Mendelssohn’s Masterpieces | Popular Classical Music

Violin Concerto in E minor, Op. 64Felix Mendelssohn

Mendelssohn: Violin Concerto (Heifetz)

It’s a masterpiece that needs no introduction for classical music lovers.

The violin’s strikingly beautiful melody is so flowing it’s almost astonishing.

This concerto is esteemed alongside Beethoven’s Violin Concerto in D major and Brahms’s Violin Concerto in D major.

Composed late in Mendelssohn’s life over the course of six years, it is performed without breaks between its three movements.

The first movement begins with a wistful theme, features a dialogue between violin and orchestra, and concludes with Mendelssohn’s own designated cadenza.

The second movement presents a sweet violin melody over the orchestra’s accompaniment.

It then launches straight into the third movement, where, shifting from E minor to E major, the violin and orchestra bring the work to a brilliant finale.

A historically significant masterpiece—be sure to give it a listen.

May Breeze Op. 62-1Felix Mendelssohn

Songs Without Words (11 pieces) in G major, Op. 62-1 “May Breezes”

Another spring-like masterpiece opens the same Book 5 of Songs Without Words that includes Felix Mendelssohn’s famous Spring Song.

Published in 1844, this fifth book is also known for being dedicated to Clara Schumann, with whom he had a close friendship.

The work’s greatest charm is, above all, its gentle and beautiful melody.

The singing right-hand line and the breeze-like, swaying accompaniment are exquisitely balanced, letting you feel the air of the warm season just by listening.

As a study piece, it’s also ideal for carefully refining the resonance of the inner voices.

If you want to develop expressive, emotionally rich playing rather than mere finger exercises, be sure to add it to your repertoire.

Six Songs, Op. 34: No. 2 ‘On Wings of Song’Felix Mendelssohn

Barbara Bonney – Auf Flugeln des Gesanges (Mendelssohn)

The second song of Six Songs, Op.

34, composed in 1834, is a beautiful Lied based on a poem by Heine.

Its graceful melody depicts a dreamlike scene in which the lover is invited to a utopian realm.

On the banks of the Ganges, a garden blooms under the moonlight with red flowers and water lilies.

There, violets and roses converse while a young deer listens.

Characterized by the rich expressiveness typical of the Romantic era, this piece leaves a deep impression on listeners.

In Japan, it is also well known for being used as the arrival melody for Kintetsu limited express trains.

Hear My Prayer, O LordFelix Mendelssohn

Mendelssohn – Hear my Prayer (Durham Cathedral Consort of Singers)

This work is a sacred piece composed in 1834, written for orchestra and mixed chorus.

It features a gentle, emotional ballad-like character and a melody that brings calm and comfort.

The lyrics are a prayer to God, pleading for help, and speak of threats from enemies, loneliness, and fear.

It is often performed during the Christmas season and at religious ceremonies, and it is popular in church and sacred music concerts.

Even if you don’t usually listen to religious music, why not give this beautiful piece a try?

From the oratorio “St. Paul,” Part I, No. 2: “Lord, Lord God”Felix Mendelssohn

Mendelssohn – PAULUS – Nr.2 Chor “Herr, der du bist der Gott”

One piece from the oratorio St.

Paul is known as a masterpiece of sacred music.

Completed in 1836, this work is based on the life of the Apostle Paul.

Its majestic choruses—praising God’s greatness and compassion—are striking; while influenced by Bach, the piece shines with Mendelssohn’s unique Romantic sensibility.

A superb fusion of devout faith and musical talent, it is recommended not only for those interested in sacred music but also for classical music enthusiasts.

Its beautiful melodies, which convey a profound bond between the sacred and the human, are deeply cleansing to the soul.

Symphony No. 3 in A minor, Op. 56 “Scottish”Felix Mendelssohn

Mendelssohn: Symphony No. 3 in A Minor, Op. 56, MWV N 18 “Scottish”: 3. Adagio

Mendelssohn has five well-known symphonies, numbered Nos.

1 through 5; among them is Symphony No.

3, the “Scottish.” The symphonies were not composed in numerical order, and No.

3 was actually the last to be completed, in 1842.

He began composing it during his visit to Scotland in 1829, inspired—like what one might call Mendelssohn’s own “Moon over the Ruined Castle”—when he stood amidst the ruins of a palace.

The first movement features a beautifully dark introduction, followed by the sense of knights marching on horseback and fierce battle.

The second movement is marked by a lively, pleasant idea reminiscent of bagpipes.

The third movement is a heavy march, and the fourth conveys tragedy and weariness.

Yet in the end, the work concludes in a bright, triumphant mood.

Scherzo from A Midsummer Night’s Dream, Op. 61Felix Mendelssohn=Rachmaninoff

Rachmaninoff Paraphrasing Mendelssohn : Scherzo “A Midsummer Night’s Dream” – Lugansky

A Midsummer Night’s Dream was composed in 1843 as incidental music based on Shakespeare’s play.

Among its movements, the Scherzo portrays, in music, the fairies’ light and nimble dancing, marked by a distinctive rhythm and brilliant melodies.

This work is a transcription of that piece for solo piano by the Russian composer Rachmaninoff.

Its virtuosic performance, which recreates the orchestra’s rich sonorities on a single piano, draws listeners into a dreamlike world.

It is frequently performed in concerts and is a recommended piece for those who wish to enjoy a fantastical atmosphere and delicate expression.