Coffee commercial song. Popular commercial jingle.
You see coffee commercials on TV every day, right?
I’m going to introduce songs that have been used in coffee commercials, from instant coffee to bottled coffee.
A wide variety of tracks have been featured, from soothing tunes that let you take a relaxing breather to songs with a stylish vibe.
We’ve picked out everything from classic hits that have long been beloved by viewers as staple CM songs—like “Awakening,” famous for its “dabada” scat—to the latest commercial tracks.
Please give them a listen.
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Coffee commercial songs. Popular commercial songs (1–10)
Original songDona Baaku
The commercial song used for “TULLY’S COFFEE THE BARISTA’S ROAST,” a drip coffee created in collaboration between Ito En and TULLY’S, is an original track featuring a cool, rhythmic cello performance.
The singer is Donna Burke, an Australian singer-songwriter who is active in many commercial songs and as a lyricist for various artists.
The commercial has a chic, luxurious vibe that pairs perfectly with coffee, so be sure to check it out.
LA BAMBANakatani Yasushi
Suntory’s “BOSS Cafe Base” commercial features the comedy duo member Yuki Iwai from Haraichi and actress Sairi Ito, and uses “La Bamba,” a piece of traditional Mexican music.
“La Bamba” was covered in 1958 by Mexican-American singer Ritchie Valens and became a worldwide hit from the 1950s through the 1980s.
In Japan, Katsuko Kanai performed it at the 18th NHK Kohaku Uta Gassen in 1967, and Dragon Ash covered it on their 2008 single “Velvet Touch.”
Song of Café au LaitMori Izumi
Once you hear it, the catchy phrases of “The Café au Lait Song” stick in your head, and the tune makes you want to drink a café au lait.
Its pop melody pairs perfectly with lyrics that capture the dilemma of not wanting to give up either coffee or milk, making the choice of what to drink feel fun.
The cute characters in the commercial’s animation are also memorable.
The way the character wavers between the strong-looking coffee and the gentle-looking milk is adorable, making it a commercial you’ll want to watch over and over again.
Coffee commercial songs. Popular commercial songs (11–20)
From the opera “La Wally”: Farewell, my home in the homelandArufurēdo Katarāni
The piece used in the 2020 FamilyMart “Sweetly Roasted Coffee” commercial featuring Goro Inagaki was ‘Addio, casa natia’ from Alfredo Catalani’s opera La Wally.
Premiered at La Scala in Milan in 1892, the opera is considered Catalani’s masterpiece.
Although the full four-act work is now rarely performed, the aria ‘Addio, casa natia’ has gained popularity as a standalone item in the soprano repertoire.
Original songIwatatakanori
In the commercial for AGF “Blendy Stick Cafe au Lait,” featuring Takanori Iwata—who is active as a dancer with Sandaime J SOUL BROTHERS and EXILE—you can hear Iwata’s gentle singing voice.
The song is an original track created for the commercial, following the one used in the 2018 spot, making it the second original song in the series.
It’s a heartwarming ad that makes you crave a warm cafe au lait on a cold winter day, so please enjoy watching it while listening to the music.
La La,SmileHiramatsu Eri
La La, Smile is the Nescafé theme song sung by Eri Hiramatsu, known for Room, White Shirt, and Me.
It is included on a collaboration CD between Hiramatsu—who marked her 25th debut anniversary in 2014—and Nestlé Japan Ltd.
The CD features covers of songs previously used in Nescafé commercials as well as Hiramatsu’s original tracks.
In the music video for La La, Smile, people connected with Nescafé perform a dance choreographed by Lucky Ikeda.
Gather the WindKubota Masataka
The commercial song for the chilled cup coffee drink “Mt.
Rainier” in the commercial titled “Unravel and Move Forward” is “Kaze wo Atsumete,” sung by the featured actor Masataka Kubota.
“Kaze wo Atsumete” is originally a track by the rock band Happy End, included on their 1971 album “Kazemachi Roman,” and is a hidden gem that has been covered by numerous artists.
In the commercial, Kubota delivers a gentle vocal performance, and he says he approached the recording with the intention that “it would be nice if listeners could feel at ease.”