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Karaoke songs recommended for men with low voices or who are good at singing in a low register

In recent years, Japan’s music scene has seen an increase in songs with lots of high notes, influenced by K-pop.

As a result, it’s become harder for men with lower voices to find songs that suit them.

So! We’ve selected recommended tracks specifically for men with deep voices.

We also considered how well these songs go over at karaoke, so if you’re planning to go with a group soon, be sure to check them out.

Karaoke songs recommended for men with low voices or who are good at singing in a low range (251–260)

Please, once more…Takahashi Eiichi

Hailing from Shiga Prefecture, rising enka/kayōkyoku singer Eiichi Takahashi released this as his second single in 2017.

Actually, I produced this track, and the A-melody uses quite low notes, so it might be tough to sing even for guys with deep, handsome voices.

That said, if you’ve got a sweet low register, the melody is designed to let that shine to the fullest, so I’d love for you to give it a try at karaoke.

Including a practice karaoke version, it’s available here: https://music.apple.com/jp/album/%E3%81%A9%E3%81%86%E3%81%8B%E3%82%82%E3%81%86%E4%B8%80%E5%BA%A6-%E8%9D%89%E6%99%82%E9%9B%A8-ep/1355008694

Kei Takahata
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ArueBUMP OF CHICKEN

This is BUMP OF CHICKEN’s 7th single, released on March 31, 2004.

Fujiwara, the band’s vocalist, doesn’t have what you’d call a classic “ikebo” (sexy deep voice); rather, his appeal lies in a somewhat languid low-register delivery.

Conveying a song’s charm with this style is actually quite difficult when you try it yourself.

If you try to emphasize the languid feel by relaxing your voice too much, there’s a high risk you’ll ruin the song.

So if you choose this for karaoke, I hope you’ll avoid doing a straight impersonation of him.

Singing with a “relaxed” feel—in a good way—is probably the key to making it sound right.

Musically, it’s a relatively singable mid-tempo rock song, so as mentioned, it’s one of the best choices for practicing this kind of vocal production and singing approach.

Kei Takahata
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LOVE (I want to hold you)sawada kenji

Kenji Sawada – LOVE (I Want to Hold You) [stage mix]
LOVE (I want to hold you)sawada kenji

This is Kenji Sawada’s (Julie’s) 25th single, released on September 10, 1978.

It was a huge hit at the time, and actually, when I was in elementary school, I put on makeup like Julie himself and sang this song at a class party, which brought the house down (lol).

So I have a very personal attachment to this song, but listening to it again now for the first time in a while to write this piece, I felt it’s crafted into a very dramatic ballad that makes great use of Sawada’s captivating low register.

The low tones in the A section seem like something only men who are strong in the lower range can truly replicate! The high notes in the chorus aren’t that high either, so definitely try singing this and show your friends the charm of your voice!

Kei Takahata
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In conclusion

A low voice is a unique trait and a captivating asset.

Precisely because songs with many high parts are mainstream now, vocals that make the most of low tones shine even brighter.

While there are areas that require practice—such as pitch movement and breath control—those with a low voice should cherish that individuality and enjoy the world of singing.

By discovering a voice that feels true to you, you’ll open up new possibilities for expression.