmly in the chest cavity; in the chorus, aim your voice toward the area behind the upper molars.
This should help you achieve that contrast, so please give it a try.