Mendelssohn’s Masterpieces | Popular Classical Music
Mendelssohn, a composer who represents German Romanticism.
He was active not only as a composer but also as a pianist and conductor, and from a young age he possessed such musical talent that he was called a child prodigy.
In this article, we introduce some of the masterpieces Mendelssohn left behind.
Whether you’re a fan of Mendelssohn or not very familiar with him, please take a look.
We hope you’ll notice the characteristics and charm of his style and discover some new favorite pieces.
If you play an instrument or sing, do try performing them yourself!
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Mendelssohn’s Masterpieces | Popular Classical Music (71–80)
Songs Without Words, Book I, No. 3, Hunter’s Song, Op. 19Felix Mendelssohn
This piano piece is marked by a powerful, dynamic melody.
Skillfully depicting a hunting scene, it features a brilliant tone reminiscent of horn calls and a refined, delicate rhythm.
Included in the 1832 publication Songs Without Words, Book I, it continues to be cherished by many pianists today.
The excitement and exhilaration of the hunt portrayed in the music will captivate listeners in an instant.
Fully showcasing Felix Mendelssohn’s rich expressive power, this work is perfect for those who enjoy dazzling, energetic performances or wish to experience the piano’s wide expressive range.
Wedding March (Music Box)Felix Mendelssohn
When it comes to wedding music, Felix Mendelssohn’s “Wedding March,” famous for its ta-ta-ta-taaaan motif, is well known.
This is the music box version.
Unlike the orchestral rendition, it has a very cute charm.
The soothing, relaxing feel is unique to the music box timbre.
It would work not only for the entrance but also as background music during the party.
Highly recommended for wedding receptions.
Wedding March (Jazz)Felix Mendelssohn
The cool Wedding March that starts with “ta-ta-ta–taaaan” is a piece by Mendelssohn.
In the past, classical versions were the norm, but now it’s performed in all sorts of arrangements.
There’s even a jazz version—its stylish, mature vibe is really appealing.
The Electone can handle any arrangement, which is wonderful.
Three Fantasies, or Caprice, Op. 16 No. 3Felix Mendelssohn
Mendelssohn’s “Three Fantasies, or Caprices,” said to have been written during his first trip to England, does not consist entirely of fantasies as the title might suggest; generally, the first piece is considered a fantasy, the second a scherzo, and the third a caprice.
Overall, the set is intermediate in level, but the relatively easier No.
3 has a consistent development and is not structurally complex, making it a good choice for those tackling this work for the first time.
That said, the main melody is basically a continuous stream of sixteenth notes, with thirty-second notes appearing in the latter half, so precise and delicate fingering is essential.
Start by slowing the tempo and gradually getting your fingers accustomed to the movements so you can express the beautiful melody smoothly.
Six Pieces for Children, Op. 72 No. 1Felix Mendelssohn
Felix Mendelssohn’s Six Children’s Pieces, Op.
72, is a collection well-suited to beginning piano students.
No.
1, in particular, captivates the listener with its charming melody.
Its buoyant waltz rhythm and lively staccato add color to the piece, and the structure is easy for early-elementary learners to grasp.
With few accidentals and requirements limited to fundamental piano technique, it is also highly recommended for recital programs.
By practicing light, agile fingering, students can achieve an even more expressive performance.
Six Pieces for Children, Op. 72 No. 2Felix Mendelssohn
Alongside the Songs Without Words, Mendelssohn’s Six Pieces for Children are among his more approachable works and are perfect as practice material.
The piece introduced here is No.
2; though short, its refined and graceful melody is delightful to play.
The left hand is basically an arpeggiated accompaniment, so it’s important to make the right-hand main theme clear.
Since accidentals appear regularly, be sure to read the score carefully, and rather than playing mechanically, follow the indicated dynamics to shape an expressive performance.
6 Pieces for Children, Op. 72 No. 3Felix Mendelssohn
Without needing to master difficult techniques, Mendelssohn’s piano miniatures “Six Children’s Pieces, Op.
72” let you savor the graceful beauty of Romantic music.
The third piece in the set, in addition to its beauty, conveys a charming, playful lightness that evokes children at play—a fresh and bright work.
Be sure to clearly differentiate the flowing, beautiful legato passages from the buoyant staccatos and repeated dotted rhythms, aiming for a performance with vivid contrast.
