Famous opera masterpieces | Featuring many great opera singers
Opera is fairly familiar in Japan, even being included in school textbooks.
Still, many people may recognize the melodies without knowing much about the famous opera pieces themselves.
For those readers, we’ve selected a number of renowned opera masterpieces.
In addition to introducing the works, we explain them from various angles—the background of their creation, the appeal of the opera singers performing them, and more—so both regular opera listeners and those less familiar with opera can enjoy the content.
Please take your time and enjoy it to the very end.
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Famous Opera Masterpieces | Many Great Opera Singers Also Appear (71–80)
The current singing voiceRita Streich

From Rossini’s The Barber of Seville, Rosina’s aria from Act 1.
You can hear the advanced technique called agilità, frequently used in Rossini’s music, in which a single word is sung through a rapid succession of notes.
Incidentally, this aria exists in two versions—mezzo-soprano and soprano—with different keys for each.
Largo al factotumThomas Hampson

From Rossini’s The Barber of Seville, Figaro’s aria in Act 1.
It’s an extremely challenging piece that demands a very high range for a baritone.
In addition, the rapid-fire patter—emblematic of the witty narrator—never lets up, and if performed flawlessly, it brings the house down with thunderous applause.
My fatherAna Maria Marutinesu: uta

This is one of the arias from the opera Gianni Schicchi.
Lauretta, the daughter, is in love with the young Rinuccio and wants to marry him, but she faces opposition from Zita, a relative of Rinuccio’s, because Lauretta’s family is not wealthy.
There is also an inheritance dispute on Zita’s side of the family, so the marriage is not permitted.
In this aria, Lauretta pleads with her father—Gianni Schicchi, an educated man—to find a good solution.
Though desperate in content, the piece also possesses a wistful elegance.
I wonder what love is like.Inguritto Keruteshi: Uta

In the opera The Marriage of Figaro, this is the song sung by the young Cherubino, who harbors feelings for Countess Rosina, performed in front of her.
Incidentally, although Cherubino is male, the role is played by a female opera singer to convey youthful vitality.
In the latter half, the melody rises, expressing how his initial shyness transforms into passion.
Opera La serva padrona (by Giovanni Battista Pergolesi)I Barokkisuti Okesutora

The story of this opera is that while the wealthy master Uberto is agonizing over whether he’s in love with his maid, Serpina—who wants to marry into wealth—plays a game of romance and ends up marrying him.
It is a charming comic opera that composer Pergolesi enlivened with elegant and delicate orchestration.
Premiered to great acclaim at the Teatro San Bartolomeo in Naples in August 1733, it went on to become a work that spurred major developments in the history of opera.
Opera ‘Martha’ (Friedrich von Flotow)Shutātsukapere Berurin Kokuritsu Kagijō Ōkesutora

It is a romantic and delightful opera that amusingly portrays the love commotions of a lady-in-waiting.
Songs such as the Irish folk tune “The Last Rose of Summer” are beautifully performed within the drama, making it a quintessential popular opera whose pairing of story and music is wonderfully captivating.
Its premiere took place in November 1847 at the Kärntnertor Court Theatre in Vienna.
Hunters’ Chorus: The Joy of the HunterSurovakia Firuhāmonī Gasshōdan

This is a piece from the opera Der Freischütz, which depicts events surrounding a shooting contest held for the chance to marry one’s beloved.
It’s a lively, upbeat song in which the other gathered hunters sing about the joys of the hunt at the banquet area set up in the forest where the contest takes place.


